(Printed Edition) Marching Band (Score) - Grade 4

SKU: HL.3745432

Composed by Gustav Holst. Arranged by Barry Reese and Jay Bocook. Limited Edition Marching Band. Classical, Movies. Published by Hal Leonard (HL.3745432).

UPC: 884088411947. 6.75x10.5x0.029 inches.

Piano

SKU: FA.MFJE001

Composed by James Reese Europe. Musik Fabrik #MFJE001. Published by Musik Fabrik (FA.MFJE001).

TTB Chorus

SKU: RU.UILCH1523

Composed by Noah Reese. UIL Sightreading. Octavo. RBC Publications #UILCH1523. Published by RBC Publications (RU.UILCH1523).

6.75 x 10.5 inches.

Arranged by Barry Reese and Jay Bocook. Score and Parts. Limited Edition Marching Band. Grade 4. Softcover

Composed by J. Reese Norris. Octavo. Santa Barbara Music Publishing #SBMP1236. Published by Santa Barbara Music Publishing (SB.SBMP-1236).

Composed by Jan Reese. For SATB choir. Sacred Anthem. Octavo. Published by Laurel Press

SATB choir

SKU: LO.10-2557LA

Composed by Jan Reese. Choral. Sacred Anthem, General, Lent. Octavo. Laurel Press #10/2557LA. Published by Laurel Press (LO.10-2557LA).

UPC: 000308060881.

The heartfelt simplicity of this anthem perfectly suits the timeless message of trusting Jesus. A wonderful piece for general worship, it is also suitable for the smaller choir looking for a more traditional work.

Vocal Score. By Peter Ilyich Tchaikovsky. Arranged by Reese. (score). Vocal Score. Size 7.5x10.7 inches. 288 pages. Published by Schirmer.

By Vally Weigl. Text: Lizette Woodworth Reese. For SSA choir, Piano. (Women's Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

Composed by Randall Reese. For Choral (SATB). National/Emerson Fred Bock. 8 pages. Hal Leonard #NMP345. Published by Hal Leonard

SATB choir, Brass quintet, timpani, and organ - Medium Difficult/Difficult

SKU: PL.0706

Composed by Mona Lyn Reese. Choral, Easter. Octavo. Paraclete Press #0706. Published by Paraclete Press (PL.0706).

Scripture Reference: Isaiah 60:1 * festival setting of a great, reassuring praise text: Fear not! * scored for brass quintet, organ and four-part choir * rhythmically a bit complex in 7/8 meter * extensive vocal range (up to high C in soprano) with declamatory choral writing * simple and effective modality and key relationships with a rhapsodic central episode * a fine piece for festival Sundays (especially Lent) as well as a general praise anthem.

By Jan Reese. For SATB choir (a cappella). Secular Christmas. Octavo. Published by Heritage Music Press

SSA Chorus

SKU: RU.UILCH1716

Composed by Noah Reese. UIL Sightreading. Octavo. RBC Publications #UILCH1716. Published by RBC Publications (RU.UILCH1716).

6.75 x 10.5 inches.

By Jan Reese. For 3-part mixed choir (2-part (any combination)). Octavo. Published by Heritage Music Press

Andrea Ramsey Choral Series. Composed by J. Reese Norris. Andrea Ramsey Choral Series. Concert, Festival. Octavo. 16 pages. Published by G. Schirmer

TBB chorus - Level 1

SKU: XC.UILCH2426

Composed by Noah Reese. UIL Sight Reading. Octavo. RBC Publications #UILCH2426. Published by RBC Publications (XC.UILCH2426).

6.75 x 10.5 inches.

Tenor-Bass - Level 1.

Choral TBB choir, piano

SKU: CF.CM9711

Composed by English Carol. Arranged by Noah Reese. 12 pages. Duration 2 minutes, 51 seconds. Carl Fischer Music #CM9711. Published by Carl Fischer Music (CF.CM9711).

ISBN 9781491160060. UPC: 680160918669. Key: G minor. English. English Carol.

Coventry Carol was first performed during the sixteenth century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879. The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse to tell the tragic story depicted in the poem. The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice.  .
Coventry Carol was first performed during the sixteenth Century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879. The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse, helping to tell the tragic story depicted in the poem. The repeating motif is based around the altos' descending chromatic scale. The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice.
Coventry Carol was first performed during the sixteenth Century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879.The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse, helping to tell the tragic story depicted in the poem. The repeating motif is based around the altos' descending chromatic scale.The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice.

TB chorus - Level 1

SKU: XC.UILCH2421

Composed by Noah Reese. UIL Sight Reading. Octavo. RBC Publications #UILCH2421. Published by RBC Publications (XC.UILCH2421).

6.75 x 10.5 inches.

Tenor-Bass - Level 1.

Marching Band (Score) - Grade 4

SKU: HL.3745434

Arranged by Barry Reese and Jay Bocook. Limited Edition Marching Band. Concert. Published by Hal Leonard (HL.3745434).

UPC: 884088411961. 6.75x10.5x0.019 inches.

SSA chorus - Level 1

SKU: RU.UILCH2214

Composed by Noah Reese. Choral. UIL Choral Sightreading Series. Octavo. RBC Publications #UILCH2214. Published by RBC Publications (RU.UILCH2214).

UIL Choral Sightreading 2022 lev 1.

By Jan Reese. For 2-part choir and choreography. Halloween, Novelty. Octavo. Published by Heritage Music Press. (15/1621H)

By Jan Reese. For SATB choir. Sacred Anthem: Christmas. Octavo. Published by Laurel Press

By Jan Reese. (3 Part Mixed). Festival Choral. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

Choral SAB Choir, Piano

SKU: CF.CM9793

Composed by Traditional. Arranged by Noah Reese. Duration 2 minutes, 47 seconds. Carl Fischer Music #CM9793. Published by Carl Fischer Music (CF.CM9793).

ISBN 9781491164648. UPC: 680160923557. Key: F minor. English. Traditional Carol.