Lebuïnus ex Daventria Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-140
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 48
pages. De Haske
Publications #DHP
1115061-140. Published by
De Haske Publications
(BT.DHP-1115061-140).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-010
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115061-010.
Published by De Haske
Publications
(BT.DHP-1115061-010).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
By James V. Monaco, Words By Joe Mccarthy. Arranged by Jeff Hest. Music by James...(+)
By James V. Monaco, Words
By Joe Mccarthy. Arranged
by Jeff Hest. Music by
James V. Monaco, words by
Joe McCarthy / arr. Jeff
Hest. For Jazz Ensemble.
Jazz Ensemble. Premier
Jazz Series. Conductor
Score & Parts. 86 pages.
Published by Alfred
Publishing. Level:
4.5 (Medium Advanced /
Difficult) (grade 4.5).
By James V. Monaco, words by Joe McCarthy. Arranged by Jeff Hest. Music by James...(+)
By James V. Monaco, words
by Joe McCarthy. Arranged
by Jeff Hest. Music by
James V. Monaco, words by
Joe McCarthy / arr. Jeff
Hest. For Jazz Ensemble.
Jazz Ensemble. Conductor
Score. 86 pages.
Published by Alfred
Publishing.
Grade 4 SKU: CL.032-3479-01 Composed by Monaco. Arranged by E. Richards. ...(+)
Grade 4
SKU:
CL.032-3479-01
Composed by Monaco.
Arranged by E. Richards.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2006-02). Extra
full score. Composed
2006. Duration 4 minutes,
22 seconds. C.L.
Barnhouse #032-3479-01.
Published by C.L.
Barnhouse
(CL.032-3479-01).
Totally hip!
This dynamic arrangement
of a classic ballad from
the big band era is done
in a laid back slow swing
style reminiscent of the
60's Basie band. A very
tasty piano solo
introduction is written
out and the whole band
gets into the action on
this quality chart. A
perfect choice for any
concert or festival
performance! Very highly
recommended!
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07894-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 8 pages.
Baerenreiter Verlag
#BA07894_74. Published by
Baerenreiter Verlag
(BA.BA07894-74).
ISBN
9790006564200. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
You Made Me Love You Chorale 3 parties 3 parties Mixtes [Octavo] Alfred Publishing
By Joe Mccarthy, Music By James Monaco. Arranged by Jay Althouse. For Choir. (3...(+)
By Joe Mccarthy, Music By
James Monaco. Arranged by
Jay Althouse. For Choir.
(3-Part Mixed). Choral
Octavo. Choral Designs.
Pop. Choral Octavo. 8
pages. Published by
Alfred Publishing.
Suite for Orchestra. Composed by Gabriel Faure (1845-1924). Edited by Rob...(+)
Suite for
Orchestra. Composed
by Gabriel Faure
(1845-1924). Edited by
Robin Tait. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. Opus 112.
Baerenreiter Verlag
#BA07894. Published by
Baerenreiter Verlag
(BA.BA07894).
By Al Jolson and Judy Garland. By James V. Monaco (1885-1945) and Joe McCarthy. ...(+)
By Al Jolson and Judy
Garland. By James V.
Monaco (1885-1945) and
Joe McCarthy. Arranged by
Mark Taylor. For Jazz
Ensemble (Score and
Parts). Easy Jazz
Ensemble Series. Grade 2.
Published by Hal Leonard
Guitar SKU: BT.DV-22098 Original in C-sharp minor. By Luciano Mona...(+)
Guitar
SKU:
BT.DV-22098
Original in C-sharp
minor. By Luciano
Monaco. By Frederic
Chopin. Book Only.
Composed 2023. 16 pages.
Da Vinci Publishing #DV
22098. Published by Da
Vinci Publishing
(BT.DV-22098).
By Egbert Anson Van Alstyne; Ernie Burnett; Eubie Blake; George Gershwin; George...(+)
By Egbert Anson Van
Alstyne; Ernie Burnett;
Eubie Blake; George
Gershwin; George M.
Cohan; George M. Meyer;
Gus Edwards; Harry
Carroll; Harry Tierney;
Jean Schwartz; Jerome
Kern; Jimmie Monaco;
Louis Silvers; Noble
Sissle; Percy Wenrich;
Raymond Hubbell. Edited
by Dan Fox. Arranged by
Dan Fox. Text: B.G.
Desylva; Ballard
Macdonald; Buddy Desylva;
Clement Scott; Ed Madden;
Edgar Leslie; Eubie
Blake; George A. Norton;
George M. Cohan; Gus
Kahn; Irving Caesar; Joe
Young; John L. Golden;
Joseph Mccarthy; Noble
Sissle; Ray Goetz; Sam
Lewis; Tell Taylor. For
Voice, Piano. All-Time
Favorites, 127. Pop.
Piano/Vocal Score. 319
pages. Published by Carl
Fischer.
Speakings Orchestre d'harmonie [Conducteur] - Avancé Faber Music Limited
Orchestra Keyboard - Advanced SKU: AP.12-0571538886 For Large Orchestr...(+)
Orchestra Keyboard -
Advanced
SKU:
AP.12-0571538886
For Large Orchestra
and Electronics.
Composed by Jonathan
Harvey. Full Orchestra
(Full Score); Performance
Music Ensemble; Single
Titles. Faber Edition.
20th Century. Score.
Faber Music
#12-0571538886. Published
by Faber Music
(AP.12-0571538886).
ISBN 9780571538881.
English.
Speakings
for large orchestra and
electronics is
undoubtedly one of
Jonathan Harvey's most
important and ambitious
works. Composed in 2008,
it utilizes a unique
process of electronic
transformation developed
at IRCAM to explore the
possibility that an
orchestra could be made
to speak. Typeset, and
with input from Gilbert
Nouno who collaborated
with Harvey on the
electronic element, this
long-awaited new edition
makes this stunning piece
even more accessible to
conductors and
enthusiasts.
Winne
r of the prestigious
Monaco Prize, the
25-minute work belongs to
a fascinating clutch of
works composed around the
time of Harvey's final
opera, Wagner Dream,
which contains musical
allusions to Wagner, in
this case Parsifal.
Unfolding over three
continuous movements, the
music moves from the
babbling of a baby and
the frenetic chatter of
human life in all its
expressions, to music of
unity, a hymn that is
close to Gregorian chant
in which---in Harvey's
words---the paradise of
the sounding temple is
imagined.
By Francois Couperin (1668-1733). For solo keyboard. Piano Collection. Dover Edi...(+)
By Francois Couperin
(1668-1733). For solo
keyboard. Piano
Collection. Dover
Edition. Classical
Period. SMP Level 9
(Advanced). Collection.
Introductory text,
performance notes and
glossary of French terms
(does not include words
to the songs). 240 pages.
Published by Dover
Publications
By Joe Mccarthy, Music By James Monaco. Arranged by Jay Althouse. For Choir. Cho...(+)
By Joe Mccarthy, Music By
James Monaco. Arranged by
Jay Althouse. For Choir.
Choral Octavo. Choral
Designs. Pop.
Accompaniment and
performance CD. Published
by Alfred Publishing.
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07894-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 7 pages.
Baerenreiter Verlag
#BA07894_75. Published by
Baerenreiter Verlag
(BA.BA07894-75).
ISBN
9790006564217. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Roy Turk, Fred Ahlert, Joe Mccarthy, James Monaco. Arranged by Mary K. Coffma...(+)
By Roy Turk, Fred Ahlert,
Joe Mccarthy, James
Monaco. Arranged by Mary
K. Coffman. Female
barbershop choir.
(Women's voices, a
cappella). Suitable for
contest. Barbershop,
Swing Ballad. Level:
medium. Published by
Sweet Adelines.
