(Late Intermediate to Early Advanced Repertoire). Composed by Edward MacDowell (...(+)
(Late Intermediate to
Early Advanced
Repertoire). Composed by
Edward MacDowell
(1861-1908). Edited by
Nancy Bachus. For Piano.
Book; Graded Standard
Repertoire; Masterworks;
Piano Collection. The
Classics for the
Advancing Pianist series
provides motivating,
enjoyable literature of
substantial quality for
developing keyboard
artists. Masterwork;
Recital; Romantic. Early
Advanced; Late
Intermediate. 36 pages.
Published by Alfred Music
(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal...(+)
(46 Songs for Medium/Low
Voice and Piano).
Composed by William
Bolcom. For Vocal,
Medium/Low Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 248
pages. Published by
Edward B. Marks Music
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High
Voice). Composed by
William Bolcom. For
Vocal, High Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 240
pages. Published by
Edward B. Marks Music
Violin SKU: BT.RICL00003700 For Solo Violin. Composed by Ross Edwa...(+)
Violin
SKU:
BT.RICL00003700
For Solo Violin.
Composed by Ross Edwards.
Contemporary Music. Book
Only. Composed 2000. 8
pages. Ricordi
#RICL00003700. Published
by Ricordi
(BT.RICL00003700).
English.
One of
Australia’s
best-known composers,
Ross Edwards’
distinctive sound world
combines shapes and
patterns from nature with
a variety of musical
resources which reflect
and celebrate
Australia’s
cultural diversity.White
Cockatoo Spirit Dance has
all the characteristics
of a maninya, or
dance-chant. Ross Edwards
coined the word maninya
to denote the chant-like
quality of one strand of
his music, a unique and
highly characteristic
form which results from
thesubtly varied
repetition of material
over a static harmonic
basis in a lively
tempo.Vibrant,
captivating,
life-affirming and
virtuosic, White Cockatoo
Spirit Dance is a
spontaneous melodic
outpouring. It also
exists as a viola solo
from which it has been
adapted for violin by the
composer.
Edited by Nancy Bachus. Graded Standard Repertoire; Masterworks; Other; Pian...(+)
Edited by Nancy Bachus.
Graded Standard
Repertoire;
Masterworks; Other; Piano
Supplemental; Promotional
Packet. Classics for
Students. Baroque;
Classical. Published by
Alfred Music
150 Rounds for Singing and Teaching by Edward Bolkavec and Judith Johnson. For C...(+)
150 Rounds for Singing
and Teaching by Edward
Bolkavec and Judith
Johnson. For Choral,
Voice (COLLECTION). BH
Kodaly. 104 pages. Boosey
and Hawkes #M051808601.
Published by Boosey and
Hawkes
Piano; Voice SKU: HL.49014475 For High Voice and Piano. Composed b...(+)
Piano; Voice
SKU:
HL.49014475
For
High Voice and Piano.
Composed by William
Lawes. Edited by Edward
Huws Jones. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 14 pages.
Schott Music #ED11143.
Published by Schott Music
(HL.49014475).
ISBN
9790220130052. UPC:
073999317923.
8.5x11.5x0.064 inches.
English.
To Pansies
Ah, cruel love! *
Persuasions not to Love
He that will not love *
On the Lilies White
though ye be * To the
Virgins, to make much of
Time Gather ye rosebuds
while ye may * To
Sycamores I'm sick of
love * To the Dews I
burn, I burn.
Composed by Eubie Blake, compiled by Terry Waldo. For piano. Format: piano solo ...(+)
Composed by Eubie Blake,
compiled by Terry Waldo.
For piano. Format: piano
solo book. With standard
notation, chord names,
introductory text and
black and white photos.
Ragtime. 72 pages. 9x12
inches. Published by
Marks Music Company.
(The Songs of Ernesto Lecuona) Performed by Placido Domingo, composed by Ernesto...(+)
(The Songs of Ernesto
Lecuona) Performed by
Placido Domingo, composed
by Ernesto Lecuona
(1895-1963). For voice,
piano and guitar chords.
Format: piano/vocal
songbook. With vocal
melody, piano
accompaniment, lyrics
(Spanish and English),
introductory text and
black and white photos.
Latin and spanish. 64
pages. 9x12 inches.
Published by Marks.
Cello and piano - easy SKU: HL.49001547 Composed by Benedetto Marcello. E...(+)
Cello and piano - easy
SKU: HL.49001547
Composed by Benedetto
Marcello. Edited by
Alfred Moffat and William
Edward Whitehouse. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical. 12
pages. Schott Music #CB
56. Published by Schott
Music (HL.49001547).
Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical...(+)
Composed by Star Edwards.
Harp: Folk and
Pedal,Style,Celtic /
Irish,Classical,Folk,Feat
ured
Products,Method. Young
Beginner. Book and Online
Audio. 80 pages.
Published by
Mel Bay Publications, Inc
Violin SKU: M7.RICL-3700 For Solo Violin. Composed by Ross Edwards...(+)
Violin
SKU:
M7.RICL-3700
For
Solo Violin. Composed
by Ross Edwards. Sheet
music. MDS (Music
Distribution Services)
#RICL 3700. Published by
MDS (Music Distribution
Services) (M7.RICL-3700).
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Diadem Chorale SSATTB SSATBB, Orgue - Facile GIA Publications
SSATTB choir, organ accompaniment - Early intermediate SKU: GI.G-8883 Com...(+)
SSATTB choir, organ
accompaniment - Early
intermediate
SKU:
GI.G-8883
Composed by
Clayton White. Christ the
King. African American
Church Music Series.
Sacred. Octavo. 16 pages.
GIA Publications #8883.
Published by GIA
Publications (GI.G-8883).
UPC: 785147888307.
English. Text Source:
'All Hail the Power of
Jesus' Name,' Edward
Perronet, 1726-1792. Text
by Edward
Perronet.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Men's choir SKU: BR.SON-624 Werke f. Mannerchor a cap.. Composed b...(+)
Men's choir
SKU:
BR.SON-624
Werke
f. Mannerchor a cap..
Composed by Jean
Sibelius. Edited by
Sakari Ylivuori. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
216 pages. Breitkopf and
Haertel #SON 624.
Published by Breitkopf
and Haertel (BR.SON-624).
ISBN 9790004803264. 9
x 12 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Piano Quintet SKU: BR.SON-637 Composed by Jean Sibelius. Edited by Anna P...(+)
Piano Quintet
SKU:
BR.SON-637
Composed
by Jean Sibelius. Edited
by Anna Pulkkis. Chamber
music. Complete Works.
Late-romantic; Early
modern. Complete Works.
Breitkopf and Haertel
#SON 637. Published by
Breitkopf and Haertel
(BR.SON-637).
ISBN
9790004803929. 9 x 12
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
SATB choir with some divisi, organ - Medium SKU: PL.0122 Composed by Pete...(+)
SATB choir with some
divisi, organ - Medium
SKU: PL.0122
Composed by Peter Pindar
Stearns. Parish. Choral,
General. Octavo.
Paraclete Press #0122.
Published by Paraclete
Press (PL.0122).
This
imaginative setting of
words by John White
Chadwick creates a
feeling of eternal
strength from its
constant musical flow.
Peter Pindar Stearns is
well known for his
sensitivity to text and
choir alike and this
anthem reflects his keen
imagination as well. The
first verse is set in
unison with a lovely
soaring melody while the
second verse supports the
melody in four-part
writing. A brief organ
interlude ensues before
the final verse which is
for two part women and
men's voices concluding
in a spirit of
unity.
Peter Pindar
Stearns has surpassed
even my highest
expectations for him with
his Eternal Ruler, a
tribute to Edwardian and
post-Edwardian hymn
anthems. Where to begin?
Imagine the finest,
broadest melody Gustav
Holst could write, add
the impassioned fervor of
Balfour Gardiner's
Evening Hymn or Stanford
in B-flat, and hold all
that together with
Stearns's ultimate
integrity and infallible
taste. Every time I play
and sing through this, it
leaves me in tears, and I
haven't even mentioned
the amazing subtlety of
Stearns's harmony, the
genius of his part
writing, and the
overwhleming sweep of his
lines. This is gorgeous,
glorious music. - Dr.
John Hooker AAM Journal
November 2001.