Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bests...(+)
Composed by Gordon Jacob
(1895-1986).
Concerto/Feature,
Instrumental Solo,
Bestseller. Piano score.
Galaxy Music Corporation
#1.5036. Published by
Galaxy Music Corporation
SKU: HL.48181221 Composed by George Frideric Handel. Leduc. Baroque. Soft...(+)
SKU: HL.48181221
Composed by George
Frideric Handel. Leduc.
Baroque. Softcover. 16
pages. Alphonse Leduc
#AL20532. Published by
Alphonse Leduc
(HL.48181221).
UPC:
888680867829.
9.0x12.0x0.056
inches.
Concerto in
F minor by G.F. Handel is
a piece transcribed for
Trombone and Piano by
Andre Lafosse, soloist at
the Paris Opera. Quite
difficult, for it to be
played well this piece
will require the skills
and abilities of advanced
players. This concerto is
a really melodious piece
to play in recitals. It
is divided into four
sections: I. Grave II.
Allegro III. Sarabande ?
Largo IV. Allegro The
Piano introduces first
and the third parts,
which are quite slow
compared to the second
one and the final. G.F.
Handel was a German
composer famous for his
operas, oratorios and
concertos..
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Composed by Ole Olsen (1850-1927). Arranged by Christian Eriksen. For Trombone a...(+)
Composed by Ole Olsen
(1850-1927). Arranged by
Christian Eriksen. For
Trombone and Piano. Late
Romantic Norgegian.
Advanced. Solo part and
Piano accompaniment.
Published by Cherry
Classics
Trombone Solo with Piano Accompaniment - Grade 6 SKU: KN.12336 (BWV 97...(+)
Trombone Solo with Piano
Accompaniment - Grade 6
SKU: KN.12336
(BWV 974, based on
Concerto In D Minor by
Alessandro Marcello).
Composed by Johann
Sebastian Bach. Arranged
by John Marcellus. Solo.
Trombone Solo. Kendor
Music Inc #12336.
Published by Kendor Music
Inc (KN.12336).
UPC:
822795123364.
This
addition to the grade 6
repertoire for trombone,
edited by trombone legend
John Marcellus, will
instantly become a
classic for years to
come. This piece was
originally a Concerto for
Oboe and Strings by
Alessandro Marcello, and
then Johann Sebastian
Bach later adapted it for
keyboard (BWV 974). Total
duration 11:20.
For Trombone and Piano Reduction. Composed by William Bolcom. E.B. Marks....(+)
For Trombone and Piano
Reduction. Composed
by William Bolcom. E.B.
Marks. Classical.
Softcover. 44 pages.
Published by Edward B.
Marks Music (HL.249506).
Trombone et Piano [Set de Parties séparées] - Intermédiaire Peters
Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium,...(+)
Composed by Antonio
Capuzzi, edited by Philip
Catelinet. For tuba (or
euphonium, trombone, Eb
bass, Bb bass) and piano.
Format: set of
performance parts
(euphonium, trombone,
bass Eb and Bb parts
included). With solo
parts and piano
reduction. Classical
period. 31 pages. 9x12
inches. Published by C.F.
Peters.
(Cancoes do Sol - Concerto No. 3 for Trombone and Orchestra). By Eric Ewazen. F...(+)
(Cancoes do Sol -
Concerto No. 3 for
Trombone and Orchestra).
By Eric Ewazen. For
Trombone, Piano.
Contemporary. Solo part
with piano reduction.
Standard notation. 36
pages. Duration 18
minutes. Published by
Theodore Presser Company
Concerto for Trombone Trombone et Piano [Conducteur et Parties séparées] - Avancé Winwood Music
By Johann Georg Albrechtsberger (1736-1809). Arranged by Michael Clack. Solo. Fo...(+)
By Johann Georg
Albrechtsberger
(1736-1809). Arranged by
Michael Clack. Solo. For
Trombone solo and Piano
accompaniment. Classical
concerto for trombone.
Classical. Advanced.
Piano score and parts.
Standard Notation
Composed by Howard J. Buss (1951-). TROMBONE CONCERTO in 3 movements: Proclamati...(+)
Composed by Howard J.
Buss (1951-). TROMBONE
CONCERTO in 3 movements:
Proclamation, Soliloquy,
and Capriccio. This
critically acclaimed
composition works well as
a feature number and as a
contest piece. An
alternative to the
Rimsky-Korsakov, the
Jacob 'Concertino', or
the Larson - substant.
20th Century. Score and
part. Composed 1983.
Duration 18'. Published
by Brixton Publications
(B7.B342).
Trombone and piano - Intermediate-Advanced SKU: FT.FM799 Composed by Nico...(+)
Trombone and piano -
Intermediate-Advanced
SKU: FT.FM799
Composed by Nicola
Morello. Modern concerto
in a tonal style; 3
movements presented
continuously. Classical.
Score and Part. Forton
Music #FM799. Published
by Forton Music
(FT.FM799).
Composed by Vladisclav Blazhevich. Arranged by Gerald Felker. Solo part and acco...(+)
Composed by Vladisclav
Blazhevich. Arranged by
Gerald Felker. Solo part
and accompaniment part.
Duration 12 minutes, 30
seconds. Published by
Kendor Music Inc
(KN.12335).
Vocalise Trombone et Piano - Intermédiaire De Haske Publications
Trombone/Euphonium and Piano - intermediate SKU: BT.DHP-1104777-401 Fo...(+)
Trombone/Euphonium and
Piano - intermediate
SKU:
BT.DHP-1104777-401
For Trombone or
Euphonium and Piano.
Composed by Satoshi
Yagisawa. De Haske Brass
Series. Book Only.
Composed 2010. 8 pages.
De Haske Publications
#DHP 1104777-401.
Published by De Haske
Publications
(BT.DHP-1104777-401).
ISBN 9789043134965.
9x12 inches.
International.
V
ocalise is the second
part of Yagisawa
Satoshi's Trombone
Concerto. In this
additional solo version
it can be performed by
Trombone or Euphonium and
Piano.
Vocalise
is het tweede deel uit
Satoshi Yagisawa's
Trombone Concerto voor
harmonieorkest. De
koraalachtige melodie uit
dit deel leent zich
uitstekend voor
uitvoering met
pianobegeleiding. De
warme, zachte klank van
de tromboneof het
euphonium komt hierin
volledig tot zijn
recht!
Vocalise
ist der zweite Satz
aus Satoshi Yagisawas
Trombone Concerto
und kann in dieser
Fassung von Posaune oder
Euphonium mit
Klavierbegleitung
gespielt werden.
Trombone and Piano - advanced SKU: CY.CC2319 Composed by Nikolay Andreyev...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2319
Composed by
Nikolay Andreyevich
Rimsky-Korsakov. Arranged
by Ralph Sauer. Romantic.
Solo part and
accompaniment. Published
by Cherry Classics
(CY.CC2319).
The Serenade,
Op. 37 was conceived for
Cello with Piano
accompaniment, but later
in life the composer
scored the work for the
solo instrument with
orchestra. The Trombone
world knows
Rimsky-Korsakov for his
Concerto with Band. The
Serenade has a very
similar mood to the slow
movement of the Concerto.
It's beautiful lilting
rhythm combined with a
wonderful melody makes
this work very
worthwhile. Mr. Sauer
brings a true Trombone
feel to the 4 1/2 minute
work for advanced
performers.