(Everything Is Awesome * Best Day of My Life * Everything I Didn't Say * Clouds). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Pop Hits for Piano. Movie; Pop. Easy Piano. 24 pages. Published by Alfred Music

By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published by Imagine Music

By Ruth Elaine Schram. For SSA choir, piano. Concert, Festival. Octavo. Published by Heritage Music Press

Composed by Richard L. Saucedo. For Concert Band (Score). MusicWorks Grade 4. Grade 4. Softcover. Published by Hal Leonard

By Dennis Alexander. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Published by Alfred Publishing.

3rd Movement of The Seas of the Moon. Composed by Robert Buckley. MusicWorks Grade 4. Concert. Softcover. Published by Hal Leonard

By Andy Beck. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Choral Octavo. 12 pages

Composed by Linda Stalls. Arranged by Keith Christopher. For Choral (SATB). Glory Sound. 12 pages. Published by Glory Sound

Composed by Richard L. Saucedo. FlexBand. Softcover. Published by Hal Leonard

(Later Elementary Level). Composed by Wendy Stevens. For Piano/Keyboard. Willis. Late Elementary. 4 pages. Published by Willis Music

By Chuck Mangione. Arranged by Mike Lewis. For Jazz Ensemble. Jazz Ensemble. First Year Charts for Jazz Ensemble. Conductor Score. 12 pages. Published by Alfred Publishing.

By Chuck Mangione. Arranged by Mike Lewis. For Jazz Ensemble. Jazz Ensemble. First Year Charts for Jazz Ensemble. Conductor Score & Parts. 50 pages. Published by Alfred Publishing.

By Richard L. Saucedo. (Score and Parts). MusicWorks Grade 2. Concert Band. Score and full set of parts. Published by Hal Leonard.

Composed by Richard L. Saucedo. For Marching Band (Score and Parts). Esprit Marching Band. Grade 3. Published by Hal Leonard

Percussion (Score)

SKU: HL.14048307

For Percussion Ensemble. Composed by Nico Muhly. Music Sales America. Classical. Softcover. Composed 2016. 24 pages. St. Rose Music #SRO100144. Published by St. Rose Music (HL.14048307).

UPC: 888680716349. 12.0x16.5x0.053 inches. English.

Nico Muhly's Pulses, Cycles, Clouds for large mixed Percussion ensemble was written for the 50th anniversary of the Boston University Tanglewood Institute.

By Emilie Lin. For piano. The FJH Piano Ensemble Series. Single. Elementary. Single sheet. 7 pages

Composed by Linda Stalls. Arranged by Keith Christopher. For Choral (Studiotrax CD). Glory Sound. CD only. Published by Glory Sound

By Brian Balmages. Arranged by Brian Balmages. Concert Band/Wind Ensemble. FJH Concert Band. After a slow enchanting opening conveys the sense of drifting off to sleep, the aggressive theme of the fast section begins the amazing flight. This theme develops in several ways before coming to an invigorating conclusion. Highly accessible and exciting for medium level bands! Score for this title: B1225S. Extra part for this title: B1225P. Concert Band. Level: Grade 3. Score and Set of Parts. Published by The FJH Music Company Inc.

Band

SKU: CF.CFD3

Composed by Various. Jewel Case. Carl Fischer Concert Band Recordings. Audio CD. With Standard notation. Carl Fischer Music #CFD3. Published by Carl Fischer Music (CF.CFD3).

ISBN 9780825853487. UPC: 798408053482.

An excellent ensemble (Trade Winds) in their premier recording of old and new band classics featuring the music of Larry Clark, Percy Grainger, Robert Thurston, Carl Strommen, Sean O'Loughlin and others. Includes: Ascendance, The Tell-Tale Heart, Sonic Fusion, Molly on the Shore, Shoutin' Liza Trombone, Morning, Noon and Night in Vienna, Cloudsplitter, Bacchanale, Cascades and Quaere Verum.

For Organ. By Barbara Kolb. This edition: M051234783. Boosey and Hawkes. Softcover. 16 pages. Published by Boosey & Hawkes.

Chamber Music String Quartet

SKU: PR.114414250

Composed by Lowell Liebermann. Contemporary. Set of Score and Parts. With Standard Notation. Op. 103. 28+9+8+9+8 pages. Duration 25 minutes. Theodore Presser Company #114-41425. Published by Theodore Presser Company (PR.114414250).

UPC: 680160607846.

Lowel l Liebermann's 4th String Quartet was commissioned by the Canandaigua Lake Chamber Music Festival and the Wood Library, Canandaigua, NY, for the Orion Quartet in celebration of their 20th Anniversary. The quartet was premiered by the Orions at the Canandaigua Lake Chamber Music Festival in Rochester, NY on February 9th, 2008. To quote the writer Mark Greenberg: It's a remarkable piece. The mood is elegiacal and meditative, the melodic lines sinuous and searching, the harmonies rich and astonishingly beautiful. Liebermann works within the traditions of Western tonality, but that is a mansion with many rooms. Liebermann inhabits all of them as his expressive purposes require, and he doesn't mind knocking down a wall to create new harmonic spaces. The Fourth Quartet doesn't exactly fit the neoromantic niche into which Liebermann is sometimes placed. Much of the music, especially near the beginning, is a highly advanced and fluid chromatic expressionism with modernist tendencies. Sometimes this roiling cloudscape breaks open to allow a patch of near-classical harmony and almost-resolution. Near the midpoint the clouds lift in leaping modulations. Several chordal passages recall Russian Orthodox chant. Suddenly, when you've begun to think the somber, deliberate pace has gone on a bit too long, Liebermann introduces a kind of hobbled, stilted jazz idiom. The piece dies in pensive quiet.

Chamber Music Piano

SKU: PR.110418160

Composed by Stacy Garrop. Performance score. With Standard notation. 16 pages. Duration 8:30. Theodore Presser Company #110-41816. Published by Theodore Presser Company (PR.110418160).

ISBN 9781491114049. UPC: 680160640393. 9 x 12 inches.

Stacy Garrop began hiking in northern Colorado’s Rocky Mountain National Park in her early 20s. From the start, she was drawn to a jagged stretch of rock formations linking Longs Peak to Pagoda Mountain, at over 13,000 feet. These formations are called the “Keyboard of the Winds,” as their thin, spindly peaks suggest splintered keys of an old, broken piano. Inspired by one particular journey the composer took through the Keyboard of the Winds en route to Pagoda’s summit, this work is a tribute to the Keyboard of the Winds. Its fast, whirling gestures depict swirling clouds above, and the musical high points represent a hiker reaching the peak of Pagoda Mountain. These sections are set in contrast with quiet, introspective material embodying the hiker quietly surveying the grandeur and beauty of the valley below, as well as the soaring pinnacle of Longs Peak overhead.
I began hiking in the Rocky Mountain National Park in northern Colorado when I was in my early twenties. RMNP is home to some of the most gorgeous mountains in North America, encompassing 265,000 acres of wilderness, flora, and fauna. Among the park’s numerous summits is Longs Peak, a mountain that is 14,259 feet high (the highest in the region). From my earliest days of hiking, I was drawn to Longs Peak, as well as to a jagged stretch of rock formations that link Longs Peak to Pagoda Mountain (which stands at 13,497 feet). These formations are called the Keyboard of the Winds, as their thin, spindly peaks loosely suggest the splintered keys of an old, broken piano.One summer, I made the ascent to Pagoda Mountain using a route that took me along the right side of the Keyboard of the Winds. My hiking partner and I started up the trail in the pre-dawn hours, and the weather was stormy. Dawn had broken by the time we reached the base of the Keyboard, but its peaks were still surrounded by clouds. As we climbed higher and higher, the Keyboard’s thin spires became visible, along with the top of Pagoda Mountain. We reached the summit of Pagoda, admired the view (what we could see through the clouds), and made our descent.My piece is a tribute to the Keyboard of the Winds. The fast, whirling gestures depict swirling clouds, and the musical high points represent a hiker reaching the peaks of the Keyboard. I have contrasted these sections with quiet, introspective material; these embody the hiker quietly surveying the grandeur and beauty of the valley below (on a cloudless day), as well as the soaring pinnacles of Longs Peak and Pagoda Mountain overhead.

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.