50 Hits from Across the Decades. Composed by various artists and composers. This edition: Easy Guitar TAB (Melody, Chords & Lyrics). Book; Guitar Mixed Folio; Guitar TAB. Alfred's Easy Hits. Pop; Pop/Rock; Rock. 184 pages. Published by Alfred Music

String Quartet (violin 1, violin 2, viola, cello)

SKU: GS.BSG4PROMAR-P

Arranged by Deborah Greenblatt. Spiral-bound. Set of parts. Greenblatt & Seay #BSG4PROMAR-P. Published by Greenblatt & Seay (GS.BSG4PROMAR-P).

8.5 x 11 inches.

30 energetic pieces to get your audience motivated, and their toes tapping. All four parts share the interesting melodic bits, and the relentless rhythms that provide the energy to forge ahead. You will enjoy sharing some old favorites, like Mendelssohn's Wedding March, Wagner's Bridal March, and for you Alfred Hitchcock fans, Gounod's Funeral March of a Marionette. This collection also includes works by Sousa, Frederick II, Joplin, Mozart, Schubert, etc.

The Clancy Brothers and Tommy Makem. Book. Published by Music Sales. Includes 75 all-time favorites, best-selling hits, old traditional songs - many in Gaelic and not to be found anywhere else - lavishly ilustrated with Irish art, design and anecdotes. Lyrics, full piano scores and guitar chords.

By Leonard Bernstein (1918-1990). BH Piano. Softcover. 120 pages. Boosey and Hawkes #M051246410. Published by Boosey and Hawkes

(formerly 2000 Fingerpicking). Perfect binding. Book and online audio. Published by Mel Bay Publications, Inc (MB.98370M).

Edited by Cecil J. Sharp. For Voice. Song Folio. Dover Edition. Folk. Book. Published by Dover Publications

99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Diese Ausgabe enthalt 99 traditionelle englische Geigenmelodien. Der Band ist versehen mit Akkorden und Hinweisen zur Bogenfuhrung. Ausserdem ist ihm eine CD von Pete Cooper beigelegt. Folk, Classical, English. Edition/Softcover with CD. 12758. 68 pages. Schott Music #ED12758. Published by Schott Music

Book 1, Student. By Emily Crocker, John Leavitt. (Mus1st). Essential Elements Choir. Size 8.5x11 inches. 192 pages. Published by Hal Leonard.

by Phil Duncan. For Harmonica (Diatonic). method. All Styles. Level: Multiple Levels. Book. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: BT.9781408115008

Abracadabra. Book with CD. 72 pages. Collins Music Publishing #9781408115008. Published by Collins Music Publishing (BT.9781408115008).

ISBN 9781408115008.

A bracadabra Singalong Guitar makes learning the Guitar simple and fun. Bursting with songs from pop classics to traditional campfire favourites, the book includes full teaching notes, chord diagrams, lyrics and twoeasy-to-follow CDs.

It is the perfect resource for use during classroom singing, at small Guitar groups, in assemblies or for individual learners.

By Amy Appleby. For Piano. Classical, Folk, Children's. Sheet Music. 146 pages. Published by Wise Publications.

Composed by Various. Percussion. Jazz, Movies, Pop. Softcover. Published by Hal Leonard

(Children's Songs and Games from England). Arranged by Susan Brumfield. Book and CD pak. Expressive Art (Choral). Softcover with CD. 160 pages. Published by Hal Leonard

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

By Alec Slater and Lisa Schmitz. For Banjo (5-String). Solos. Archive Edition. Old Time. Intermediate. Book. 144 pages

(52 Titles to Play and Sing). Arranged by Willard A. Palmer, Morton Manus, and Dennis Alexander. For easy piano and voice. Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Classical and Folk. Difficulty: easy-medium. Collection. Easy piano notation, fingerings and lyrics (on some songs). 96 pages. Published by Alfred Music Publishing

Voice

SKU: BT.ALHE32011

Johnny Est Parti Pour Hilo. Composed by William Billings. Choral Score. Composed 2015. Heugel & Cie #ALHE32011. Published by Heugel & Cie (BT.ALHE32011).

French.

By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet Music. 216 pages. Published by Oak Publications.