Softcover Edition. Performed by Jerome Kern. Piano/Vocal/Chords Composer Collect...(+)
Softcover Edition.
Performed by Jerome Kern.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 6.75x10.5
inches. Published by Hal
Leonard.
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
Book/2-CD Pack Vocal SKU: HL.141195 By Kristin Chenoweth. Music Minus One...(+)
Book/2-CD Pack Vocal
SKU: HL.141195
By
Kristin Chenoweth. Music
Minus One. Broadway.
Softcover with CD. 28
pages. Music Minus One
#MMO2166. Published by
Music Minus One
(HL.141195).
ISBN
9781941566664. UPC:
888680044015.
9.0x12.0x0.146
inches.
The 2 CDs
that come with this Music
Minus One vocals pack
feature complete versions
with example vocals, plus
separate background
tracks. Songs featured in
this pack inspired by
singer/actress Kristin
Chenoweth include: Going
to the Dance with You *
How Long Has This Been
Going On? * If You Hadn't
But You Did * My Funny
Valentine * Nobody Else
But Me * Taylor the Latte
Boy * You'll Never Know *
and more.
Edited by Edward Huws Jones. For violin(w/CD). Collection. Student book and play...(+)
Edited by Edward Huws
Jones. For violin(w/CD).
Collection. Student book
and play-along CD.
Published by ABRSM
(Associated Board of the
Royal Schools of Music)
Composed
by Amy Webb. Full score.
16 pages. Carl Fischer
Music #FPS164F. Published
by Carl Fischer Music
(CF.FPS164F).
ISBN
9781491163900. UPC:
680160922697.
Call
of the Ancient Clans
takes players back to the
time of the dawn of man,
when neighboring tribes
could communicate with
each other not by racing
through the harsh jungle
or dry desert, but by the
use of different rhythm
instruments. Music was
also used in religious
rituals, celebrations and
to share the history of
the group.With an
interesting, pulsating
rhythm and catchy
woodwind lines, Call of
the Ancient Clans is sure
to light a fire under
students and get them
involved in making some
exhilarating music. The
notes can be easily
played by those with over
a year of band
experience, but will also
provide a good challenge,
as the first clarinets do
go over the break a
couple of times.Students
will have a lot of fun
playing double forte (who
doesn’t?).
However, caution students
that playing “as
loud as you canâ€
can lead to bad-sounding
notes. Balance with the
person next to you; if
you can’t hear
them, you’re too
loud. Double forte is a
bit like calling to your
friend from across the
gym when nobody else is
in there. You
don’t want to be
louder than that.Who has
the melody at each
rehearsal mark? Your
students should know and
if they do not, tell
them. If they
don’t have the
melody, they need to back
off their notes and play
softer. Let the melody
shine.Balance will make
this piece truly sing. I
hope you enjoy playing
it; I loved writing
it.
