Numerous composers, especially Scheidt and Praetorius. Masterworks; Organ - Meth...(+)
Numerous composers,
especially Scheidt and
Praetorius. Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Masterwork.
Book. 96 pages. Kalmus
Classic Edition
#00-K04482. Published by
Kalmus Classic Edition
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Clarinet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Flute" From A
Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
The Star-Spangled Banner Chorale 2 parties 2 parties, Piano [Octavo] - Intermédiaire Alfred Publishing
The Star-Spangled Banner by Francis Scott Key and John Stafford Smith. Arranged ...(+)
The Star-Spangled Banner
by Francis Scott Key and
John Stafford Smith.
Arranged by Russell L.
Robinson. Choir Secular.
For Opt. Accompaniment
(2-Part Choir). Choral
Octavo. Patriotic. Grade
3. Choral Octavo. 4
pages. Published by
Alfred Music Publishing
Violin and Piano - easy SKU: BT.EMBZ14935 Easy repertoire pieces for y...(+)
Violin and Piano - easy
SKU: BT.EMBZ14935
Easy repertoire pieces
for young violinists with
CD. By András
Soós. Educational
Tool. Book with CD.
Composed 2015. 36 pages.
Editio Musica Budapest
#EMBZ14935. Published by
Editio Musica Budapest
(BT.EMBZ14935).
Hungarian-English-Germ
an-French.
It's an
unforgettable experience
to go on stage for the
first time and win
applause with your
playing. This album
encourages children to
make a first appearance
and gives effective help
in doing so. It brings
together pieces that can
be used to achieve real
success they comprise
easy arrangements of
favorite works by
Dowland, Vivaldi, Handel,
Bach, Haydn, Mozart,
Weber, Schubert,
Schumann, Liszt, and
Brahms. The CD enclosed
with the publication
includes recordings of
the piano accompaniment
for each piece and a full
performance by noted
Hungarian musicians. This
CD makes practice at home
easier and gives
assistance with
performance style as
well. The publication
offers numerouspieces of
advice to young
violinists, including how
to get ready for a
concert, how to control
stage fright, and how to
be confident on stage. In
addition, it has features
some charming
illustrations by Edit
Szalma.
It’s an
unforgettable experience
to go on stage for the
first time and win
applause with your
playing. This album
encourages children to
make a first appearance
and gives effective help
in doing so. It brings
together pieces that can
earn realsuccess: easy
arrangements of favorite
works by Dowland,
Vivaldi, Handel, Bach,
Haydn, Mozart, Weber,
Schubert, Schumann,
Liszt, Anton Rubinstein
and Brahms. The CD
enclosed with the
publication includes
recordings of the piano
accompaniment for
eachpiece and a full
performance by noted
Hungarian musicians. So
the disc makes practice
at home easier and gives
assistance with
performance style as
well. The publication
offers numerous pieces of
advice to young
violinists, including:
how to getready for a
concert, how to control
stage fright, and how to
be confident on stage. In
addition, some charming
illustrations by Edit
Szalma are
included.
Es ist
ein unvergessliches
Erlebnis, wenn wir zum
ersten Mal das Podium
betreten und mit unserem
Spiel Erfolg ernten.
Dieses Album möchte
die Kinder zu ihren
ersten Auftritten
ermuntern und ihnen dazu
eine effektive
Hilfestellung bieten. Es
enthält deshalb lauter
Stücke, mit denen man
wirklich erfolgreich sein
kann: leichte
Transkriptionen der
beliebtesten Werke von
Dowland, Vivaldi,
Händel, Bach, Haydn,
Mozart, Weber, Schubert,
Schumann, Liszt, Anton
Rubinstein und Brahms.
Auf der CD-Beilage des
Albums sind - von
namhaften ungarischen
Interpreten vorgetragen -
die Klavierbegleitung
sämtlicher Stücke
und deren vollständige
Fassung zu hören.
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition
SKU:
FP.FTJ06
Composed by
John Turner. Sheet Music
and Books. Recorder
virtuosi and composer
John Turner's
indispensible new guide
for composers writing for
the solo recorder. This
hugely useful book
features chapters on the
history of recorder
composition, as well as
the instrument's range,
player technique, dynami.
Classical, Instructional.
Reference Book. Forsyths
Publications #FTJ06.
Published by Forsyths
Publications (FP.FTJ06).
ISBN
9780951479537.
Comp
osing for the recorder
can be intimidating for
those with limited or no
experience playing the
instrument. John Turner's
new book is the ideal
primer, taking the would
be recorder composer on a
journey through the
history of recorder
composition, and onwards
to explore player
techniques and the
musicality offered by
this versatile
instrument. Each section
is extensively referenced
to exisiting
compositions, providing a
fantastic platform for
further research by the
reader.
About the
Author:
JOHN
TURNER is one of the
leading recorder players
of today. Born in
Stockport, he was Senior
Scholar in Law at
Fitzwilliam College
Cambridge before pursuing
a legal career, acting
for many distinguished
musicians and musical
organisations alongside
his many musical
activities. These
included numerous
appearances and
recordings with David
Munrow's Early Music
Consort of London, the
Academy of Ancient Music,
the English Chamber
Orchestra, the Academy of
St. Martin-in-the-Fields
and the English Baroque
Soloists. He now devotes
his time to playing,
writing, reviewing,
publishing, composing and
generally
energising.
He has
played as recorder
soloist with the Halle
Orchestra, the Royal
Liverpool Philharmonic
Orchestra, the Manchester
Camerata, the English
Baroque Soloists, the
English Chamber
Orchestra, and many other
leading orchestras and
ensembles. Concertos and
works with orchestra have
been written for him by
Gordon Crosse, Anthony
Gilbert, Peter Hope,
Kenneth Leighton, Elis
Pehkonen, Alan Bullard,
John Casken, and many
other distinguished
composers. His recordings
include no less than five
sets of the Brandenburg
Concertos, as well as the
F Major version of
Brandenburg Concerto No.
4 with Menuhin and George
Malcolm, but lately he
has madenumerous
acclaimed recordings of
the recorder’s
contemporary concerto and
chamber music repertoire,
including several
concerto discs, all of
which have received
critical acclaim. In all,
he has given the first
performances of over 600
works for the recorder,
with works by many
non-British composers,
including Leonard
Bernstein, Ned Rorem,
Peter Sculthorpe, Douglas
Lilburn and Petr
Eben.
Many of the
works he has premiered
have now entered the
instrument’s
standard repertoire, and
these and his own
recorder compositions are
regularly set for
festivals and
examinations. He edits
series of recorder
publications for both
Forsyths and Peacock
Press, and founded the
periodical Manchester
Sounds, in response to
the perceived threat to
music libraries in Great
Britain. In addition he
was responsible for the
rediscovery of several
works for his instrument,
including the Rawsthorne
Recorder Suite, Antony
Hopkins' Pastiche Suite,
Herbert Murrill’s
Sarabande, the Handel F
Major Trio Sonata and
John Parry's Nightingale
Rondo (the only
substantial known British
nineteenth century work
for a fipple flute). He
was awarded an Honorary
Fellowship by the Royal
Northern College of Music
in 2002 for his services
to British music, and is
a Visiting Distinguished
Scholar of Manchester
University.
Suite from
Española. Composed
by Gaspar Sanz. Arranged
by Deborah Baker Monday.
Concert String Orchestra
(CAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CAS114F. Published by
Carl Fischer Music
(CF.CAS114F).
ISBN
9781491151709. UPC:
680160909209. 9 x 12
inches.
Canarios is
a movement taken from the
Suite Espanola for guitar
by Gaspar Sanz, a leading
composer of Spanish
Baroque music.? Deborah
Baker Monday presents
this delightful
arrangement in D major
which engages all
sections of the ensemble
in the interplay between
6/8 and 3/4.? The rich
and resonant texture
makes this piece a great
concert or festival
selection.
Gaspar Sanz
lived from ca.16401710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:
1 Espanoletas
Gallarda y
villano
Danza de las
hachas
Rujero y
paradetas
Zarabanda al
ayre espanol
Passacalle de la
cavalleria de
Napoles
Folias
La Minona de
Cataluna
Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:
A A 1
EspaA+-oletas
Gallarda y
villano
Danza de las
hachas
Rujero y
paradetas
Zarabanda al
ayre
espaA+-ol
Passacalle de la
cavalleria de
Napoles
Folias
La MiA+-ona de
CataluA+-a
Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:
A A 1
EspaA+-oletas
Gallarda y
villano
Danza de las
hachas
Rujero y
paradetas
Zarabanda al
ayre
espaA+-ol
Passacalle de la
cavalleria de
Napoles
Folias
La MiA+-ona de
CataluA+-a
Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:
1 Espanoletas
Gallarda y
villano
Danza de las
hachas
Rujero y
paradetas
Zarabanda al
ayre espanol
Passacalle de la
cavalleria de
Napoles
Folias
La Minona de
Cataluna
Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory. The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas
Gallarda y villano Danza
de las hachas Rujero y
paradetas Zarabanda al
ayre espanol Passacalle
de la cavalleria de
Napoles Folias La Minona
de Cataluna Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from
ca.1640–1710. He
was a leading composer of
music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:Â Â 1
Españoletas Gallarda y
villano Danza de las
hachas Rujero y paradetas
Zarabanda al ayre
español Passacalle de
la cavalleria de Napoles
Folias La Miñona de
Cataluña Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88).
ISBN
9781491158845. UPC:
680160917563.
Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice.
Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals.
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3).
ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major.
A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732119 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732119
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Complete
orchestral parts. Sacred
vocal music, Requiem. Set
of Orchestra Parts.
Duration 48 minutes.
Carus Verlag #CV
27.321/19. Published by
Carus Verlag
(CA.2732119).
ISBN
M-007-25337-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732149 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732149
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Organ. Sacred
vocal music, Requiem.
Part. Duration 48
minutes. Carus Verlag #CV
27.321/49. Published by
Carus Verlag
(CA.2732149).
ISBN
M-007-25439-1.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732113 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732113
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Viola. Sacred
vocal music, Requiem.
Part. Duration 48
minutes. Carus Verlag #CV
27.321/13. Published by
Carus Verlag
(CA.2732113).
ISBN
M-007-25437-7.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732103 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732103
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Sacred vocal
music, Requiem. Vocal
score. Duration 48
minutes. Carus Verlag #CV
27.321/03. Published by
Carus Verlag
(CA.2732103).
ISBN
M-007-24052-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732102 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732102
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Appendix.
Sacred vocal music,
Requiem. Vocal score.
Duration 48 minutes.
Carus Verlag #CV
27.321/02. Published by
Carus Verlag
(CA.2732102).
ISBN
M-007-25441-4.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Chamber Music English Horn, Piano SKU: PR.114422630 Composed by Stacy Gar...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114422630
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42263.
Published by Theodore
Presser Company
(PR.114422630).
UPC:
680160684793. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732114 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732114
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Basso
continuo. Sacred vocal
music, Requiem. Single
Part, basso continuo.
Duration 48 minutes.
Carus Verlag #CV
27.321/14. Published by
Carus Verlag
(CA.2732114).
ISBN
M-007-25438-4.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732105 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732105
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Sacred vocal
music, Requiem. Choral
Score. Duration 48
minutes. Carus Verlag #CV
27.321/05. Published by
Carus Verlag
(CA.2732105).
ISBN
M-007-24053-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732100 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732100
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Sacred vocal
music, Requiem. Full
Score. Duration 48
minutes. Carus Verlag #CV
27.321/00. Published by
Carus Verlag
(CA.2732100).
ISBN
M-007-24051-6.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732112 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732112
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 2.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/12. Published
by Carus Verlag
(CA.2732112).
ISBN
M-007-25436-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.