Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score

SKU: AP.36-A816701

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A816701. Published by LudwigMasters Publications (AP.36-A816701).

ISBN 9798892703253. UPC: 659359825590. English.

As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score

SKU: AP.36-A816702

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A816702. Published by LudwigMasters Publications (AP.36-A816702).

UPC: 659359502255. English.

As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Score Orchestra (2 * 2 * 2 * 2 - 2 * 2 * 0 * 0 - P. - Str.) - intermediate to advanced

SKU: HL.49004015

Full Score. Composed by Wolfgang Amadeus Mozart. Edited by Marius Casadesus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Score. Composed 1766. 40 pages. Schott Music #ED 2953. Published by Schott Music (HL.49004015).

ISBN 9790001040525. UPC: 884088095192. 9.0x12.0x0.173 inches.

Dieses, sein erstes Violinkonzert schrieb Mozart, wie aus der Widmung ersichtlich ist, im Fruhjahr 1766 wahrend eines mehrwochigen Aufenthaltes am franzosischen Hof, als er auf der Ruckreise von England mit Vater und Schwester zum zweiten Male nach Paris kam. Das Werk verdankt seine Entstehung wohl dem Umstand, dass man ofters die erstaunlichen Fahigkeiten des jungen Kunstlers in Zweifel zog und ihm deshalb eine Aufgabe stellte, die er unter den Augen des Auftraggebers losen musste. So hat Mozart dieses Violinkonzert fur Madame Adelaide von Frankreich, die alteste Tochter Ludwigs XV., komponiert.

Recorder Quartet - intermediate

SKU: HL.49008218

Performance Score. Composed by Hans-Martin Linde. Arranged by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 32 pages. Schott Music #ED8916. Published by Schott Music (HL.49008218).

ISBN 9790001124355. UPC: 842819104438. 9.0x12.0x0.119 inches.

This edition contains compositionally free arrangements of folksongs; quasi 'folksong fantasias en miniature' they are not to be mistaken for simple folksong arrangements. Only moder-ately difficult they should appeal to a wide circle of recorder lovers. Contents: Folksongs from England, Ireland, Russia, Hungary, Bulgaria, Greece, France, Spain, Portugal, Germany, Switzerland and Italy. For soprano, alto, tenor, and bass recorders.

Concert Band (Score)

SKU: HL.50602096

Concert Band Score. Composed by Ferenc Farkas. EMB. 20Th Century, Classical. Softcover. 32 pages. Duration 540 seconds. Editio Musica Budapest #Z14992. Published by Editio Musica Budapest (HL.50602096).

ISBN 9781540062307. UPC: 888680961305.

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

Concert Band (Score)

SKU: HL.4006385

Concert Band Score. Composed by Thierry Deleruyelle. De Haske Concert Band. Classical, Hungarian. Softcover. 38 pages. Duration 715 seconds. De Haske Publications #1185862140. Published by De Haske Publications (HL.4006385).

UPC: 888680987916.

Tarja n, Hungarian Pictures is a work in three movements commissioned by the town of Vesoul and its concert band. This work pays tribute to Jean-Marie Goux, the bands former musical director, who had forged strong links with Hungary: whether in the village of Tarjan or Budapest itself, he had shared his zest for life with the Hungarian people. This colourful work consists of three movements: The 7th Tribe, Eternal Fidelty and Conquest of the Homeland. It offers not only strong musical content, but also historical insight about a beautiful region with a great tradition.

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44011672

Composed by Stijn Roels. De Haske Concert Band. Concert Piece. Softcover. Composed 2011. De Haske Publications #1115065010. Published by De Haske Publications (HL.44011672).

UPC: 884088895655. 9.0x12.0 inches. English-German-French-Dut ch.

In The Essence of Youth the composer gives an insight into childhood and youth — inspired by his own daughter. The opening of sparking rhythms, dynamic contrasts and changes of time signature paint a vivid picture of the unpredictability of children. The first and second movements recount the love — and also tension and the worries — in the adult-child bond, through dissonant harmonies but also pretty melodies. The fugue-like ending leads to a final splendid chorale: a picture of proud parents with their child!

In The Essence of Youth geeft de componist zijn visie op de kindertijd en de jeugd. Zijn eigen dochter vormde hierbij een belangrijke inspiratiebron. De opening staat met opgewekte ritmes, dynamische contrasten en maatsoortwisselingenvoor de spontaniteit van kinderen. Het eerste en tweede deel vertellen over de liefde, zorg en toewijding die horen bij een ouder-kindrelatie. Met dissonante harmonieen, maar ook met mooie melodieen weet de componist ditprachtig te verbeelden. Een fuga leidt ten slotte naar een prachtig koraal: de trotse ouders met hun kind verbeeldend.

In The Essence of Youth beschreibt der Komponist sein Bild von Kindheit und Jugend - inspiriert von seiner eigenen Tochter. Die Eroffnung steht mit aufgeweckten Rhythmen, dynamischen Kontrasten, Taktartwechseln für die Unberechenbarkeit von Kindern. Der erste und zweite Satz erzahlen mit dissonanten Harmonien, aber auch mit schonen Melodien von Spannungen, Liebe und Sorge in der Eltern-Kind-Beziehung. Den Schluss bildet eine Fuge, die zu einem prachtvollen Choral führt: ein Bild stolzer Eltern mit ihrem Kind!

Cette composition reflete ce que le compositeur considere comme les caracteristiques typiques de la jeunesse : une melodie eclatante pleine de rythmes vifs, des contrastes dynamiques et des changements de tempi qui se combinent pour symboliser l'energie debordante des enfants, ainsi que la tension entre parents et enfant. Un passage lyrique exprime l'amour parental par des lignes melodiques tres subtiles. Les notes s'egrenent, le charme opere !

The Essence of Youth e un brano che riflette cio che il compositore, ispirato da sua figlia, considera come le caratteristiche tipiche della gioventu. Un'ouverture spettacolare nella quale contrasti dinamici e dai ritmi vivaci si susseguono come a simboleggiare la straordinaria energia dei bambini. Il primo movimento, sulla scia dell'introduzione, anticipa una parte di solo che accompagna al secondo movimento, testimonianza dell'amore infinito dei genitori nei confronti dei figli. Una fuga basata sul tema iniziale contraddistingue il terzo movimento che conduce all'apoteosi finale.

Vocal duet

SKU: HP.8960

Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Piano with Optional Cello (Included). Vocal Score. 8 pages. Hope Publishing Company #8960. Published by Hope Publishing Company (HP.8960).

UPC: 763628189600.

Famil iar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.

Violin and piano

SKU: M7.JO-53-01

In first position. Composed by Henri Seiffert. This edition: Saddle-wire stitching. Sheet music. Score and part. Composed 1921. Op. 24. 12 pages. Duration 5'. MDS (Music Distribution Services) #JO 53-01. Published by MDS (Music Distribution Services) (M7.JO-53-01).

ISBN 9790001216685. UPC: 842819117827.

Nur bis zur ersten Lage muss die Violine beherrscht werden, aber unterschätzen sollte man das einsätzige Concertinomit seinen Läufen, Akkordbrechungen und elegant zu phrasierenden Melodien nicht. In jedem Fall wirddas klangschöne Stück einErfolg in einem der ersten Konzerte junger Geiger:innen.

Brass Band

SKU: HL.50487649

For trombone solo and brass ensemble. Composed by Gyorgy Ranki. 20th Century. EMB. Score and parts. Editio Musica Budapest #Z13510. Published by Editio Musica Budapest (HL.50487649).

ISBN 9790080135105. UPC: 884088612177. 9.25x12.0x0.151 inches. Gyorgy Ranki.

(Hungaroton HCD 31612).

Handbells, 3-5 oct. Handbell Setting - Level 2

SKU: HP.2913

Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Piano with Optional Cello (Included). Handbell score. 8 pages. Hope Publishing Company #2913. Published by Hope Publishing Company (HP.2913).

UPC: 763628129132.

Famil iar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.

Chamber Music bass trombone

SKU: PR.114418410

Composed by Stacy Garrop. Sws. Performance Score. 8 pages. Duration 6:30. Theodore Presser Company #114-41841. Published by Theodore Presser Company (PR.114418410).

ISBN 9781491133644. UPC: 680160641932. 9 x 12 inches.

Stormy, Husky, Brawling takes its name from the 4th line of the poem Chicago, written by Carl Sandburg in 1916 when Chicago was the heart of the meatpacking and railroad industries. When bass trombonist Sun He commissioned Garrop, he mentioned a deep love for Chicago, adding, “I remember the first time I walked on the street in Chicago, by the corner of Michigan and Roosevelt, and how I felt the energy of this city almost brought my blood to a boil...” Those images inspired Garrop to write a piece that conveys the beating pulse of the city, as well as its grandeur.
Stormy, Husky, Brawling takes its name from the 4th line of the poem Chicago, written by the American poet Carl Sandburg. Dating from 1916, the city of Chicago at that time served as the heart of the meatpacking and railroad industries. The poem’s lines mingle the dark underbelly of the city:And they tell me you are brutal and my reply is: On the faces of women                      and children I have seen the marks of wanton hunger.with immense pride felt by its inhabitants:        Come and show me another city with lifted head singing so proud to be alive          and course and strong and cunning.As a Chicagoan myself, I find much of Sandburg’s unabashed view of the city very appealing and still relevant over a hundred years later.When bass trombonist Sun He commissioned me for a solo trombone piece, he mentioned his deep love for Chicago. He wrote to me in an email:“I remember the first time I walked on the street in Chicago, by the corner of Michigan and Roosevelt, and how I felt the energy of this city almost brought my blood to a boil...”His words inspired me to write a piece that conveys the beating pulse of the city, as well as its grandeur. Carl Sandburg’s poem became the perfect inspiration to tell the story of the pride Sun He and I have for Chicago.Sun He has dedicated Stormy, Husky, Brawling to Jane Addams and the Hull House of Chicago. Ms. Addams (1860-1935) was a distinguished sociologist, social worker, philosopher, and author, who opened the Hull House in 1889. She provided many services to immigrant families at the Hull House, including kindergarten, day care, an employment bureau, and classes in English, citizenship, music, theater, and the arts.