Performed by Stevie Wonder. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Stevie
Wonder. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Smooth
soul, classic soul and
pop rock. C# Minor. 3
pages. 9x12 inches.
Published by Hal Leonard.
Stevie Wonder Medley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(A medley including: My cherie amour, Master Blaster, You are the sunshine of my...(+)
(A medley including: My
cherie amour, Master
Blaster, You are the
sunshine of my life,
Isn't she lovely, Sir
Duke, I just called to
say I love and I wish).
Arranged by Palmino Pia.
Concert band. Pop Music.
Grade 4. Score and set of
parts. Duration 6:50
By Kelly Clarkson. By Jason Halbert, Jessi Collins, and Kelly Clarkson. Arrang...(+)
By Kelly Clarkson. By
Jason
Halbert, Jessi Collins,
and
Kelly Clarkson. Arranged
by
Mark A. Brymer. Secular
Christmas Choral.
Christmas,
Doo-Wop, Holiday, Pop,
Secular
Christmas, Winter.
Octavo. 12
pages. Duration 155
seconds.
Published by Hal Leonard
Grade 3 SKU: CL.032-4771-00 The Light Just Don't Work. Composed by...(+)
Grade 3
SKU:
CL.032-4771-00
The
Light Just Don't
Work. Composed by
Skeffington. Jazz
Ensemble. Score and set
of parts. C.L. Barnhouse
#032-4771-00. Published
by C.L. Barnhouse
(CL.032-4771-00).
Vending Machine
isn’t Broke is an
excellent contemporary
chart for big band by
Craig Skeffington.
Written in a modern
straight 8th style, it
features all sections of
the band with
improvisational space for
alto sax. Fully notated
rhythm section parts,
moderate brass ranges, a
catchy melody and unique
harmonies make this a
favorite for festival
performance!
Intriguing!
Choral (SHOWTRAX CD) SKU: HL.275450 By Stevie Wonder. By Stevie Wonder. A...(+)
Choral (SHOWTRAX CD)
SKU: HL.275450
By
Stevie Wonder. By Stevie
Wonder. Arranged by Ed
Lojeski. Pop Choral
Series. Pop, Show Choir,
Shuffle, Soul, Vocal
Jazz. CD. Duration 150
seconds. Published by Hal
Leonard (HL.275450).
UPC: 888680744090.
5.0x5.0x0.15
inches.
In 1976,
Stevie Wonder released
his double album Song in
the Key of Life. This
epic LP contained 21 hits
but none bigger than this
jazz infused ode to
Stevie's daughter. Lifted
to new popularity as
Stevie serenaded Michelle
Obama on the Tonight Show
during her final week as
the First Lady, this new
arrangement captures the
R&B feel along with
the tenderness expressed
between a dad and his
daughter.
Grade 3 SKU: CL.032-4771-01 The Light Just Don't Work. Composed by...(+)
Grade 3
SKU:
CL.032-4771-01
The
Light Just Don't
Work. Composed by
Skeffington. Jazz
Ensemble. Extra full
score. C.L. Barnhouse
#032-4771-01. Published
by C.L. Barnhouse
(CL.032-4771-01).
Vending Machine
isn’t Broke is an
excellent contemporary
chart for big band by
Craig Skeffington.
Written in a modern
straight 8th style, it
features all sections of
the band with
improvisational space for
alto sax. Fully notated
rhythm section parts,
moderate brass ranges, a
catchy melody and unique
harmonies make this a
favorite for festival
performance!
Intriguing!
Discovery Level 1.
Composed by Jay Smith and
Vasile Sirli. Arranged by
Cristi Cary Miller.
Discovery Choral.
Christmas, Disney,
French, Holiday. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.355228).
UPC:
840126939217.
6.75x10.5x0.036
inches.
This
celebratory song first
appeared at Disneyland
Paris in 2005 and was
written for their holiday
parade.The opening melody
is easy to sing yet
sounds sophisticated and
majestic. This can easily
be a processional for
your holiday concert and
one that will surely put
your audience in a
holiday mood.
Discovery Level 1.
Composed by Jay Smith and
Vasile Sirli. Arranged by
Cristi Cary Miller.
Discovery Choral.
Christmas, Christmas
Secular, Disney, French,
Holiday. Octavo. Duration
180 seconds. Published by
Hal Leonard (HL.355229).
UPC: 840126939224.
6.75x10.5x0.029
inches.
This
celebratory song first
appeared at Disneyland
Paris in 2005 and was
written for their holiday
parade. The opening
melody is easy to sing
yet sounds sophisticated
and majestic. This can
easily be a processional
for your holiday concert
and one that will surely
put your audience in a
holiday mood.Ÿ.
Grim Grinning Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Xavier Atencio, music by Buddy Baker [Disney]. Arranged by Dougl...(+)
Composed by Xavier
Atencio,
music by Buddy Baker
[Disney].
Arranged by Douglas E.
Wagner.
Concert Band. Concert
Band;
Part(s); Score. Pop Young
Band. Fall; Haloween;
Pop.
Grade 2. 124 pages.
Published
by Alfred Music
Grim Grinning Ghosts Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Composed by Xavier Atencio, music by Buddy Baker [Disney]. Arranged by Douglas...(+)
Composed by Xavier
Atencio,
music by Buddy Baker
[Disney].
Arranged by Douglas E.
Wagner.
Concert Band. Concert
Band;
Score. Pop Young Band.
Fall;
Haloween; Pop. Grade 2.
16
pages. Published by
Alfred
Music
Voix d'Enfants, Piano [Partition] - Intermédiaire Hal Leonard
Compiled by Louise Lerch. For voice and piano. Format: piano/vocal/chords songbo...(+)
Compiled by Louise Lerch.
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Broadway,
movies and disney. 167
pages. 9x12 inches.
Published by Hal Leonard.
Composed
by Michael Boo. Sws. Cps.
Full score. 20 pages.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CPS244F. Published
by Carl Fischer Music
(CF.CPS244F).
ISBN
9781491157992. UPC:
680160916597. 9 x 12
inches.
On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece.
Die erste Walpurgisnacht Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Reduction] Barenreiter
(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1...(+)
(Ballade von Johann
Wolfgang von Goethe). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
For alto voice solo/tenor
voice solo/baritone voice
solo/bass voice solo/SATB
choir/2 flutes/piccolo/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/3
trombones/timpani/concert
drum/cymbal/2
violins/viola/cello/contr
abass. This edition:
Urtext edition. Level 3.
Piano reduction
(paperbound). Language:
German/English, Text
language: German/English.
Opus 60. Published by
Baerenreiter Verlag
Composed by David Leisner (1953-). Score and part(s). With Standard notation. Co...(+)
Composed by David Leisner
(1953-). Score and
part(s). With Standard
notation. Composed
13-Aug. 28 pages.
Duration 9 minutes, 30
seconds. Theodore Presser
Company #144-40716.
Published by Theodore
Presser Company
(PR.144407160).
SATB choir, Unison SKU: GH.CG-7197 Composed by Mats Eden. Play demo (spel...(+)
SATB choir, Unison
SKU: GH.CG-7197
Composed by Mats Eden.
Play demo
(spelanvisningar). With
Language: Swedish.
Gehrmans Musikforlag #CG
7197. Published by
Gehrmans Musikforlag
(GH.CG-7197).