By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone Songs and 18 Songs(Eng-Ger).Von ewiger Liebe,Mainacht,Wie bist du meine Koenigin,etc. Published by C.F. Peters.

Compiled by Bernard Taylor. Collection for high voice solo and piano accompaniment. Text language Italian, German, French, English. 251 pages. Published by G. Schirmer, Inc.

With online audio of Recorded Diction Lessons and Piano Accompaniments. Composed by Various. Edited by Richard Walters. Vocal Collection. Collection, Classical. Softcover Audio Online. 208 pages. Published by Hal Leonard

Soprano/Alto High Voice; Vocal

SKU: HL.383303

Soprano/Alto Edition. By Various. Vocal Collection. Pop, Pop/Rock, Rock. Softcover. Published by Hal Leonard (HL.383303).

ISBN 9781705154137. UPC: 196288021421. 9.0x12.0x0.666 inches.

Do you need a perfect contemporary song for a vocal audition or performance? The Singer's Anthology of Pop/Rock Ballads gives you over 30 pop/rock classics to choose from––all transposed into appropriate keys and based on the original recorded hits. These songs fall into the new wave of standards that you are hearing more often at cabaret, concerts, and special occasions. These songs are most often identified with singer-songwriters, so this collection features the work of Billy Joel, Carole King, Adele, and others. These arrangements were custom made for this collection as authentic performing editions, friendly to both the singer and accompanist. Keys were carefully chosen, either preserving the original recorded key or transposing as near the original as possible to increase accessibility. This volume is presented in separate editions for Soprano/Alto and Tenor/Baritone, with some songs shared between the two, and others specific to the voice type. The Soprano/Alto edition features 31 songs, including: All by Myself • At Last • Don't Know Why • Hallelujah • Hello • I Can't Make You Love Me • I Will Always Love You • Killing Me Softly with His Song • Landslide • Million Reasons • (You Make Me Feel Like) A Natural Woman • New York State of Mind • She Used to Be Mine • Someone like You • A Thousand Years • Time After Time • When We Were Young • Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) • and more.

60 Songs - High Voice. Composed by Roger Quilter (1877-1953). Boosey and Hawkes Voice. Softcover. 240 pages. Boosey and Hawkes #M051934560. Published by Boosey and Hawkes

(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Piano Accompaniment. E.B. Marks. Softcover. 240 pages. Published by Edward B. Marks Music

50 Songs from 41 Shows and Films. Composed by Various. Vocal Collection. Broadway, Musicals. Softcover. 320 pages. Published by Hal Leonard

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 51 Songs(Ger).Liebestreu,Tre ue Liebe,Heimkehr,Der Schmied,An eine Aeolsharfe,An die Nachtigall,Wiegenlied,Mei ne Liebe ist gruen,Sapphische Ode,etc. Published by C.F. Peters.

By Robert Schumann. Edited by Friedlaender. For high voice, piano. (Ger). Published by C.F. Peters.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Text Language: German). Trost in Traenen, Schwermut, Serenade, Eine gute Nacht, Fruehlingstrost, An ein Bild, etc. Published by C.F. Peters.

(5 Love Songs For High Voice and Piano). By James R. Day. For high voice solo. Educational Vocal. Vocal Score. Published by Roger Dean Publishing

High Voice. Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Worship Resources. Lawson-Gould. Sacred. Collection. 54 pages. Alfred Music #00-LG00921. Published by Alfred Music

Based on the original editions by Alessandro Parisotti. By Various. Vocal Collection. Published by G. Schirmer, Inc.

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Composed by Charles Francois Gounod (1818-1893), edited by Marty Winkler. Collection for high voice solo and piano accompaniment. 132 pages. Published by Edwin F. Kalmus.

(Three Sacred Solos for High Voice). By Hal H. Hopson. Arranged by Hal H. Hopson. For piano (Vocal Solo- High Voice). Vocal. Sacred. Moderately Easy. Vocal score. Published by MorningStar Music Publishers

Composed by Robert Schumann (1810-1856), edited by Max Friedlaender. Collection for high voice solo and piano accompaniment. Text language German. 196 pages. Published by C.F. Peters.

By Robert Schumann. Edited by Friedlaender. For high voice, piano. Includes 3 Byron Songs,Op.94,with Harp Accompaniment(Ger). Published by C.F. Peters.

Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Worship Resources. Lawson-Gould. Sacred. Book. 68 pages. Alfred Music #00-LG00688. Published by Alfred Music

Album of 30 songs (I. and E.) Realization of the Figured Bass by LUIGI DALLAPICCOLA. Voice and piano. Published by International Music Co.

(Selected Songs on poems by Heine, Goethe, Lenau). By Josephine Lang (1815-1880). Edited by Barbara Gabler. For medium/high voice and piano . Collection (with pictures). 84 pages. Published by Furore Verlag

High Voice & Piano

SKU: SU.00220338

For high Voice & Piano. Composed by Arturo Toscanini. Vocal/Choral, Solo Voice. Score. Subito Music Corporation #00220338. Published by Subito Music Corporation (SU.00220338).

Original compsitions by Arturo Toscanini for High Voice, Piano Published by: Subito Music Publishing The first compilation of its kind, The Songs of Arturo Toscanini makes available over 70 pages of original songs, many never before published. Showcasing a mixture of both mature and student works, this song album is suitable for all music levels. The booklet also contains in-depth biographical material as well as several pages of helpful translations and editorial notes. Contents Toscanini as composer Autunno I baci Canto di Mignon Desolazione Donna vorrei morir Fior di siepe Forse una volta Nevrosi Pagina d'album Per album Il pescatore Presentimenti Primo bacio Quando cadran le foglie Son gelosa!! Sono sola Il sorriso e l'anima di Margherita Spes, ultima dea V'amo Editorial Notes Translations Acknowledgments Also available for purchase:.