(2.2.2+1.2+1/3.1.3.0,timp ,hp,str)

SKU: TM.02154SET

Composed by Franz Schubert. Arranged by Luck. Set Type: D. Set of parts. Published by Lucks Music Library (TM.02154SET).

Score in f only. Please specify key when ordering.

(2.2.2+1.2+1/3.1.3.0,timp ,hp,str)

SKU: TM.02154SC

Composed by Franz Schubert. Arranged by Luck. Score. Published by Lucks Music Library (TM.02154SC).

Score in f only. Please specify key when ordering.

By Marc-Andre Hamelin. For Piano. Modern. Sheet Music. Composed Composed: 1986-2009. Duration approximately 60 minutes. Published by Edition Peters

(Eine Auswahl bekannter Lincke-Melodien). Composed by Paul Lincke (1866-1946). For piano. This edition: paperback. Piano. 72 pages. Published by Apollo Verlag

The New Imperial Edition. By Various. Arranged by Sydney Northcote. (Baritone/Bass). Boosey and Hawkes Voice. Book only. Size 9x12 inches. 124 pages. Published by Boosey and Hawkes.

Medium Voice Part and Piano

SKU: HL.49005978

Composed by Carl Loewe. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 100 pages. Schott Music #ED 604. Published by Schott Music (HL.49005978).

ISBN 9790001031691. 7.5x10.75x0.331 inches. German.

Piano

SKU: M7.AV-5850

Melodienfolge. Composed by Paul Lincke. Arranged by Franz Marszalek. This edition: Folding. Sheet music. 9 pages. MDS (Music Distribution Services) #AV 5850. Published by MDS (Music Distribution Services) (M7.AV-5850).

ISBN 9790203917151.

25 Songs. By Various. Schott. Size 9.25x12 inches. 72 pages. Published by Schott.

Piano - difficult

SKU: HL.49032518

For Piano. Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1978. 16 pages. Duration 14'. Schott Music #ED8046. Published by Schott Music (HL.49032518).

ISBN 9790001082839. UPC: 884088576653. 9.0x12.0x0.105 inches.

Peteris Vask's Eine kleine Nachtmusik, composed in 1978, is an example of the tragedy of past eras and a small-scale requiem for the hope of people of all ages. The title borrowed from Mozart is here coloured in a poignantly ironical hue. The greater the musical experience of the listener, the deeper is the understanding of this music and its composer. For example, the Latvian speech melody and the proximity of the diatonic folk song to the mediaeval sequence Dies irae suddenly reveals itself as a concept of night music from a more general aspect. The rhythmically constant pulsation in the piano bass subsequently assumes a semantic significance and could possibly be an elegy for Schubert's Erlkonig.