(for Soprano, Alto, Strings and Basso Continuo). By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. For singing voice/strings (Solo Soprano/Solo Alto/2 Violins/Viola/Basso continuo (Violoncello/Contrabass/O rgan)). This . Score.

2 Violins, Violoncello, 2 Oboes, Strings and Basso continuo (V2SOLO)

SKU: HL.49011869

From Alexander's Feast. Composed by George Frideric Handel. Sheet music. Edition Schott. Classical. Individual part. 8 pages. Eulenburg Edition #PC 90-02. Published by Eulenburg Edition (HL.49011869).

ISBN 9790200216448. 8.25x11.75x0.031 inches.

2 Violins, Violoncello, 2 Oboes, Strings and Basso continuo (OB2)

SKU: HL.49011871

From Alexander's Feast. Composed by George Frideric Handel. Sheet music. Edition Schott. Classical. Individual part. 6 pages. Eulenburg Edition #PC 90-12. Published by Eulenburg Edition (HL.49011871).

ISBN 9790200216462. 8.25x11.75x0.035 inches.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

Piano

SKU: SU.96010580

Composed by Wolfgang Amadeus Mozart. Score. Subito Music Corporation #96010580. Published by Subito Music Corporation (SU.96010580).

Transcribed and arranged for Piano by Lawrence RosenA new, 3-volume set of Mozart Dances for Piano, 14 of these dance suites are faithfully transcribed for piano at the early to advanced intermediate level. Almost all appear as new Mozart music for piano (except for the Six German Dances, K. 509, which Mozart himself arranged for piano.) Within each volume, they are arranged by increasing difficulty. They are eminently suited for teaching, recital and concert performance, encores, recording, sight-reading practice, and theoretical study. We sincerely hope you enjoy them as much as we did in discovering and creating these little masterpieces.
CONTENTS
Six Country Dances, K. 462 (originally for 2 oboes, 2 Horns, 2 Violins, Violoncello/Contrabass)
Three German Dances, K. 605 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Bassoons, 2 Horns (Posthorn,) 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani, Tuned Bells)

Six German Dances, K. 571 (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani, Tambourine, Cymbals)

Six German Dances, K. 600 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani)

Four Minuets, K. 601 (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Bass, Timpani)
Instrumentation: Piano
Duration:
Composed:
Published by: Subito Music Publishing.

Kantate zum 1. Advent. Klavierauzug nach dem Urtext der Neuen Bach-Ausgabe - Cantata for the First Sunday of Advent. Vocal Score based on the Urtext of the New Bach Edition. By Johann Sebastian Bach. Edited by Alfred Durr. Arranged by Gunter Raphael. For Soprano Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Bassoon, Violin (2), Viola (2), Violoncello/Contrabass/Ba sso Continuo, Organ. Piano Reduction/Vocal Score. BWV 61. Published by Baerenreiter-Ausgaben (German import). (BA10061 90)

Piano

SKU: SU.96010560

Composed by Wolfgang Amadeus Mozart. Score. Subito Music Corporation #96010560. Published by Subito Music Corporation (SU.96010560).

Transcribed and arranged for Piano by Lawrence RosenA new, 3-volume set of Mozart Dances for Piano, 14 of these dance suites are faithfully transcribed for piano at the early to advanced intermediate level. Almost all appear as new Mozart music for piano (except for the Six German Dances, K. 509, which Mozart himself arranged for piano.) Within each volume, they are arranged by increasing difficulty. They are eminently suited for teaching, recital and concert performance, encores, recording, sight-reading practice, and theoretical study. We sincerely hope you enjoy them as much as we did in discovering and creating these little masterpieces.
CONTENTS
Six Landler, K. 606 (Originally for 2 Violins, Violoncello/Contrabass)
Five Country Dances, K. 609 (originally for Flute, 2 Violins, Violoncello/Contrabass

Two Minuets, K. 463 (originally for Oboe, Bassoon, 2 Horns, 2 Violins, Violoncello/Contrabass)
Six German Dances, K. 567 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass)
Six German Dances, K. 509 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass)In strumentation: Piano

Published by: Subito Music Publishing.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104214

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/14. Published by Carus Verlag (CA.3104214).

ISBN 9790007205874. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

Piano

SKU: SU.96010570

Composed by Wolfgang Amadeus Mozart. Score. Subito Music Corporation #96010570. Published by Subito Music Corporation (SU.96010570).

Transcribed and arranged for Piano by Lawrence RosenA new, 3-volume set of Mozart Dances for Piano, 14 of these dance suites are faithfully transcribed for piano at the early to advanced intermediate level. Almost all appear as new Mozart music for piano (except for the Six German Dances, K. 509, which Mozart himself arranged for piano.) Within each volume, they are arranged by increasing difficulty. They are eminently suited for teaching, recital and concert performance, encores, recording, sight-reading practice, and theoretical study. We sincerely hope you enjoy them as much as we did in discovering and creating these little masterpieces.
CONTENTS
Four German Dances, K. 602 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani)

Twelve German Dances, K. 586 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Violoncello/Contrabass, Tambourine, Timpani)

Minuet, K. 409 (originally for 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Viola, Violoncello/Contrabass)
Les Petits Riens (excerpts,) K. 299b (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Viola, Violoncello/Contrabass, Timpani)
Instrumentation: Piano

Published by: Subito Music Publishing.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704814

Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814).

ISBN 9790007199432. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700614

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Violoncello/double bass. Sacred vocal music, Masses, Latin, Christmas. Single Part, Cello/Double Bass. Composed 1775. Reutter A 23. 24 pages. Duration 40 minutes. Carus Verlag #CV 97.006/14. Published by Carus Verlag (CA.9700614).

ISBN 9790007238902. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

S(S)ATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.4066314

Messe in d. Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Wolfgang Hochstein. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1751. 16 pages. Duration 45 minutes. Carus Verlag #CV 40.663/14. Published by Carus Verlag (CA.4066314).

ISBN 9790007076399. Key: D minor. Language: Latin.

The festive work with their, for Hasse's time, relativly large orchestra ensemble, was first performed on 29 June 1751 on the occasion of the dedication of the new Catholic Court Church in Dresden. They are appropriate for performance together in either worship services or in a concert setting. Score and part available separately - see item CA.4066300.

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911414

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Violoncello/double bass. Sacred vocal music, Psalms, Latin. Single Part, Cello/Double Bass. TVWV 7:7. 16 pages. Duration 20 minutes. Carus Verlag #CV 39.114/14. Published by Carus Verlag (CA.3911414).

ISBN 9790007215576. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score and part available separately - see item CA.3911400.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo [3 trumpets, timpani] - Grade 3

SKU: CA.3321514

Composed by Carl Philipp Emanuel Bach. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Violoncello/double bass. Innovative practice aids, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Cello/Double Bass. Composed 1749. BR-CPEB E 4 (Wq 215). 32 pages. Duration 42 minutes. Carus Verlag #CV 33.215/14. Published by Carus Verlag (CA.3321514).

ISBN 9790007051709. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

Orchestra ST vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.7004014

Kyrie fur eine Messe in d. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Violoncello/double bass. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Composed 1812. D 31. 4 pages. Duration 4 minutes. Carus Verlag #CV 70.040/14. Published by Carus Verlag (CA.7004014).

ISBN 9790007227586. Key: D minor. Language: Latin.

In 1812 Schubert probably composed one of his earliest settings of the Mass, although only this Kyrie for a Mass in D minor was written down. A fragment of a Credo from 1811 has also survived. Score and part available separately - see item CA.7004000.

Orchestra SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo - Grade 2

SKU: CA.3109714

In allen meinen Taten. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Violoncello/double bass. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1734. BWV 97. 16 pages. Duration 32 minutes. Carus Verlag #CV 31.097/14. Published by Carus Verlag (CA.3109714).

ISBN 9790007046965. Key: B flat major. Language: German/English. Text: Fleming, Paul. Text: Paul Fleming.

Liturgical intention unknown. Score and part available separately - see item CA.3109700.

Violoncello solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass

SKU: CA.4058416

Composed by Jean Langlais. German title: Symphonie Concertante Per Violoncello. Single Part, Double Bass. Composed 1936. Op. 20. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.584/16. Published by Carus Verlag (CA.4058416).

ISBN 9790007219260. Language: all languages.

Score available separately - see item CA.4058400.

By Jan Dismas Zelenka. Edited by Horn, Wolfgang. For Soli SA, SATB Choir, 2 Oboes, Bassoon, 2 Violins, 2 Violas, Basso continuo, [2 Trumpets, Timpani]. ZWV 108. Full score available separately - see item CA.4006300. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours; Use during church year: Advent, Christmas. Part: Violoncello/Contrabass. Language: Latin. Composed 1725. 4 pages. Duration 11 min. Published by Carus Verlag (German import).

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104414

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed circa 1724? BWV 44. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.044/14. Published by Carus Verlag (CA.3104414).

ISBN 9790007205997. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350214

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violoncello/double bass. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. BR-CPEB E 2 (Wq 219). 2 pages. Duration 4 minutes. Carus Verlag #CV 33.502/14. Published by Carus Verlag (CA.3350214).

ISBN 9790007212414. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111714

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violoncello/double bass. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello/Double Bass. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/14. Published by Carus Verlag (CA.3111714).

ISBN 9790007048709. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.