By Eugene Mccluskey. For organ. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company. (70/1032)

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-1074236-015

Composed by Harm Evers. On Parade! March. Set (Score & Parts). Composed 2007. De Haske Publications #DHP 1074236-015. Published by De Haske Publications (BT.DHP-1074236-015).

MARS (135X180) inches. English-German-French-Dut ch.

The Latin title Ad Fontis means ?to the source?. This lively march in 2/4time follows traditional forms of march composition with a cheerfulopening followed by a somewhat more lyrical trio. This ceremonialgenre of old is often used in the army to keep up the morale of thetroops, however a march can also serve perfectly well to add luster toany concert and bring immense pleasure to the audience.

Ad Fontis is een vrolijke mars in tweekwartsmaat, geschreven door Harm Evers. De Latijnse titel van het werk betekent: naar de bron. Deze mars heeft dan ook geen ingewikkelde vorm, maar bestaat uit een opgewekt eerste gedeelteen een wat lyrischer trio - in de traditie van de marsmuziek. Dit ceremoniële genre wordt van oudsher in het leger gebruikt om het moreel van de manschappen hoog te houden. Een mars kan echter ook uitstekend dienen ter opluisteringvan elk concert - vaak tot groot genoegen van het publiek.

Ad Fontis ist ein lebhafter Marsch im Zweivierteltakt. Unter dem Titel Zur Quelle“ folgt Harm Evers der ursprünglichen, traditionellen Marschform, die sich aus einem lebhaften ersten Teil und einem lyrischen Trio zusammensetzt. Dieses zeremonielle Genre wird von Alters her in der Armee eingesetzt, eignet sich jedoch auch wunderbar dazu, einem Konzert mehr Glanz zu verleihen - nicht zuletzt zum Vergnügen des Publikums.

Ad Fontis (“ la source”) est une marche pétillante en 2/4 signée Harm Evers. Cette marche s’appuie sur une structure simple : une première partie pleine de vivacité et un trio lyrique qui s’inscrit dans les traditions des grandes marches. Ce genre musical cérémonieux fut prisé par l’armée pour maintenir le moral des troupes. Aujourd’hui, la marche apporte une touche de brillance tout programme de concert - pour le plus grand plaisir du public.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-1074236-215

Composed by Harm Evers. On Parade! March. Score Only. Composed 2007. 12 pages. De Haske Publications #DHP 1074236-215. Published by De Haske Publications (BT.DHP-1074236-215).

9x12 inches. English-German-French-Dut ch.

The Latin title Ad Fontis means ?to the source?. This lively march in 2/4time follows traditional forms of march composition with a cheerfulopening followed by a somewhat more lyrical trio. This ceremonialgenre of old is often used in the army to keep up the morale of thetroops, however a march can also serve perfectly well to add luster toany concert and bring immense pleasure to the audience.

Ad Fontis is een vrolijke mars in tweekwartsmaat, geschreven door Harm Evers. De Latijnse titel van het werk betekent: naar de bron. Deze mars heeft dan ook geen ingewikkelde vorm, maar bestaat uit een opgewekt eerste gedeelteen een wat lyrischer trio - in de traditie van de marsmuziek. Dit ceremoniële genre wordt van oudsher in het leger gebruikt om het moreel van de manschappen hoog te houden. Een mars kan echter ook uitstekend dienen ter opluisteringvan elk concert - vaak tot groot genoegen van het publiek.

Ad Fontis ist ein lebhafter Marsch im Zweivierteltakt. Unter dem Titel Zur Quelle“ folgt Harm Evers der ursprünglichen, traditionellen Marschform, die sich aus einem lebhaften ersten Teil und einem lyrischen Trio zusammensetzt. Dieses zeremonielle Genre wird von Alters her in der Armee eingesetzt, eignet sich jedoch auch wunderbar dazu, einem Konzert mehr Glanz zu verleihen - nicht zuletzt zum Vergnügen des Publikums.

Ad Fontis (“ la source”) est une marche pétillante en 2/4 signée Harm Evers. Cette marche s’appuie sur une structure simple : une première partie pleine de vivacité et un trio lyrique qui s’inscrit dans les traditions des grandes marches. Ce genre musical cérémonieux fut prisé par l’armée pour maintenir le moral des troupes. Aujourd’hui, la marche apporte une touche de brillance tout programme de concert - pour le plus grand plaisir du public.

SKU: GI.G-CD-842

GIA WindWorks. Music Education. CD. GIA Publications #842. Published by GIA Publications (GI.G-CD-842).

UPC: 785147084228.

New in the GIA WindWorks series...Contents:High Flight (2008) Joseph Turrin - Urban Requiem (1995) Michael Colgrass - Concerto for Wind Ensemble (1982) Karel Husa - Drum Ceremony and Fanfare - Elegy - Perpetual Motion - Aurora Awakes (2009) John MackeyWhat critics say about the North Texas Wind Symphony...Audio Magazine: The performances are expert, and the sound—which ranges from single wind instrument solos to a full band replete with thundering timpani and bass drum that can be felt through a subwoofer—is as good as it gets. There’s a remarkable combination of presence and stage depth.Fanfare Magazine: The group is in a class all its own...Hats off to them...If you don’t respond to the music or to the performances (I’m sorry for you, if that’s the case), surely the audiophile-worthy engineering will get you.

By Robert Sheldon. Music by Robert Sheldon. For Concert Band. Concert Band. Alfred Debut Series. Level: 1 (Very Easy) (grade 1). Conductor Score and Parts. Published by Alfred Publishing.

Band Concert Band - Grade 3

SKU: CF.CPS131

Composed by Gregory Rudgers. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 2+8+8+4+8+8+8+4+4+4+4+4+4 +8+8+8+4+4+6+6+4+6+8+6+1+ 1+3+28 pages. Duration 4:15. Carl Fischer Music #CPS131. Published by Carl Fischer Music (CF.CPS131).

ISBN 9780825888366. UPC: 798408088361. 9x12 inches.

Crowns and scepters have been an essential part of the royal celebration since medieval times. This piece suggests the declaration of an opening ceremony with a bold militaristic fanfare, followed by a regal processional, reminding the listener of kings and queens receiving admiration from their people as they process on a stately occasion. Besides its potential as a piece for contest or festival performance, it will also work well for graduation ceremonies.

Band Concert Band - Grade 3

SKU: CF.CPS131F

Composed by Gregory Rudgers. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 28 pages. Duration 4:15. Carl Fischer Music #CPS131F. Published by Carl Fischer Music (CF.CPS131F).

ISBN 9780825888373. UPC: 798408088378. 9x12 inches.

Crowns and scepters have been an essential part of the royal celebration since medieval times. This piece suggests the declaration of an opening ceremony with a bold militaristic fanfare, followed by a regal processional, reminding the listener of kings and queens receiving admiration from their people as they process on a stately occasion. Besides its potential as a piece for contest or festival performance, it will also work well for graduation ceremonies.

Brass Quintet

SKU: HL.14014459

Composed by Michael Hurd. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV12057501. Published by Music Sales (HL.14014459).

In its original form the Suite was written in answer to a commission from the Farnham Festival and was first performed on 11 May 1971. I was, however, not entirely satisfied with it and did not pass it for publication until 1982, when I revised it in considerable detail. In its revised form it was first performed on 18 June, 1983, at Monash University, Melbourne. The music requires little explanation. The titles of each of the five movements indicate their character: 'Fanfare'; 'Dance', which has Elizabethan overtones; 'Popular Song', which explores jazz rhythms and harmonies; 'Ceremony' - a solemn chorale; and 'Finale', a light-hearted Rondo with fugal touches. The overall intention is simply to entertain both the players and their audiences.

Brass Quintet

SKU: HL.14014460

Composed by Michael Hurd. Music Sales America. Classical. Score. Music Sales #NOV120575. Published by Music Sales (HL.14014460).

In its original form the Suite was written in answer to a commission from the Farnham Festival and was first performed on 11 May 1971. I was, however, not entirely satisfied with it and did not pass it for publication until 1982, when I revised it in considerable detail. In its revised form it was first performed on 18 June, 1983, at Monash University, Melbourne. The music requires little explanation. The titles of each of the five movements indicate their character: 'Fanfare'; 'Dance', which has Elizabethan overtones; 'Popular Song', which explores jazz rhythms and harmonies; 'Ceremony' - a solemn chorale; and 'Finale', a light-hearted Rondo with fugal touches. The overall intention is simply to entertain both the players and their audiences.