Cello and Piano SKU: HL.14007473 Composed by Sir Arthur Drummond Bliss. M...(+)
Cello and Piano
SKU:
HL.14007473
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Post-1900. Book
[Softcover]. Music Sales
#NOV120348. Published by
Music Sales
(HL.14007473).
8.25x11.75x0.419
inches.
Arth
ur Bliss'
Concerto For
Violoncello.
Reduction for Cello and
Piano.
This work
was first performed at
the Aldeburgh Festival on
24th June 1970 by
Mstislav Rostropovich and
the English Chamber
Orchestra, conducted by
Benjamin Britten.
Cello and Piano - intermediate-advanced SKU: HL.14009506 Composed by E.J ...(+)
Cello and Piano -
intermediate-advanced
SKU: HL.14009506
Composed by E.J Morean.
Music Sales America.
Classical. Book
[Softcover]. 56 pages.
Music Sales #NOV317198.
Published by Music Sales
(HL.14009506).
8.25x11.75x0.222
inches.
Cello
Concerto was one of
Moeran's last major
works, written for his
wife - the cellist Peers
Coetmore - in 1945, and
stands as a robust and
sweeping confirmation of
his compositional
brilliance. This is a
version arranged for
cello with piano
accompaniment. Piano
reduction.
Violoncelle, Piano - Avancé IMC (International Music Co.)
Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and ...(+)
Composed by Dmitri
Kabalevsky (1904-1987).
Instrumental solo book
for cello and piano
accompaniment. With
introductory text. G
Minor. Composed 1948. 39
pages. Published by
International Music Co.
Flute, Cello and Piano SKU: HL.14029849 Composed by Judith Weir. Music Sa...(+)
Flute, Cello and Piano
SKU: HL.14029849
Composed by Judith Weir.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV120616. Published by
Music Sales
(HL.14029849).
8.5x11.75x0.409
inches.
Commissione
d by the Lontano
Ensemble, and first
performed by them on 21st
January 1981. In this
piece, one instrument per
movement is given musical
prominence over the other
two. Duration: c. 15
minutes.
Cello Concerto Violoncelle, Piano [Reduction] Oxford University Press
By William Walton (1902-1983). For Cello and piano. William Walton Edition. Piec...(+)
By William Walton
(1902-1983). For Cello
and piano. William Walton
Edition. Pieces and
Studies. Cello and piano
reduction. 68 pages.
Duration 27'. Published
by Oxford University
Press
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello & Piano SKU: AP.12-0571572146 Cello & Piano. Composed by Car...(+)
Cello & Piano
SKU:
AP.12-0571572146
Cello & Piano.
Composed by Carl Vine.
Masterworks; Solo; Solo
Small Ensembles; String -
Cello and Piano. Faber
Edition. Form: Concerto.
20th Century; Masterwork.
Score and Part(s). Faber
Music #12-0571572146.
Published by Faber Music
(AP.12-0571572146).
ISBN 9780571572144.
English.
Composed
for Steven Isserlis in
2004, Carl Vine's
Concerto for Cello is an
exhilarating 20-minute
work that traverses a
vast emotional palette.
The concerto begins
arrestingly, with soloist
pitted against orchestra,
though as it develops the
two factions move towards
union. A slow chorale led
by the cellist frames the
central section, whilst
relentless motor rhythms
drive the work to its
close.
Cello and piano (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9426(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.EB-9426
Urtext. Composed
by Joachim Raff. Edited
by Andrea Wiesli and
Jonas Kreienbuhl. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Romantic. Piano
reduction. 88 pages.
Duration 25'. Breitkopf
and Haertel #EB 9426.
Published by Breitkopf
and Haertel (BR.EB-9426).
ISBN 9790004189030. 9
x 12
inches.
Joachim
Raff's celebrated first
cello concerto is only
gradually being
rediscovered today. This
is astounding, taking
into account both the
quality of the
composition as well as
its enthusiastic
reception in the past.
All renowned cellists of
the time performed the
work, but the history of
op. 193 is still more
closely linked to
Friedrich Grutzmacher,
its commissioner,
co-editor, and soloist in
its world premiere, than
to any other musician.
Grutzmachers wish for a
concerto to free us poor
cellists from our
situation that is
becoming truly unbearable
and driving us to the
utmost discontent was
certainly fulfilled by
Raff.The extensive
preface of this first
Urtext-Edition documents
the close collaboration
between composer and
interpreter, as well as
performance practice of
the time. The
corresponding piano
reduction includes not
only an Urtext-solo part,
but also a part with the
markings by the Zurich
cellist Jonas Kreienbuhl.
In collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Cello, Piano SKU: HU.HN418 Composed by Franz Joseph Haydn. Edited by Sonja Gerl...(+)
Cello, Piano
SKU: HU.HN418
Composed by Franz Joseph
Haydn. Edited by Sonja
Gerlach. Strings,
Repertoire, Solos.
Concerto for Cello and
Orchestra D major Hob.
VIIb:2. Softcover Book.
59 pages. G. Henle
#HN418. Published by G.
Henle (HU.HN418).
12.2 x 9.2 x 0.2 inches.
The Cello Concerto in D
major is a technically
demanding work written
for Anton Kraf. It
represents one of Haydns
few contributions to the
virtuoso concert
repertoire of the mature
Viennese classic period,
post-dating his first
cello concerto in C major
by about twenty years.
Cello and Piano SKU: BT.EMBZ14832 Composed by Nicola Porpora. Educational...(+)
Cello and Piano
SKU:
BT.EMBZ14832
Composed
by Nicola Porpora.
Educational Tool. Book
Only. Composed 2012. 48
pages. Editio Musica
Budapest #EMBZ14832.
Published by Editio
Musica Budapest
(BT.EMBZ14832).
The source of
this publication was
issued in London in 1745
by John Walsh Jr. Walsh s
publication contains six
four-movement works,
originally written for
violin, solo cello, a
keyboard instrument and a
second cello to reinforce
the bass of the latter,
but the role of the
violin is insignificant,
so these works can be
regarded as pieces for
cello. Of the six works,
the arranger of the
volume was publishing the
three most suitable ones
to that as cello
concertos the piano part
incorporates both the
violin interludes and the
continuo. In the cello
part higher positions do
occur, but they do not
necessarily require use
of the thumb they are
playable after 4-5 years
intensivestudy of the
instrument.
Die
1745 in London
veröffentlichten
Stücke waren
ursprünglich für
Geige, Solo-Cello, ein
Tasteninstrument und ein
zweites Cello
geschrieben. Die Rolle
der Geige war jedoch so
unwesentlich, dass es
sich im Grunde um
Cellowerke handelt. Von
den ursprünglich sechs
Werken hat der Arrangeur
die drei geeignetsten
ausgewählt, wobei die
Klavierstimme die Geigen-
und die Continuostimme in
sich vereint. Die
Cellopassagen sind für
fortgeschrittene Spieler
geeignet.
Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-10802<...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.EB-10802
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Arranged
by J. Schiff and J.
Umbreit. Solo
instruments; Softbound.
Edition Breitkopf.
The first
definitive author's
version - In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Piano
reduction. 92 pages.
Breitkopf and Haertel #EB
10802. Published by
Breitkopf and Haertel
(BR.EB-10802).
ISBN
9790201808024. 9.5 x 12
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings).
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Cello and Piano SKU: HL.14041367 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14041367
Composed
by Per Norgard. Music
Sales America. Classical.
Piano Reduction. 38
pages. Edition Wilhelm
Hansen #WH31033C.
Published by Edition
Wilhelm Hansen
(HL.14041367).
ISBN
9788759818893.
10.0x14.0x0.436
inches.
This is
the Piano reduction for
Momentum - Cello
Concerto No. 2
for Violoncello Solo and
Chamber Orchestra by
Per
Nørgård
(2009).
Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited b...(+)
Arrangement for
Violoncello and Piano by
the Composer. By Edward
Elgar. Edited by Jonathan
Del Mar. For Cello Solo,
piano. Piano
Reduction/Vocal Score;
Urtext Edition. Op. 85.
Duration 25'. Published
by Baerenreiter-Ausgaben
(German import). (BA9040
90)
Cello and Piano Reduction. By Robert Schumann. Arranged by Andre Navarra and Mar...(+)
Cello and Piano
Reduction. By Robert
Schumann. Arranged by
Andre Navarra and Marcel
Bardon. String. Book and
CD Package. Size 9x12
inches. Published by
Salabert.
Concerto for Violoncello and Orchestra. Piano Reduction = BA 3721. By Carl Stami...(+)
Concerto for Violoncello
and Orchestra. Piano
Reduction = BA 3721. By
Carl Stamitz. Edited by
Walter Upmeyer. Arranged
by Heinz Fussl. For
Violoncello, Piano.
Hortus Musicus. Piano
Reduction/Vocal Score.
Published by Hortus
Musicus (German import).
(HM105 90)