Time After Time - Intermédiaire/avancé St Rose Music Publishing
Score Soprano Saxophone and Marimba - Grade 4 SKU: HL.14022193 For Sop...(+)
Score Soprano Saxophone
and Marimba - Grade 4
SKU: HL.14022193
For Soprano Saxophone,
Marimba, and Percussion
Score. Composed by
Nico Muhly. Music Sales
America. Classical. Book
[Softcover], Score and
Parts. With Text
language: English. St.
Rose Music #SRO100014.
Published by St. Rose
Music (HL.14022193).
Written
for soprano saxophone,
marimba and percussion.
Time After Time was
written for the Yesaroun'
Duo (comprising
multi-percussionist Sam
Solomon & saxophonist
Eric Hewitt) and
marimbist Nancy Zeltsman.
I set out to write a
piece that was primarily
energetic and
rhythmically challenging
enough for two
percussionist and one
honorary percussionist to
play. The title refers to
the fact that all the
material recycles itself
at different speeds. The
marimba's long,
quasi-chorale lines
proceed, initially,
without noticing the
rhythmic shifts and
upheaval below. Halfway
through the piece, a
jagged marimba solo
features the instrument's
precise, dance-like
qualities, and after
being joined by the
saxophone and percussion,
propels the whole
ensemble towards the
rhythmic and harmonic
excesses of the final
section.
Cello - Grade 1.5 to 3 SKU: XC.SB2010 21 Quartets for Any Combination ...(+)
Cello - Grade 1.5 to 3
SKU: XC.SB2010
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2010. Published by
Excelcia Music Publishing
(XC.SB2010).
ISBN
9781644020555. UPC:
812598035537. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Viola - Grade 1.5 to 3 SKU: XC.SB2009 21 Quartets for Any Combination ...(+)
Viola - Grade 1.5 to 3
SKU: XC.SB2009
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2009. Published by
Excelcia Music Publishing
(XC.SB2009).
ISBN
9781644020548. UPC:
812598035520. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Violin - Grade 1.5 to 3 SKU: XC.SB2008 21 Quartets for Any Combination...(+)
Violin - Grade 1.5 to 3
SKU: XC.SB2008
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2008. Published by
Excelcia Music Publishing
(XC.SB2008).
ISBN
9781644020531. UPC:
812598035513. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Easy Classics for the Piano * Bach composed by Johann Sebastian Bach (1685-1750)...(+)
Easy Classics for the
Piano * Bach composed by
Johann Sebastian Bach
(1685-1750). Arranged by
Erika Feuchtner Macris.
For easy piano. This
edition: Paperback.
Collection. Easy Classic
Composer Series.
Classical. Easy. Book.
Text Language: English.
64 pages. Published by
Santorella Publications
Organ SKU: SU.80101403 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101403
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101403.
Published by Zimbel Press
(SU.80101403).
Symphony for
Organ (2013) is cast as a
dramatic progression from
darkness into light. The
first movement, Masque,
is extremely violent and
bleak. The title is used
with a touch of
irony--for this is not a
masque of courtly
diversion, but rather a
furious struggle against
the darkness, played out
in a series of dramatic
episodes following a
Tudor-era formal design.
The ending builds to a
dramatic peak, and leaves
us in shell-shocked
silence. The second
movement, Sarabande,
begins quietly and
mournfully, and gradually
gains in fervency. A
faster middle section is
a spinning dance before
the return of the opening
music. In the coda, the
light gradually
approaches. The third
movement, Chorale, evokes
the colors of a new dawn.
The music of the first
movement's struggle
gradually becomes washed
in the blaze of morning.
Instrumentation: Organ
Duration: 21' Composed:
2013 Published by: Zimbel
Press.
Jubilation Quatuor de Clarinettes: 4 clarinettes Eighth Note Publications
By Richard Byrd. For Soprano Clarinet, 4 Clarinets, Bass Clarinet. Part(s); Scor...(+)
By Richard Byrd. For
Soprano Clarinet, 4
Clarinets, Bass Clarinet.
Part(s); Score; Woodwind
- Large Clarinet
Ensemble. Eighth Note
Publications. 28 pages.
Published by Eighth Note
Publications
For the Double Bass, Vol. 3 - Piano Accompaniment. By Ambroise Thomas; Armas Jar...(+)
For the Double Bass, Vol.
3 - Piano Accompaniment.
By Ambroise Thomas; Armas
Jarnefelt; Camille
Saint-Saens; Edouard
Nanny; Francois-Joseph
Gossec; Franz Keyper;
George Vance; Giorgio
Antoniotti; Giovanni
Battista Pergolesi;
Ignace Jan Paderewski; J.
Gabriel-Marie; Lorenziti;
Ludwig Van Beethoven.
Edited by Anthony Bianco.
Arranged by George Vance.
For Piano. Solo part with
piano reduction. 126
pages. Published by Carl
Fischer.
Organ - intermediate SKU: HL.49045554 For Organ. Composed by Enjot...(+)
Organ - intermediate
SKU: HL.49045554
For Organ.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Large Works.
Classical. Softcover.
Composed 2016. 12 pages.
Duration 5'. Schott Music
#ED22806. Published by
Schott Music
(HL.49045554).
ISBN
9790001165884. UPC:
841886032262.
9.0x12.0x0.069
inches.
An
essential feature of
attitudes prevailing in
the days of Luther was
the ubiquitous concern
with death and dying,
assailed by plague, wars
and the never-ending
dangers of daily life.
The associated fears
sometimes escalated to
the grotesque, as in
paintings by Hieronymus
Bosch, and the 'dance of
death' was a popular
motif in those years.
Luther's chorale of 1524
In the very midst of life
/ we see death all around
us (the Erfurt
Enchiridion) is based on
the Gregorian Media vita
in morte sumus that
emerged in France in
about 750, evoking
thoughts of mortality in
its outline form.
Organ Accompaniment, Violin (Violin) - intermediate SKU: HL.49046332 V...(+)
Organ Accompaniment,
Violin (Violin) -
intermediate
SKU:
HL.49046332
Violin
and Organ. Composed
by Naji Hakim. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. 36 pages.
Duration 12'. Schott
Music #ED23180. Published
by Schott Music
(HL.49046332).
ISBN
9790001208246. UPC:
842819108740. 9x12
inches. German -
English.
The
edition is the first part
of the commissioned work
Our Lady's Minstrel.
While Prelude paraphrases
the famous chorale Salve
Regina in a slow waltz,
the gipsy-like cheerful
waltz of Dance forms a
stark contrast to it. The
whole work is completed
by Three Poems for
soprano and organ (ED
22299).
Composed
by Judy Phillips.
General, Thanksgiving,
Sacred. Handbell score.
Lorenz Publishing Company
#20/1478L. Published by
Lorenz Publishing Company
(LO.20-1478L).
ISBN
9781429107266.
Leve
l 2+ • Flowing
freely and cheerfully,
Johann Crüger’s
robust tune is
transformed into a
refreshing, sprite-like
dance in the form of a
chorale prelude. If
available, a zimbelstern
makes a stunning addition
to this selection.
Chorus a cappella SKU: BR.CHB-5377-00 Urtext. Composed by Johann S...(+)
Chorus a cappella
SKU:
BR.CHB-5377-00
Urtext. Composed
by Johann Sebastian Bach.
Choir; Softbound.
Chor-Bibliothek (Choral
Library). Baroque period.
Choral score. 380 pages.
Breitkopf and Haertel
#ChB 5377-00. Published
by Breitkopf and Haertel
(BR.CHB-5377-00).
ISBN
9790004413784. 7.5 x 10.5
inches. German.
The
Complete Chorales are an
Urtext edition of all
four-part chorales by
Johann Sebastian Bach and
the new standard in
editing for this genre.
Musicologist Thomas
Daniel, a well-known
specialist for the topic
of Bach chorales, divided
the chorales in two parts
of about equal length:
Chorales from cantatas,
motets, and passions that
were confirmedly written
by Bach are found in the
first part, while the
second part includes
chorales from later
sources and printings,
e.g. the four-volume
edition published by
Breitkopf in 1784 to
1787. Thereby, the
authentic chorales are
clearly separated from
the chorales of partly
dubious authorship for
the first time. Drawing
on new sources, e.g. from
the archive of the
Berliner Sing-Akademie,
some settings can even be
attributed to Carl
Philipp Emanuel Bach -
contrary to his claim in
the preface of the
Breitkopf edition that
all songs were created by
my dear late father.The
volume includes an
informative preface and a
separate introduction on
the edition for both
parts while giving
editorial remarks for
each chorale for the
first time, directly
below the score.
Additionally, it provides
helpful indices that
allow searches for text
incipits, BWV numbers,
melody composers, and
lyricists.Get an insight
into our material with
the reading sample.In the
Download section, you can
also find a concordance
to the previous
edition.This is a
treasure trove of fine
music, beautifully
presented and
intelligently edited.
[...] It will become my
reference for Bach
chorales. (Jeremy
Summerly, Choir &
Organ)
All
four-part chorales by
Bach in an Urtext edition
for the first time.
Authentic chorales
clearly separated from
those of dubious
attribution. New insights
on the authorship of Carl
Philipp Emanuel Bach.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5581
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 140 pages.
Duration 30'. Breitkopf
and Haertel #PB 5581.
Published by Breitkopf
and Haertel (BR.PB-5581).
ISBN 9790004213919. 10
x 12.5 inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 2 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-16
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-16. Published by
Breitkopf and Haertel
(BR.OB-5581-16).
ISBN
9790004343210. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violoncello (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-23
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-23. Published by
Breitkopf and Haertel
(BR.OB-5581-23).
ISBN
9790004343234. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5598-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Study
Score. 132 pages.
Duration 30'. Breitkopf
and Haertel #PB 5598-07.
Published by Breitkopf
and Haertel
(BR.PB-5598-07).
ISBN
9790004214954. 6.5 x 9
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Double bass (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-27
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-27. Published by
Breitkopf and Haertel
(BR.OB-5581-27).
ISBN
9790004343241. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Viola (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-19
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-19. Published by
Breitkopf and Haertel
(BR.OB-5581-19).
ISBN
9790004343227. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Woodwinds (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-30
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Set
of parts. 168 pages.
Duration 30'. Breitkopf
and Haertel #OB 5581-30.
Published by Breitkopf
and Haertel
(BR.OB-5581-30).
ISBN
9790004343258. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 1 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-15
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-15. Published by
Breitkopf and Haertel
(BR.OB-5581-15).
ISBN
9790004343203. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.