Orchestra (Soli SATB, Coro SATB, Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb, Org) - Grade 3

SKU: CA.4060791

Mass in time of war. Composed by Franz Joseph Haydn. CD-Reihen bei Carus: Carus Choir Coach. Carus Choir Coach (audio only). Composed 1796. Hob. XXII:9. Duration 38 minutes. Carus Verlag #4060791. Published by Carus Verlag (CA.4060791).

Key: C major. Latin.

One of his later works, Haydn’s Missa in tempore belli, composed in 1796, is also referred to as the “Paukenmesse” (Kettledrum Mass) through the use of timpani in the Agnus Dei. For the Vienna premiere, Haydn added flutes, clarinets and horns to the score, so that in terms of sound the soloists and the chorus have to hold their own against a truly large orchestral apparatus. In this case, practicing with the Carus Choir Coach is of course recommended for a good vocal presence.

The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:

Original recording
Coach: each part is accompanied by the piano, with the original recording sounding in the background
Coach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.
Performer s: Ann Hoyt (soprano), Kirsten Sollek (alto), Daniel Neer (tenore), Richard Lippold (basso) – Trinity Church Choir, Rebel Baroque Orchestra – J. Owen Burdick. Score available separately - see item CA.4060700.

Voice, piano

SKU: BR.SON-605

Lieder 1. Composed by Jean Sibelius. Edited by K. Kilpelainen and T. Virtanen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 336 pages. Breitkopf and Haertel #SON 605. Published by Breitkopf and Haertel (BR.SON-605).

ISBN 9790004802472. 10 x 12.5 inches.

Sibelius secured his international reputation as a 20th-century classic above all with his large orchestral works. However, his vocal works, including the songs for voice and orchestra, are just as important and innovative. They combine Sibelius's masterful command of the orchestral apparatus with a uniquely sensitive feeling for the textual sources. They range from the dramatic ballad Koskenlaskijan morsiamet Op. 33 to the intimate, lyrical Arioso Op. 3, and from the post-Wagnerian Serenad JS 183 (presented here for the first time) to the boldly orchestrated vision Luonnotar Op. 70. Following the two books of songs with piano accompaniment, this volume of the Sibelius Complete Edition (JSW) will definitely make an important contribution to the international reception of Sibelius' works.

Critical Edition Reduction for Voice and Piano. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Vocal Score. Classical. Softcover. 90 pages. Ricordi #CP141380. Published by Ricordi (HL.50600720).

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Woodwinds (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str)

SKU: BR.OB-5709-30

Tone Poem for Large Orchestra after N. Lenau - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Symphonic poem; Early modern. Set of parts. 188 pages. Duration 19'. Breitkopf and Haertel #OB 5709-30. Published by Breitkopf and Haertel (BR.OB-5709-30).

ISBN 9790004348376. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

Piano Solo. Composed by Ludwig van Beethoven (1770- 1827). Edited by Felix Loy. Arranged by Ian Fountain. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1299. Published by G. Henle

Organ

SKU: HL.14012046

Composed by George Muffat. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV580400. Published by Music Sales (HL.14012046).

Guitar - intermediate to advanced

SKU: M7.GHE-702-96

Composed by Manuel Ponce. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with Online material. Critical Edition. MDS (Music Distribution Services) #GHE 702-96. Published by MDS (Music Distribution Services) (M7.GHE-702-96).

ISBN 9783890447056. English.

HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Critical Edition by Alessandro Borin. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Orchestra. Classical. Softcover. 132 pages. Ricordi #PR1431. Published by Ricordi (HL.50600716).

Volume 2. Composed by Ludwig van Beethoven (1770-1827). Edited by Felix Loy. Arranged by Ian Fountain. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1269. Published by G. Henle

By Georg Muffat. Edited by Rudolf Walter. South German organ masters of the Baroque. Collection. 104 pages. Published by Carus Verlag