Estimated Release Date: September 21, 2020. By Charlie Parker. Transcribed Score. Jazz. Hardcover. 400 pages. Published by Hal Leonard

By Charlie Parker and Benny Harris. Arranged by Greg Yasinitsky. Jazz Ensemble. Jazz Ensemble; Part(s); Score; SmartMusic. Jazz Band Series. Jazz. Grade 3. 102 pages. Published by Belwin Music

Performed by Charlie Parker. by Stuart Isacoff. Piano. 48 pages. Published by Music Sales

Featuring The Paul Smith Trio. By Paul Smith Trio, Charlie Parker. Artist Transcriptions (Authentic note-for-note transcriptions). Softcover with CD. 72 pages. Published by Hal Leonard

Composed by Charlie Parker. Arranged by Mark Taylor. For Jazz Ensemble (Score and Parts). Jazz Combo. Grade 3. Published by Hal Leonard

By Dizzy Gillespie, Charlie Parker. Arranged by Mark Taylor. (Score & Parts). Professional Editions. Published by Hal Leonard.

Real Book Multi-Tracks Volume 4. By Charlie Parker. Real Book Multi-Tracks Play- Along. Softcover Media Online. 48 pages. Published by Hal Leonard

For E-flat Instruments. By Charlie Parker. Jazz Transcriptions. Jazz. Softcover. 232 pages. Published by Hal Leonard

(Tenor Sax). By Charlie Parker. Edited by Sadie Cook. For Tenor Sax. Play-Along; Woodwind - Saxophone Method or Collection. In Session with. Jazz. Book and CD

(Jazz Play-Along Volume 142). By Charlie Parker. For Eå¤ Instruments, C Instruments, B-flat Instruments, Bass Clef Instruments. Jazz Play Along. Softcover with CD. 72 pages. Published by Hal Leonard

By Charlie Parker. Arranged by Dave Rivello. Jazz Ensemble. Jazz Ensemble; Score. Premier Jazz Series. Jazz. Grade 4. 20 pages. Published by Alfred Music Publishing

By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For studio ensemble with alto saxophone soloist (Solo Alto Saxophone, Oboe, French Horn, 4 Violins, 2 Violas, Cello, Harp, Guitar (Optional), Piano, Bass, Drums). Ballad. Difficult. Published by Jazz Lines Publications

By Charlie Parker. Arranged by Jimmy Carroll. For jazz ensemble. Jazz, Swing. Difficult. Score and parts. Published by Jazz Lines Publications

Saxophone Play-Along Volume 5. By Charlie Parker. Saxophone Play-Along. Softcover Audio Online. 48 pages. Published by Hal Leonard

By Charlie Parker. Arranged by Rich Sigler. Jazz Ensemble. Jazz Ensemble; Score. Young Jazz Ensemble. Jazz. Grade 2. 20 pages. Published by Alfred Music Publishing

A Step-by-Step Breakdown of the Styles and Techniques of a Jazz Legend. Signature Licks (Authentic guitar transcriptions in notes and tab). Book and CD Package. Size 9x12 inches. 48 pages. Published by Hal Leonard.

By Charlie Parker. Arranged by Bill Holman. Jazz Ensemble / Jazz Band. The Bill Holman Big Band Series. From the Holman CD The Bill Holman Band Live. Grade 5. Score and set of parts

Melody instrument (in Bb, Eb, C) and piano

SKU: M7.AHW-1901

Composed by Charlie Parker. Sheet music. 31 pages. Charles Colin Corp. #AHW 1901. Published by Charles Colin Corp. (M7.AHW-1901).

The 'Charlie Parker Yardbird Originals' were originally published in 1954 by my dad, Dr. Charles Colin. In his memoir, 'Reflections II', he includes the colorful story of how it came to be that he met Charlie Parker and would publish this early work. Using most of Pop's lingo, here is a synopsis of that story: 'In the 40's - early 50's 'I' had eight studios on the second floor at 111 West 48th Street with several outstanding teachers. One of whom was Jimmy Abato who played bass clarinet with the Met. Between lessons, Jimmy relaxed at Jim and Andy's, a bar frequented by the top studio and recording artists where they would all meet for a few congenial moments in between sessions. One day Jimmy was chatting with Charlie Parker who confided that he was going through difficult times and was looking for a way to earn some cash. Jimmy, knowing that pop was into music publishing, suggested that Parker and he meet with the idea that he write a few Be Bop tunes that could be printed in book form. Even though Bebop was not yet in the mainstream or necessarily accepted by the music world, pop had great admiration and confidence in 'Charlie Parker' and was willing to make the considerable investment.' Each of the 5 tunes is presented here transposed into B-flat, C, and E-flat, alongside a piano accompaniment. Take a look at the sample pages to the left and then click above to get a physical copy sent directly to your door.

For Saxophone Quartet. Composed by Louis Andriessen (1939-). Boosey and Hawkes Chamber Music. Classical. Softcover. 48 pages. Boosey and Hawkes #M060129056. Published by Boosey and Hawkes

By Supersax. Arranged by Med Flory. For jazz ensemble - octet [sax section with rhythm section]. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications

Chamber Music Flute(s)

SKU: PR.144407290

Composed by Ali Ryerson. Performance Score. 4 pages. Duration 4 minutes. Theodore Presser Company #144-40729. Published by Theodore Presser Company (PR.144407290).

ISBN 9781491135150. UPC: 680160687008.

Jazz luminary Ali Ryerson traces a unique and personal artistic path in this solo work. With an engaging form reminiscent of jazz charts (a dreamy introduction, a catchy, swinging head, and improvisatory-feeling 12-bar choruses), Ryerson’s music pays deeply-felt homage to Charlie Parker and other jazz greats, while maintaining an organic connection to the lineage of unaccompanied woodwind music in the classical tradition. Classical players will gain insight into jazz harmony, rhythm, and expression as they learn this knockout recital piece, while Ryerson fans in the jazz world gain an image of her musical mind in this fully-notated composition.
Jazz Dream, a jazz-inspired solo flute piece, was commissioned by Claudia Anderson for her Glass Ceilings project. Claudia once told me that playing jazz flute has been one of her musical ambitions. I daresay her performance of JD could very well break a glass ceiling of her own!Moved by the events of 2020, composing Jazz Dream became my way of honoring my musical heroes from the Black community, namely the jazz musicians who created this music and truly broke glass ceilings. As jazz shares its origins with the blues, both genres having originated in the African-American community, I decided on a 12-bar blues form as the framework for the piece.The opening theme gently draws us into a dream-like state, with a melody in slow motion and lines that linger. When the REM cycle kicks into gear, there’s an abrupt rhythmic shift that leads straight into a swingin’ blues. Idiomatic jazz rhythms abound, with blue notes galore – the tension notes that virtually define the sound of both the blues and jazz (i.e. the flatted third, fifth, and seventh notes of a scale in place of the expected major intervals).After several groovin’ choruses of a 12-bar blues in B(, often played as if the soloist is improvising, the blues modulates to the key of E(, and as a tribute to the great Charlie Parker (AKA Bird), I harmonically suggest the more complex set of bebop changes that Parker introduced in his composition, Blues for Alice. Often referred to as Bird Changes or Bird Blues, instead of the basic I - IV – V chord progression commonly used in the blues, Parker used a series of sequential ii-V progressions (and secondary ii-V progressions). With the addition of some tritone substitutions, a chromatically descending bass line deftly replaces the original I-IV-V root movement. This is the harmonic background I was hearing as I wrote this particular chorus.After my 12-bar nod to Bird’s changes, the introductory dream theme returns, now in tempo and with a straight-ahead swing feel. Variations on this theme follow, again to be played as if improvising, with the soloist once again bringing their own personality into the performance. This section builds to a climax, the music pauses, then modulates to C, with a return to the original blues theme. The energy and groove increase through the final flourish, where a blues line ends on the idiomatic flatted fifth.