Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30<...(+)
Wind parts (SSATB -
0.2.0.1 - 2.0.0.0 - timp
- str - bc)
SKU:
BR.OB-32090-30
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 24
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-30. Published by
Breitkopf and Haertel
(BR.OB-32090-30).
ISBN
9790004350454. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213002
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A213002.
Published by
LudwigMasters
Publications
(AP.36-A213002).
UPC:
659359873225.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano - early intermediate SKU: BT.EMBZ20003 Little Piano Pieces - Kle...(+)
Piano - early
intermediate
SKU:
BT.EMBZ20003
Little Piano Pieces -
Kleine Klavierstücke -
Petites pièces pour
piano. Composed by
Gyorgy Orban. Educational
Tool. Book Only. Composed
2018. 28 pages. Editio
Musica Budapest
#EMBZ20003. Published by
Editio Musica Budapest
(BT.EMBZ20003).
Hungarian-English-Germ
an-French.
Györg
y Orbán (born 1947) is
among the most frequently
performed contemporary
Hungarian composers. His
style incorporates a
characteristic mix of
classical, modern,
cinematic, and jazz
elements. In addition, he
claims he ''loves
splashing about in
tonality,'' which makes
his works accessible to
the wider public. Owing
to his humor and
imagination, he finds an
easy path to children, as
demonstrated by the
popularity of his piano
works specifically
intended for beginners.
He composed close to 70
short children s pieces
for Ãgnes Lakos s
four-volume Friendly
Piano Tutor (Z.
14749-14756), later
published separately as
Enchanted Forest (Z.
14742). The New Bell
includes 19 piano
piecesfor beginners among
others, we encounter a
baby elephant now and
again (perhaps paying a
visit from Debussy s
Children s Corner?) and
we hear the awful clamor
of a most outgoing granny
s alarm clock as well as
the solemn tolling of a
new church-bell. The
pieces are arranged in
order of difficulty and
even include a few items
for three hands which may
be played by a pupil with
the teacher or another
student.
György
Orbán (geb. 1947) ist
einer der meistgespielten
zeitgenössischen
ungarischen Komponisten.
In seinem Stil vermischen
sich auf
charakteristische Weise
Elemente der klassischen,
zeitgenössischen,
Film- und Jazzmusik.
Daneben ''plantscht er in
der Tonalität'' nach
eigener Aussage, so dass
seine Werke für ein
großes Publikum
zugänglich sind. Dank
ihres Humors und ihrer
Fantasie finden sie auch
bei Kindern leichten
Zugang: Das beweist die
Popularität der
ausdrücklich für
AnfängerInnen
komponierten
Klavierwerke. Für die
vierbändige
Freundliche
Klavierschule von
Ãgnes Lakos
(EMBZ14749-14756)
komponierte er fast
siebzig kleine
Klavierstücke, die
später unter dem Titel
Der Zauberwald
(EMBZ14742) auch
eigenständig
erschienen.
Die neue
Glocke enthält 19 neue
Stücke für
KlavieranfängerInnen:
Unter anderem taucht
darin ein kleiner Elefant
auf (vielleicht trappelte
er aus Debussys
Children´s Corner
hierher?), man
erfährt, wie
schrecklich der Wecker
von der Oma in
Partystimmung klingelt -
und natürlich auch,
wie würdevoll die neue
Glocke der Kirche
läutet. Die Stücke
folgen einander in der
Reihenfolge ihrer
Schwierigkeit. Unter
ihnen sind auch einige
Stücke zu drei
Händen zu finden, die
mit der Lehrkraft oder
einer anderen
Schülerin bzw. einem
anderen Schüler
zusammen vorgetragen
werden können.
Um Mitternacht Chorale SSAATTBB SSAATTBB A Cappella [Vocal Score] Universal Edition
(Text Von Friedrich Ruckert). By Gustav Mahler (1860-1911). Edited by Clytus Got...(+)
(Text Von Friedrich
Ruckert). By Gustav
Mahler (1860-1911).
Edited by Clytus Gottwald
(transcriber). For
Ssaattbbb. Vocal Score.
13 pages. Published by
Universal Edition
Composed by Joshua
Reznicow. Performance
Music Ensemble; String
Orchestra. Ludwig
Masters. Patriotic. Score
and Part(s). Latham Music
Enterprises #36-52250538.
Published by Latham Music
Enterprises
(AP.36-52250538).
ISBN
9781621568629. UPC:
679360699294.
English.
A rousing
concert ender, this work
will challenge all
sections with a wide
range (every part
shifts), running passage
work, trills, and
syncopated rhythms.
The B section, a
lyric waltz theme, shows
off the principal players
with extended solos.
The return of the A
section superimposes the
waltz melody on the
original syncopated theme
for a wonderful
conclusion.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet...(+)
Featuring: You'll Be Back
/
Helpless / My Shot / Dear
Theodosia / It's Quiet
Uptown / One Last Time.
Composed by Lin-Manuel
Miranda (1980-). Arranged
by
Jerry Brubaker. Concert
Band; Part(s); Score. Pop
Concert Band. Form:
Suite.
Broadway. 238 pages.
Published by Alfred Music
Concert Band SKU: AP.36-50105139 Composed by Wolfgang Amadeus Mozart. Arr...(+)
Concert Band
SKU:
AP.36-50105139
Composed by Wolfgang
Amadeus Mozart. Arranged
by Andrew Balent. Concert
Band. Holiday Music for
Band. Score.
LudwigMasters
Publications
#36-50105139. Published
by LudwigMasters
Publications
(AP.36-50105139).
ISBN
9781628767018. UPC:
659359861765.
English.
Quintessen
tial Mozart for the young
band is hard to come by,
but this sparkling
arrangement from a
veteran writer perfectly
fits the bill. Everything
youngsters need to know
about the classical style
in an easy-to-play
arrangement is here at
their fingertips.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Voice and Piano SKU: AP.36-M369891 Composed by Amy Marcy Beach. Edited by...(+)
Voice and Piano
SKU:
AP.36-M369891
Composed by Amy Marcy
Beach. Edited by Joseph
E. Maddy. Arranged by
Felix Guenther and ed.
Joseph E. Maddy.
Performance Music
Ensemble; Solo Voice with
Piano. Ludwig Masters.
Score and Part(s). Alfred
Music #36-M369891.
Published by Alfred Music
(AP.36-M369891).
ISBN
9781633617698. UPC:
660355174681.
English.
Songs
included: 1. O Mistress
Mine, 2. Take, O take
those lips away, and 3.
Fairy Lullaby.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Cole Porter.
Arranged by Bert Ligon.
Performance Music
Ensemble; String Quartet.
Latham Music. Score and
Part(s). Latham Music
Enterprises #36-52703311.
Published by Latham Music
Enterprises
(AP.36-52703311).
ISBN
9781621569787. UPC:
746241226563.
English.
Collection
includes: Night and Day;
Begin the Beguine; I Get
a Kick Out of You; You'd
Be So Nice To Come Home
To and I Concentrate on
You.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Johannes
Brahms. Arranged by Percy
Hall. Performance Music
Ensemble; String Quartet.
LudwigMasters String
Series. Score and
Part(s). LudwigMasters
Publications
#36-50703012. Published
by LudwigMasters
Publications
(AP.36-50703012).
ISBN
9781628762532. UPC:
660355076503.
English.
Brahms
composed 21 Hungarian
Dances beginning in 1869.
All were composed for
piano, but many of them
have been orchestrated
and are performed by
symphony orchestras. They
are based on Hungarian
folk songs and dances,
and No. 5 is the most
popular. Standard
interpretation includes
many tempo changes with
the Violin 1 part
requiring more advanced
technique.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Across This Land Orchestre d'harmonie [Conducteur] - Débutant LudwigMasters Publications
Concert Band - Grade 0.5 SKU: AP.36-50105339 Composed by Kevin Hilbun. Co...(+)
Concert Band - Grade 0.5
SKU:
AP.36-50105339
Composed by Kevin Hilbun.
Concert Band; Performance
Music Ensemble. Beginning
Band. Score. Duration
2:00. LudwigMasters
Publications
#36-50105339. Published
by LudwigMasters
Publications
(AP.36-50105339).
ISBN
9798888528365. UPC:
659359559129.
English.
Using only
the first six notes
taught to beginners,
Across This Land by Kevin
Hilbun is suitable for
performance midway
through the first year of
instruction. It is
surprisingly
sophisticated, with
subtle hints of
Shenandoah and This Land
Is Your Land (listen
closely!). (2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Cecile
Chaminade. Arranged by
Gene Milford and Lynne
Latham. Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
Latham Music Enterprises
#36-50703003. Published
by Latham Music
Enterprises
(AP.36-50703003).
ISBN
9781621562832. UPC:
660355166860.
English.
Selected
from Chaminade's two
Albums for the Young,
these charming salon
pieces have been lovingly
arranged for string
quartet. They've been
edited for intermediate
players, but are also
appropriate for
professional gigs, and
feature a nice variety of
key.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Oh Lawd, I'm On My Way Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By George Gershwin (1898-1937). Arranged by Bill Potts. Jazz Ensemble / Jazz Ban...(+)
By George Gershwin
(1898-1937). Arranged by
Bill Potts. Jazz Ensemble
/ Jazz Band. Jazz Masters
Series; Bill Potts
Series. Grade 5. Score
and set of parts
Concert Band; Orchestra 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)...(+)
Concert Band; Orchestra
2.2.2.2: 2.0+2.3.0:
Timp.Perc(2): Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A196148
Composed by Camille Saint
Saens. Full Orchestra,
Solo Keyboard with
Ensemble, Solo Piano.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A196148.
Published by
LudwigMasters
Publications
(AP.36-A196148).
ISBN
9798892702683. UPC:
659359867958.
English.
Following
the death of his mother
in 1888, a depressed
Camille Saint-Saëns
(1835-1921) decided to
take a trip to his
favorite destination,
North Africa, travelling
to Ceylon, then to
Alexandria and Cairo over
the period of several
months. While he was in
Egypt, he composed his
fantasia for piano and
orchestra, AFRICA, Op.
89. Dedicated to pianist
Marie-Aimée
Roger-Miclos, it
premiered on October 25,
1891, with the dedicatee
playing the solo, and the
work was an immediate
success both at the
premiere and after, which
pleased Saint-Saëns a
great deal to the point
that he considered AFRICA
a signature work.
Borrowing themes and
techniques from North
African music, the
fantasy draws on material
he heard in Algeria and
Egypt, offering an exotic
sound to those listening
in the late 19th and
early 20th centuries.
This concertante is
notable also as one of
the first works to be
recorded with the
composer as soloist, with
a surviving 1904
recording with
Saint-Saëns at the
piano. This colorful
piece continues to be
performed regularly
today. Reprint edition.
Instrumentation: 2.2.2.2:
2.0+2.3.0: Timp.Perc(2):
Str (9-8-7-6-5 in set):
Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
[Eighteen Exercises or Studes for All Saxophones After Berbiguier]. Composed b...(+)
[Eighteen Exercises or
Studes
for All Saxophones After
Berbiguier]. Composed by
Marcel Mule (1901-2001).
Leduc. Classical, Etude,
Instruction. Softcover.
28
pages. Alphonse Leduc
#AL20209. Published by
Alphonse Leduc
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.