Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
The Wonderful Cross Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Chris Tomlin. Arranged by Jesse Reeves. For SATB Choir and Piano (with option...(+)
By Chris Tomlin. Arranged
by Jesse Reeves. For SATB
Choir and Piano (with
optional flute and
rhythm). Sacred Anthem:
General, Holy Week, Lent.
Octavo. 13 pages.
Published by Lorenz
Publishing Company
Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).
Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension...(+)
Composed by Carson Cooman
(1982-). Sacred, Advent,
All Saints' Day,
Ascension, Christmas,
Eastertide, Epiphany,
General, Holy Communion,
Holy Week, Lent,
Missions, New Year,
Pentecost, Patriotic,
Reformation,
Thanksgiving. Lorenz
Publishing Company
#70/2013L. Published by
Lorenz Publishing Company
(LO.70-2013L).
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
SKU: LO.99-2806L Composed by Chris Tomlin. Arranged by Jesse Reeves. Chor...(+)
SKU: LO.99-2806L
Composed by Chris Tomlin.
Arranged by Jesse Reeves.
Choral. Sacred Anthem,
General, Holy Week, Lent.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/2806L.
Published by Lorenz
Publishing Company
(LO.99-2806L).
UPC:
000308126761.
Maste
rfully arranged by Lloyd
Larson, this beautiful
meditation on the cross
features the classic
sounds of the popular
worship song by Tomlin,
Reeves, and Walt, which
blends with the beloved
traditional Watts and
Mason hymn. Optional
parts for flute and
rhythm weave a lovely
countermelody through
tender vocals perfect for
use throughout the Lenten
season.
Unison (High Voice & Divisi) and Organ in Latin. Composed by James Macmi...(+)
Unison (High Voice &
Divisi)
and Organ in Latin.
Composed
by James Macmillan.
Boosey &
Hawkes Sacred Choral.
Octavo.
Boosey & Hawkes
#M060133886.
Published by Boosey &
Hawkes
Choir SKU: WD.080689296239 Composed by David Wise. Arranged by Wise & Shi...(+)
Choir
SKU:
WD.080689296239
Composed by David Wise.
Arranged by Wise &
Shipps. Choral. Sacred
Anthem, Eastertide.
Octavo. Word Music
#080689296239. Published
by Word Music
(WD.080689296239).
UPC:
080689296239.
Featu
ring a lush melody and
especially well-crafted
lyrics, this emotional
choral meditation on the
place of the Cross on our
broken lives is sure to
deeply move your
congregation.
Over 20 Piano Solos for the Church Year. Arranged by Glenda Austin. Willis. Ge...(+)
Over 20 Piano Solos for
the
Church Year. Arranged by
Glenda Austin. Willis.
General
Worship, Sacred, Solos.
Softcover. 64 pages.
Published
by Willis Music
(Holy Week Meditations for Piano). Composed by David Sarandon. For piano. Sacred...(+)
(Holy Week Meditations
for Piano). Composed by
David Sarandon. For
piano. Sacred, Good
Friday, Holy Week, Maundy
Thursday,
Palm/Palm-Passion Sunday.
Intermediate. Lorenz
Publishing Company
#70/1451L. Published by
Lorenz Publishing Company
SKU: GI.G-CD-520 St. John of the Cross. Composed by Various. Sacre...(+)
SKU: GI.G-CD-520
St. John of the
Cross. Composed by
Various. Sacred. CD. GIA
Publications #520.
Published by GIA
Publications
(GI.G-CD-520).
Focusing on the
lives of saints and other
holy people, Journey of
the Sacred is a series of
books and music created
to guide members of small
faith communities on
their own sacred
journeys. Unlike many
other guides of this
kind, Journey of the
Sacred incorporates music
into each session with a
pre-recorded CD for
singing along to chosen
hymns and songs. Each
journey offers six
sessions consisting of
prayer, Scripture,
writings by the
particular saint or holy
person, reflection,
silence, sharing, and an
experience by a
modern-day person that
ties into the session's
theme. Each session also
allows for a going forth
in actionÓ for the
group or individual. One
book is needed for each
member of the small faith
community. One CD is
needed for the entire
group. Although created
for small group sessions,
this series also may be
used for individual
meditation. Journeys may
be used in any order.
20 Beautiful Piano Pieces to Help You Relax and Unwind. Composed by various comp...(+)
20 Beautiful Piano Pieces
to Help You Relax and
Unwind. Composed by
various composers and
arrangers. Book; Piano
Collection; Piano
Supplemental; Solo. Faber
Edition. Masterwork
Arrangement. Published by
Faber Music
SATB choir - Easy SKU: LP.765762102521 An Easter Celebration for Any C...(+)
SATB choir - Easy
SKU:
LP.765762102521
An
Easter Celebration for
Any Choir. Composed
by Marty Parks. Musical.
Excel Series.
Multicultural and Sacred.
Stereo CD. Published by
Lillenas Publishing
Company
(LP.765762102521).
UPC:
765762102521.
This
deeply moving and
compelling musical is a
beautiful response to
God's loving, sacrificial
and powerful act of
redemption. Sacred and
cherished hymns, popular
worship songs, and new,
expressive compositions
combine in arrangements
that are both poignant
and moving, while
retaining a level of
difficulty that even the
smallest choir can
master. The emotive
narrations are derived
directly from the
scriptures and perfectly
frame the musical
settings. In addition,
the work includes several
solo and congregational
opportunities for
participation. Echoing
the song of heaven's
eternity, this 47-minute
presentation is assembled
in 4 main sections: I.
Worthy of Praise II.
Worthy of Our Love III. A
Worthy Sacrifice IV.
Worthy of
Exaltation
These
arrangements are easy to
sing and easy to learn!
Stereo accompaniment CD
trax for use on
performance. Note - does
not include rehearsal
(internal) CD
points.Heart-touching
presentation of the
Easter story with
practical modern-day
relevance. Professional
quality recording useful
as an aid for choir
members learning the
music, or for personal
enjoyment and meditation
times. (Performance demo
- NOT an accompani.
Brass Quintet SKU: PE.EP68779 Arranged for Brass Band by Phillip Littl...(+)
Brass Quintet
SKU:
PE.EP68779
Arranged for Brass
Band by Phillip
Littlemore (Score).
Composed by Eriks
Esenvalds. Arranged by
Phillip Littlemore.
Edition Peters.
Contemporary. Score. 8
pages. Edition Peters
#98-EP68779. Published by
Edition Peters
(PE.EP68779).
ISBN
9790300762425.
O
Salutaris Hostia is one
of Eriks Ešenvalds'
most popular pieces.
Originally written for
female voices, the
composer later created a
version for full choir on
which this arrangement is
based. It has a gentle
meditation with the two
soloists drifting across
the soft band
accompaniment,
alternately echoing and
imitating each other or
joining together in
thirds. The effect is
quietly ecstatic, a brief
moment of adoration and
wonderment. This
arrangement can be played
with either two cornets
or two euphoniums as
soloists as the
accompaniment works just
as effectively with
either.
Bri
ngs contemporary choral
repertoire by a leading
international composer to
the band
world
Arrangement
of Eriks Ešenvalds'
highly successful choral
piece 'O Salutaris
Hostia'
Arranged
by brass band specialist
Phillip
Littlemore
Part
of EP Brass Band
Series
Meditative
, beautiful piece, highly
attractive for audiences,
and proven success as a
choral
work
Suitable for
intermediate band at 2nd
Section and
above