For Violin. Classical (orchestral). Includes a complete printed edition of the c...(+)
For Violin. Classical
(orchestral). Includes a
complete printed edition
of the concerto on
high-quality ivory paper,
with informative liner
notes and performance
suggestions; and a
digital stereo compact
disc featuring a complete
performance of the
concerto with orchestra
and soloist; then a
second performance minus
you, the soloist. The
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
For Violin. Includes a newly-engraved edition of the concerto on high-quality iv...(+)
For Violin. Includes a
newly-engraved edition of
the concerto on
high-quality ivory paper;
and a digital stereo
compact disc featuring a
complete performance of
the concerto with
orchestra and soloist;
then a second performance
minus you, the soloist.
The concerto is
voluminously indexed for
your practice and
performance convenience.
Published by Music Minus
One.
For Violin. Classical (orchestral). Includes a newly-engraved edition of the con...(+)
For Violin. Classical
(orchestral). Includes a
newly-engraved edition of
the concerto on
high-quality ivory paper,
edited complete with
performance notes by Ms.
Kouzmanova; and a digital
stereo compact disc
featuring a complete
performance of the
concerto with orchestra
and soloist; then a
second performance minus
you, the soloist. The
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
For Violin. Contains a printed score and a compact disc featuring the concerto i...(+)
For Violin. Contains a
printed score and a
compact disc featuring
the concerto in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One.
For Violin. Contains a printed score and a compact disc featuring both concerti ...(+)
For Violin. Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One.
For Violin. Includes newly-engraved music, with performance notes; a CD with com...(+)
For Violin. Includes
newly-engraved music,
with performance notes; a
CD with complete
performance of the
concerto with orchestra
and soloist; then a
second performance minus
you, the soloist; and a
2nd CD containing a -20%
reduced-tempo version of
the accompaniment for
practice purposes.
Published by Music Minus
One.
For Violin. Classical (orchestral). Contains a printed score and a compact disc ...(+)
For Violin. Classical
(orchestral). Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part.
For Violin. Contains a newly engraved music score on high-quality ivory paper, e...(+)
For Violin. Contains a
newly engraved music
score on high-quality
ivory paper, edited by
Ms. Georgieva, with
performance notes and
suggestions; a digital
stereo compact disc
featuring a complete
performance of the
concerto with orchestra
and soloist, and a second
performance minus you,
the soloist; and a second
compact disc containing a
full-speed version of the
complete version as well
as a special -20%
slow-tempo version of the
accompaniment for
practice purposes. The
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
Violin SKU: HL.242899 Violin Solo Part. Composed by Philip Glass. ...(+)
Violin
SKU:
HL.242899
Violin
Solo Part. Composed
by Philip Glass. Music
Sales America. Classical.
Softcover. Composed 2017.
24 pages. Chester Music
#DU1116501. Published by
Chester Music
(HL.242899).
UPC:
888680953126. 9x12.25
inches.
This is the
violin solo part of
Philip Glass's wonderful
Violin Concerto No.
2 “American
Four Seasons.” The
piece was commissioned by
Toronto Symphony
Orchestra and London
Philharmonic Orchestra,
among others, the world
premiere was held in
Toronto on December 9th
2009, conducted by Peter
Oundjian. At this
premiere, the violinist
was Robert McDuffie, for
whom the Concerto was
composed. During the
summer and autumn of
2009, Glass composed this
work after many years of
exchanges with McDuffie.
His idea of creating a
work that would be
influenced by, and an
accompaniment to
Vivaldi's The Four
Seasons.
Interestingly, Glass has
provided no indication in
the score of where each
season falls, making it
open for interpretation
by the performers or the
audience.
For Violin. Includes newly-engraved music, a CD with complete performance of the...(+)
For Violin. Includes
newly-engraved music, a
CD with complete
performance of the
concerto with orchestra
and soloist; then a
second performance minus
you, the soloist; and a
2nd CD containing a -20%
reduced-tempo version of
the accompaniment for
practice purposes.
Published by Music Minus
One.
For Violin. Includes an authoritative, newly engraved music score printed on hig...(+)
For Violin. Includes an
authoritative, newly
engraved music score
printed on high-quality
ivory paper, and two
compact discs containing:
a complete version with
both soloists; then a
second version in digital
stereo of the orchestral
accompaniment, minus the
violinist; and a third
version minus both
soloists; plus a third
compact disc containing a
full-speed version of the
complete concerto and a
-20% slow-tempo version
of the "minus violin"
accompaniment for
practice purposes.
Published by Music Minus
One.
Transcription by W. Schneiderhan after the original Cadenzas to the Piano Versio...(+)
Transcription by W.
Schneiderhan after the
original Cadenzas to the
Piano Version of the
Concerto. By Ludwig van
Beethoven. Edited by
Wolfgang Schneiderhan.
Violin. Pages: 27. Urtext
edition-paper bound.
Published by G. Henle.
For Violin. Contains a printed score and a compact disc featuring the concerto i...(+)
For Violin. Contains a
printed score and a
compact disc featuring
the concerto in digitally
remastered stereo, then
again minus the solo
violin part; and a second
compact disc containing
the complete version
followed by a -20%
slow-tempo version for
practice purposes. Both
versions feature fully
indexed practice sections
and orchestra entrances
for easy learning and
performance. Published by
Music Minus One.
For Violin. Classical (orchestral). Contains a printed score and a compact disc ...(+)
For Violin. Classical
(orchestral). Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. For Violin. Thi...(+)
By Jean-Marie Leclair
(1697-1764). Edited by
Jean Saint-Arroman. For
Violin. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score. 128
pages. Published by Anne
Fuzeau Productions -
France
Violin SKU: HL.48186222 Leduc. CD only. Alphonse Leduc #AL30370. Publishe...(+)
Violin
SKU:
HL.48186222
Leduc. CD
only. Alphonse Leduc
#AL30370. Published by
Alphonse Leduc
(HL.48186222).
UPC:
888680830182. 9x12
inches.
“Born
in 1955, Lebanese-French
composer, organist and
improviser Naji Hakim
studied under Jean
Langlais at the Paris
Conservatoire before
succeeding Olivier
Messiaen as organist of
the Saint Trinity Church
in Paris. Considering his
significant musical
training, Langlais'
compositions are created
from a wealth of
knowledge and
understanding, Concerto
for Violin being no
exception. Composed in
2002, Concerto for
Violin, with String
Orchestra or Piano
reduction accompaniment,
is highly modern in
composition. With a
typical performance
lasting about 35 minutes,
the concerto is made up
of three movements. The
solo Violin line
addresses many virtuosic
techniques, including
double and triple stops,
articulation, complex
rhythms, varying bowings
and a huge range of
performance directions,
amongst other aspects.
For all advanced
violinists, seeking
varied, modern
repertoire, Hakim's
Concerto for Violin is an
essential addition to the
repertoire.&rdquo.
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Music Minus One Violin. By Geoffrey Applegate. By Antonio Vivaldi (1678-1741). M...(+)
Music Minus One Violin.
By Geoffrey Applegate. By
Antonio Vivaldi
(1678-1741). Music Minus
One. Classical. Softcover
Audio Online. 28 pages.
Music Minus One #MMO3126.
Published by Music Minus
One
Critical Edition Violin Solo Part. Composed by Erich Wolfgang Korngold (1897- ...(+)
Critical Edition Violin
Solo
Part. Composed by Erich
Wolfgang Korngold (1897-
1957). LKM Music.
Classical.
Softcover. Lauren Keiser
Music Publishing
#S510015.
Published by Lauren
Keiser
Music Publishing
Concerto in A minor BWV 1041 and E major BWV 1042. By Johann Sebastian Bach. Edi...(+)
Concerto in A minor BWV
1041 and E major BWV
1042. By Johann Sebastian
Bach. Edited by Dietrich
Kilian. For Violin Solo,
orchestra. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). Published
by
Baerenreiter-Taschenparti
turen (German import).
For Violin. Classical (orchestral). Includes a high-quality printed music score...(+)
For Violin. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus you,
the soloist. Published by
Music Minus One.
Violin SKU: HL.48186062 Composed by Jean-Marie Leclair. Leduc. Classical....(+)
Violin
SKU:
HL.48186062
Composed
by Jean-Marie Leclair.
Leduc. Classical.
Softcover. Alphonse Leduc
#AL29892. Published by
Alphonse Leduc
(HL.48186062).
UPC:
888680828653.
9.0x12.25x0.136
inches.
Jean-Marie
Leclair: Concerto Op.10,
No.2 in A major (Score)
POUR VIOLON, ORCHESTRE A
CORDES, CLAVECIN OU ORGUE
(PARTITION) For Violin,
String Orchestra,
Clavecin or Organ
(Score).
Composed by Johann Sebastian Bach (1685-1750). Edited by Wieslaw Novak. Music Mi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Wieslaw Novak. Music
Minus One. Baroque and
Play Along. Softcover
Audio Online. With
fingerings and piano
reduction. 16 pages.
Music Minus One #MMO3104.
Published by Music Minus
One
For Violin. Classical (orchestral). Includes a high-quality printed music score ...(+)
For Violin. Classical
(orchestral). Includes a
high-quality printed
music score and compact
disc with complete and
stereo accompaniment
recordings. Published by
Music Minus One.
For Violin. Includes a high-quality printed music score and two compact discs wi...(+)
For Violin. Includes a
high-quality printed
music score and two
compact discs with the
complete work with
soloist in split-channel
stereo (soloist on right
channel for easy
isolation); then a second
recording in full stereo
of the accompaniments,
minus the soloist.
Published by Music Minus
One.
Violin SKU: AP.6-251241 Composed by Johann Sebastian Bach. String - Violi...(+)
Violin
SKU:
AP.6-251241
Composed
by Johann Sebastian Bach.
String - Violin. Dover
Edition. Baroque;
Masterwork. Score. Dover
Publications #06-251241.
Published by Dover
Publications
(AP.6-251241).
ISBN
9780486251240.
English.
Reproduced
from the
Bach-Gesellschaft
edition, this volume
includes the full scores
for all 3 of Bach's
violin concerti:
'Concerto for Violin &
Orchestra in A minor, BWV
1041;' 'Concerto for
Violin & Orchestra In E
Major, BWV 1042;'
'Concerto for 2 Violins &
Orchestra in D minor, BWV
1043.' 64 pgs.