Sea of Clouds Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4005702 3rd Movement of The Sea...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4005702
3rd
Movement of The Seas of
the Moon. Composed by
Robert Buckley.
MusicWorks Grade 4.
Concert. Softcover. 16
pages. Published by Hal
Leonard (HL.4005702).
UPC: 888680896980.
9.0x12.0x0.051
inches.
The third
movement of Robert
Buckley's grandly
cinematic suite
describing impressions of
the “seas†of
the moon, Sea of Clouds,
was inspired by a series
of paintings done by
Claude Monet in the
London fog. Monet
captured the gradations
of light as it was
affected by fog with
ghostly images sifting
through. This movement is
mostly subdued and
dreamlike–the
music ebbing and flowing
and eventually building
to a vast wall of sound
and then dissolving into
silence. Dur: 5:05.
Score and Parts Concert Band (Score) - Grade 2 SKU: HL.4005928 Composed b...(+)
Score and Parts Concert
Band (Score) - Grade 2
SKU: HL.4005928
Composed by Richard L.
Saucedo. MusicWorks Grade
2. Concert. Softcover. 24
pages. Duration 649
seconds. Published by Hal
Leonard (HL.4005928).
UPC: 888680944988.
9.0x12.0x0.07
inches.
Commissione
d by The American School
of the Hague (near
Amsterdam), 'To Dance
With Storm Clouds' is a
dynamic and evocative
work that affords
directors the opportunity
to teach 3/4 at a brisk
(and exciting) tempo! The
brief lyrical middle
section showcases a
baritone or tenor sax
soloist, and allows
players to focus on a
warm and blended tone.
The fast section returns
for a powerful ending,
closing out an
exhilarating emotional
ride! Dur: 3:15.
Brass Band - Grade 4 SKU: BT.AMP-402-130 A Fantasy on the Hymn Tune 'H...(+)
Brass Band - Grade 4
SKU:
BT.AMP-402-130
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2015. Anglo Music Press
#AMP 402-130. Published
by Anglo Music Press
(BT.AMP-402-130).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
complete verses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Brass Band is equally
suitable as a concert
opener or a main concert
piece.
With Clouds
Descending is een
fantasie op de krachtige
adventshymne Helmsley,
die lang is gekoppeld aan
een andere adventshymne,
te weten Lo! He Comes
with Clouds Descending.
Deze hymne van Sparke is
onderverdeeld in een
inleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor brassband in
graad 4. Mooi als
openingswerk maar ook als
concertwerk.
With Clouds
Descending (Mit den
Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descending in
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines Konzerts.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-402-140 A Fantasy on the H...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-402-140
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2015. 22 pages. Anglo
Music Press #AMP 402-140.
Published by Anglo Music
Press (BT.AMP-402-140).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
completeverses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Concert Band is equally
suitable as a concert
opener or amain concert
piece.
With
Clouds Descending is
een fantasie op de
krachtige adventshymne
Helmsley, die lang
is gekoppeld aan een
andere adventshymne, te
weten Lo! He Comes
with Clouds
Descending. Deze
hymne van Sparke is
onderverdeeld in
eeninleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor harmonieorkest
in graad 4. Mooi als
openingswerk maar ook als
concertwerk.
Wi
th Clouds Descending
(Mit den Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descendingin
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines
Konzerts.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-402-010 A Fantasy on the H...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-402-010
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2015. Anglo Music Press
#AMP 402-010. Published
by Anglo Music Press
(BT.AMP-402-010).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
completeverses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Concert Band is equally
suitable as a concert
opener or amain concert
piece.
With
Clouds Descending is
een fantasie op de
krachtige adventshymne
Helmsley, die lang
is gekoppeld aan een
andere adventshymne, te
weten Lo! He Comes
with Clouds
Descending. Deze
hymne van Sparke is
onderverdeeld in
eeninleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor harmonieorkest
in graad 4. Mooi als
openingswerk maar ook als
concertwerk.
Wi
th Clouds Descending
(Mit den Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descendingin
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines
Konzerts.
Brass Band - Grade 4 SKU: BT.AMP-402-030 A Fantasy on the Hymn Tune 'H...(+)
Brass Band - Grade 4
SKU:
BT.AMP-402-030
A
Fantasy on the Hymn Tune
'Helmsley'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Opening Pieces. Set
(Score & Parts). Composed
2015. Anglo Music Press
#AMP 402-030. Published
by Anglo Music Press
(BT.AMP-402-030).
English-German-French-
Dutch.
With
Clouds Descending is
a fantasy on the powerful
Advent hymn Helmsley
which is long associated
with another Advent hymn
- Wesley’s Lo!
He Comes with Clouds
Descending. The hymn
tune is divided into an
introduction and three
complete verses of
Helmsley, which
surround a slower central
section, whose melody is
derived from the last
line of the hymn tune.
Philip Sparke’s
grade 4 arrangement of
this majestic piece for
Brass Band is equally
suitable as a concert
opener or a main concert
piece.
With Clouds
Descending is een
fantasie op de krachtige
adventshymne Helmsley,
die lang is gekoppeld aan
een andere adventshymne,
te weten Lo! He Comes
with Clouds Descending.
Deze hymne van Sparke is
onderverdeeld in een
inleiding en drie
volledige verzen van
Helmsley. De componist
schreef dit majestueuze
werk voor brassband in
graad 4. Mooi als
openingswerk maar ook als
concertwerk.
With Clouds
Descending (Mit den
Wolken
herabsteigen“) ist
eine Fantasie, die auf
der ausdruckvollen
Adventshymne
Helmsley basiert;
letztere wird wiederum
schon lange mit Wesleys
Adventshymne Lo! He
Comes with Clouds
Descending in
Verbindung gebracht.
Philip Sparkes
mittelschweres
Arrangement dieses
majestätischen
Stückes für
Blasorchester eignet sich
gleichermaßen als
KonzerteröffnungsstÃ
ck oder als Hauptwerk
eines Konzerts.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Composed
by David Bobrowitz. Full
score. 16 pages. Duration
3 minutes, 18 seconds.
Carl Fischer Music
#YPS253F. Published by
Carl Fischer Music
(CF.YPS253F).
ISBN
9781491161920. UPC:
680160920600.
A
brief introduction sets
the mood for this
hauntingly beautiful
piece. As gentle breezes
begin to blow on the
surface, the clouds above
begin appear in an array
of different formations.
The clouds float slowly
from east to west, as if
in an Impressionistic
painting. This is one of
nature's beautiful
settings, and one can
seemingly follow the
clouds for hours. From a
young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an enjoyable
dissonance. In measures
25 to 27, balance the
flutes and clarinets so
the volume level is
consistent between both
parts. In general, the
piece should be performed
at a very relaxed pace,
but a disciplined steady
beat will be necessary to
keep the sixteenth notes
even and relaxed at
measures 29 through 34.
The final chord is a Bb
major 7, and the
clarinets and alto saxes
should be equal in volume
before the gradual
fade. A brief
introduction sets the
mood for this hauntingly
beautiful piece. As
gentle breezes begin to
blow on the surface, the
clouds above begin appear
in an array of different
formations. The clouds
float slowly from east to
west, as if in an
Impressionistic painting.
This is one of nature's
beautiful settings, and
one can seemingly follow
the clouds for hours.From
a young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an
“enjoyable
dissonance.†In
measures 25 to 27,
balance the flutes and
clarinets so the volume
level is consistent
between both parts. In
general, the piece should
be performed at a very
relaxed pace, but a
disciplined steady beat
will be necessary to keep
the sixteenth notes even
and relaxed at measures
29 through 34. The final
chord is a Bb major 7,
and the clarinets and
alto saxes should be
equal in volume before
the gradual fade.
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F).
ISBN
9781491153185. UPC:
680160910687.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Comp...(+)
I The sun, the sea - II
The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian
Mason.
Breitkopf and Haertel #EB
9334. Published by
Breitkopf
and Haertel
Piano SKU: BT.MUSM570365623 Composed by James Weeks. Book Only. 28 pages....(+)
Piano
SKU:
BT.MUSM570365623
Composed by James Weeks.
Book Only. 28 pages.
University of York Music
Press #MUSM570365623.
Published by University
of York Music Press
(BT.MUSM570365623).
English.
James
Weeks ' Two Perscriptions
for Piano. I - Gloomy
Clouds (2002/4) II Ring
(2002/3) ' Perscription
is 'writing-through'
(reading done with the
pen). Gloomy Clouds
dissolves the notes of
Liszt's Nuages Gris into
contrapuntal nebulae;
Ring is a series of four
canons on Howard
Skempton's chordal Ring
in the Valiant. ' - James
Weeks.
(Everything Is Awesome * Best Day of My Life * Everything I Didn't Say * Clouds)...(+)
(Everything Is Awesome *
Best Day of My Life *
Everything I Didn't Say *
Clouds). Arranged by
Carol Matz. For Piano.
This edition: Big Note
Piano. Book; Piano
Collection; Piano
Supplemental. Pop Hits
for Piano. Movie; Pop.
Big Note. 24 pages.
Published by Alfred Music
Clouds That Sail in Heaven Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Todd Stalter. For Concert Band. Concert Band. Alfred Concert Band. Level: 3 (...(+)
By Todd Stalter. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: 3 (Medium)
(grade 3). Conductor
Score and Parts. 92
pages. Published by
Alfred Publishing.
(Everything Is Awesome * Best Day of My Life * Everything I Didn't Say * Clouds)...(+)
(Everything Is Awesome *
Best Day of My Life *
Everything I Didn't Say *
Clouds). Arranged by Dan
Coates. For Piano. This
edition: Easy Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Pop Hits
for Piano. Movie; Pop.
Easy Piano. 24 pages.
Published by Alfred Music
By Bruce Berr. For Piano. Contents include: Wispy Clouds; The Distant Shore; Ska...(+)
By Bruce Berr. For Piano.
Contents include: Wispy
Clouds; The Distant
Shore; Skating on the
Boardwalk; Playful
Dolphins; Medieval Sand
Castle; Playing Tag;
Going Home. Animals and
Nature. Level: Early
Intermediate. Book.
Published by The FJH
Music Company, Inc.
By Valerie Roth Roubos. For Piano. Composers In Focus. Contents include: Candy B...(+)
By Valerie Roth Roubos.
For Piano. Composers In
Focus. Contents include:
Candy Bars for Breakfast;
It's Raining; The Magical
Forest; Halloween Night;
Russian Sleigh Ride; The
Forgotten Road; Soaring
Through the Clouds; Race
Across the Serengeti;
December Frost; Calypso
Island. Level:
Intermediate. Book.
Published by The FJH
Music Company Inc.
