Piano - Grade 4 SKU: BT.WMP2217 2015-2016 Grades 6-7. Composed by ...(+)
Piano - Grade 4
SKU:
BT.WMP2217
2015-2016 Grades
6-7. Composed by
Josephine Koh. Teachers'
Choice. Method. Book
Only. 44 pages. Wells
Music Publishers
#WMP2217. Published by
Wells Music Publishers
(BT.WMP2217).
ISBN
9789810924102.
English.
Teachers’ Choice,
Selected Piano Repertory
& Studies for
grades 6-7 is compiled to
provide teachers and
students with good
options for the 2015 &
2016 ABRSM Piano
examinations.
-
This collection
ofinteresting and
appealing Piano pieces
contains editorial
suggestions for
pedagogical purposes.
Most teachers will find
the performance points
helpful in developing
stylistic awareness in
the
students.
-Examinat
ionrequirements aside,
details on articulation,
dynamics, fingering,
pedal marks and tempo
serve to provide a
directed approach for
students to strive
towards achieving musical
excellence and
perfection.
-Effect
ivetechnicalstudies
suited to each level have
been carefully selected,
forming in themselves,
supplementary materials
to enhance technical
competence.
-Most
important of all, enjoy
the high standards of
music typography
suchclear, professionally
laid scores supported by
modern publishing
technology and musical
semiotics. The digital
print on quality
cream-coloured paper
ensures comfort in the
reading of musical
scores.
SKU: HL.438837 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0023. Pu...(+)
SKU: HL.438837
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0023. Published by Hal
Leonard (HL.438837).
UPC: 852940000646.
4.75x7.25x2.651
inches.
Andy
Timmons, long time user
of the Carl Martin
Compressor/Limiter,
suggested to Carl that he
design a new user
friendly
Compressor/Limiter that
would have two presets.
One preset could be used
for hard compression and
sustain for lead work
while the other could be
for more subtle rhythm
parts. This would also
eliminate the need for to
two separate compressors
and save space on his
pedal board. With Andy's
help and support this
innovative pedal is now
available. Please visit
our site for more
information on this and
our whole line of
professional pedals and
accessories.
Composed by Claude Debussy (1862-1918). Edited by Stewart Gordon. For Piano. Boo...(+)
Composed by Claude
Debussy (1862-1918).
Edited by Stewart Gordon.
For Piano. Book;
Masterworks; Piano
Collection; Technique
Musicianship. Alfred
Masterwork Edition. Form:
Etude. Impressionistic;
Masterwork. Advanced. 104
pages. Published by
Alfred Music
From A Star Is Born. Composed by Words, Music by Lady Gaga, Mark Ronson, Antho...(+)
From A Star Is Born.
Composed
by Words, Music by Lady
Gaga,
Mark Ronson, Anthony
Rossomando, and Andrew
Wyatt.
Arranged by Tom Gerou.
Sheet;
Solo; Solo Small
Ensembles.
Original Sheet Music
Edition.
Movie; Pop. Sheet. 4
pages.
Alfred Music #00-47844.
Published by Alfred Music
22 Swingin' and Fun Piano Arrangements. Arranged by Mike Springer. Piano Coll...(+)
22 Swingin' and Fun Piano
Arrangements. Arranged by
Mike Springer. Piano
Collection; Piano
Supplemental; Sing-Along.
Jazz. Book. 64 pages.
Alfred
Music #00-47912.
Published
by Alfred Music
22 Jazzy and Fun Piano Arrangements. Arranged by Mike Springer. Piano - Easy ...(+)
22 Jazzy and Fun Piano
Arrangements. Arranged by
Mike Springer. Piano -
Easy
Piano Collection; Piano
Supplemental; Sing-Along.
Standards Series.
Christmas;
Holiday Pops; Winter.
Book.
64 pages. Alfred Music
#00-
46907. Published by
Alfred
Music
Keyboard SKU: SU.12800078 For Keyboard. Composed by Johann Sebasti...(+)
Keyboard
SKU:
SU.12800078
For
Keyboard. Composed by
Johann Sebastian Bach.
Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800078. Published by
Subito Music Corporation
(SU.12800078).
BachScholar
Editions Vol. 78: J.S.
BACH: Sinfonia from
Cantata 29 (trans.
Saint-Saëns) (9 pages)
presents arguably the
finest romantic-era piano
transcription of
Bach’s exciting
Sinfonia from Cantata 29,
which Bach reworked from
his previously composed
PreludioV from Partita
No. 3 for Solo Violin.
The once child prodigy
and musical genius,
Camille Saint-Saëns
(1835-1921), pulled out
all the stops on this
electrifying virtuoso
piano transcription of
Bach’s famous
work, which was first
published in 1862. The
present performance
edition improves upon the
currently existing
edition by supplying
ample fingerings,
pedaling and expression
indications, as well as a
suggested metronome
speed. Advanced pianists,
concert artists, and
audiences will absolutely
love this first-rate
virtuoso transcription in
the romantic tradition.
Published by:
BachScholar.
Composed by Marie-Auguste Durand. Edited by Edward Francis. Book; Masterwork...(+)
Composed by Marie-Auguste
Durand. Edited by Edward
Francis. Book;
Masterworks;
Piano Collection. Alfred
Masterwork Edition. Form:
Waltz. 20th Century;
Masterwork; Romantic. 60
pages. Published by
Alfred
Music
Piano - Grade 5 SKU: ET.PNO48 Composed by Helena Winkelman. Contemporary....(+)
Piano - Grade 5
SKU:
ET.PNO48
Composed by
Helena Winkelman.
Contemporary. Composed
2007. Duration 10.
Editions BIM #PNO48.
Published by Editions BIM
(ET.PNO48).
ISBN
9790207024046.
In
her Impromptu, Helena
Winkelman conjures an
atmosphere of
timelessness, employing
musical elements
variously meditative and
percussive, punctuated by
shadowy accents in the
contrabass register and
delicate flourishes in
the soprano. This
masterful composition,
engrossing and
adventurous, is a
rewarding challenge for
the performer.
Performing notes
Attentive pedaling is key
to producing the spectral
resonances in this
Impromptu. The
impressionistic
atmosphere of the piece
requires a carefully
gauged use of all three
pedals, even where not
expressly noted in the
score. Especially
with the right pedal many
small ad lib. changes are
necessary to create this
impressionistic
atmosphere. The central
pedal only holds the bass
notes. Care must be
taken that the pedals are
not changed at the same
time to avoid the third
pedal affecting notes
that should not be.
The composer wrote
Impromptu with
Schubert’s
Hungarian Melody (D817)
playing in her
mind’s ear, and
suggests that her
Impromptu be programmed
to follow it attacca in
performance.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
Composed by Robert Schumann. Edited by Charles Timbrell. Book; Masterworks; Pian...(+)
Composed by Robert
Schumann. Edited by
Charles Timbrell. Book;
Masterworks; Piano
Collection; Piano
Supplemental. Alfred
Masterwork Edition. Form:
Suite. Masterwork;
Romantic. 56 pages.
Published by Alfred Music
(AP.45955).
By Johann Sebastian Bach (1685-1750). Edited by Judith Schneider, fingering by M...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Judith Schneider,
fingering by Maria
Sofianska. For Piano.
Book; CD; Masterworks;
Piano Collection. Alfred
Masterwork CD Edition.
Baroque; Masterwork.
Advanced. Published by
Alfred Music Publishing
Composed by Sergei Prokofiev (1891-1953). Edited by Thomas Schumacher. Book; ...(+)
Composed by Sergei
Prokofiev
(1891-1953). Edited by
Thomas Schumacher. Book;
Masterworks; Piano
Collection. Alfred
Masterwork Edition. Form:
Sonata. 20th Century;
Masterwork; Recital. 108
pages. Published by
Alfred
Music
Easy Piano. Arranged by Dan Coates. This edition: Easy Piano. Book; Piano - ...(+)
Easy Piano. Arranged by
Dan
Coates. This edition:
Easy
Piano. Book; Piano - Easy
Piano Collection; Piano
Supplemental. Movie. 32
pages. Published by
Alfred
Music
(On a Theme from The Old Maid and the Thief). Composed by Gian Carlo Menotti (...(+)
(On a Theme from The Old
Maid
and the Thief). Composed
by
Gian Carlo Menotti
(1911-).
Edited by Albert Mendoza.
For
Piano. Book; Masterworks;
Piano Solo. Alfred
Masterwork
Edition. Form: Toccata.
20th
Century; Masterwork.
Advanced.
16 pages. Published by
Alfred
Music
Take Hold of Me Vibraphone et Marimba [Conducteur et Parties séparées] - Avancé Tapspace Publications
(duet for marimba and vibraphone). By Olin Johannessen. Mallet duet. For 1 vibra...(+)
(duet for marimba and
vibraphone). By Olin
Johannessen. Mallet duet.
For 1 vibraphone, 1
marimba (note: 5 octave
is preferable, however a
low-A marimba will also
work) (2 players).
Percussion Duets.
Advanced. Score and parts
on CD-ROM. 8 pages.
Duration 4
By Franz Schubert (1797-1828). Edited by Murray Baylor. For Piano. Book; CD; Mas...(+)
By Franz Schubert
(1797-1828). Edited by
Murray Baylor. For Piano.
Book; CD; Masterworks;
Piano Collection. Alfred
Masterwork Edition.
Classical; Masterwork;
Romantic. Early Advanced.
40 pages. Published by
Alfred Music Publishing
(100 Early Intermediate to Late Intermediate Studies). Edited by Albert Mendoza....(+)
(100 Early Intermediate
to Late Intermediate
Studies). Edited by
Albert Mendoza. For
Piano. Book; Masterworks;
Piano Collection;
Technique Musicianship.
Form: Etude. Masterwork.
Early Intermediate;
Intermediate; Late
Intermediate. 152 pages.
Published by Alfred Music
By Franz Schubert. Edited by Murray Baylor. For Piano. Piano Solo. Masterwork. L...(+)
By Franz Schubert. Edited
by Murray Baylor. For
Piano. Piano Solo.
Masterwork. Level: Early
Advanced (grade 6 ).
Sheet. 8 pages. Published
by Alfred Publishing.