Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
For
Violin, Cello and
Piano. Composed by
Osamu Kawakami. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover.
Composed 2007. 24 pages.
Duration 3'. Schott Music
#SJ1183. Published by
Schott Music
(HL.49045420).
ISBN
9784890664870.
9.0x12.0x0.088
inches.
Suite
“Carapaceâ€
consists of 15 pieces
composed between 2005 and
2015 collected
chronologically in three
volumes. The first of
these volumes includes
three works composed and
premiered at Tokyo
College of Music in 2005,
Horseshoe Crab,
Odontodactylus japonicus,
and Fiddler Crab, and two
works composed in 2007
and premiered at Yokosuka
City Culture Hall, Pistol
Shrimp and Japanese
Spider Crab. Each of
these works in this
volume was inspired by
the name or appearance of
a particular carapace, as
suggested by the titles.
Through the music, we are
able to examine each
creature in detail with a
variety of characteristic
rhythms and harmonies
arising from the
composer's deep interest
and imagination.
For
Violin, Cello and
Piano. Composed by
Osamu Kawakami. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover.
Composed 2005. 28 pages.
Duration 3'. Schott Music
#SJ1186. Published by
Schott Music
(HL.49045423).
ISBN
9784890664900.
9.0x12.0x0.104
inches.
Suite
“Carapaceâ€
consists of 15 pieces
composed between 2005 and
2015 collected
chronologically in three
volumes. The first of
these volumes includes
three works composed and
premiered at Tokyo
College of Music in 2005,
Horseshoe Crab,
Odontodactylus japonicus,
and Fiddler Crab, and two
works composed in 2007
and premiered at Yokosuka
City Culture Hall, Pistol
Shrimp and Japanese
Spider Crab. Each of
these works in this
volume was inspired by
the name or appearance of
a particular carapace, as
suggested by the titles.
Through the music, we are
able to examine each
creature in detail with a
variety of characteristic
rhythms and harmonies
arising from the
composer's deep interest
and imagination.
For
Violin, Cello and
Piano. Composed by
Osamu Kawakami. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover.
Composed 2005. 20 pages.
Duration 2'. Schott Music
#SJ1185. Published by
Schott Music
(HL.49045422).
ISBN
9784890664894.
Suit
e Carapace consists of 15
pieces composed between
2005 and 2015 collected
chronologically in three
volumes. The first of
these volumes includes
three works composed and
premiered at Tokyo
College of Music in 2005,
Horseshoe Crab,
Odontodactylus japonicus,
and Fiddler Crab, and two
works composed in 2007
and premiered at Yokosuka
City Culture Hall, Pistol
Shrimp and Japanese
Spider Crab. Each of
these works in this
volume was inspired by
the name or appearance of
a particular carapace, as
suggested by the titles.
Through the music, we are
able to examine each
creature in detail with a
variety of characteristic
rhythms and harmonies
arising from the
composer's deep interest
and imagination.
Evita Piano, Voix et Guitare - Intermédiaire Hal Leonard
By Andrew Lloyd Webber, Tim Rice. Piano/Vocal/Chords Vocal Selections (Arrangeme...(+)
By Andrew Lloyd Webber,
Tim Rice.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Size
8.5x11 inches. 80 pages.
Published by Hal Leonard.
For
Violin, Cello and
Piano. Composed by
Osamu Kawakami. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover.
Composed 2007. 28 pages.
Duration 5'. Schott Music
#SJ1187. Published by
Schott Music
(HL.49045424).
ISBN
9784890664917.
Suit
e Carapace consists of 15
pieces composed between
2005 and 2015 collected
chronologically in three
volumes. The first of
these volumes includes
three works composed and
premiered at Tokyo
College of Music in 2005,
Horseshoe Crab,
Odontodactylus japonicus,
and Fiddler Crab, and two
works composed in 2007
and premiered at Yokosuka
City Culture Hall, Pistol
Shrimp and Japanese
Spider Crab. Each of
these works in this
volume was inspired by
the name or appearance of
a particular carapace, as
suggested by the titles.
Through the music, we are
able to examine each
creature in detail with a
variety of characteristic
rhythms and harmonies
arising from the
composer's deep interest
and imagination.
For
Violin, Cello and
Piano. Composed by
Osamu Kawakami. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover.
Composed 2005. 20 pages.
Duration 3'. Schott Music
#SJ1184. Published by
Schott Music
(HL.49045421).
ISBN
9784890664887.
Suit
e Carapace consists of 15
pieces composed between
2005 and 2015 collected
chronologically in three
volumes. The first of
these volumes includes
three works composed and
premiered at Tokyo
College of Music in 2005,
Horseshoe Crab,
Odontodactylus japonicus,
and Fiddler Crab, and two
works composed in 2007
and premiered at Yokosuka
City Culture Hall, Pistol
Shrimp and Japanese
Spider Crab. Each of
these works in this
volume was inspired by
the name or appearance of
a particular carapace, as
suggested by the titles.
Through the music, we are
able to examine each
creature in detail with a
variety of characteristic
rhythms and harmonies
arising from the
composer's deep interest
and imagination.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-140 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-140
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Score
Only. 120 pages. Gobelin
Music Publications #GOB
000963-140. Published by
Gobelin Music
Publications
(BT.GOB-000963-140).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Journey to the Centre of the Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-010 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-010
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Set
(Score & Parts). 372
pages. Gobelin Music
Publications #GOB
000963-010. Published by
Gobelin Music
Publications
(BT.GOB-000963-010).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Organ - intermediate to advanced SKU: HL.49017039 For Organ. Compo...(+)
Organ - intermediate to
advanced
SKU:
HL.49017039
For
Organ. Composed by
Hermann Schroeder. Edited
by Clemens Ganz. This
edition: Saddle
stitching. Sheet music.
Piano. Classical.
Composed 1984. 24 pages.
Duration 11'. Schott
Music #ED 20205.
Published by Schott Music
(HL.49017039).
ISBN
9790001148504. UPC:
841886009141.
9.0x12.0x0.175
inches.
The three
movement Concerto da
chiesa is the last organ
work by Hermann Schroeder
(1904-1984), composed a
few months before his
death. The premiere was
performed by Clemens
Ganz, then organist at
the Cathedral of Cologne,
in memory of the esteemed
teacher and college
colleague. The
three-movement
composition is an
unmistakable 'Schroeder'
work: emphasis of
linearity according to
high baroque standards,
conciseness and sometimes
impulsive gestures of the
themes and rhythms,
layers of parallel chords
within a freely tonal
modern harmony, not
forgetting the plasticity
of form and the motor
functions which are
surprisingly energetic
for an
eighty-year-old.
String Trio (V1, V2, Cello) and continuo SKU: HH.HH587-FSP Composed by Fr...(+)
String Trio (V1, V2,
Cello) and continuo
SKU: HH.HH587-FSP
Composed by Frederich
Ernest Fisher. Edited by
Michael Talbot. Full
score and parts. Edition
HH Music Publishers
#HH587-FSP. Published by
Edition HH Music
Publishers
(HH.HH587-FSP).
ISBN
9790708213024.
Fish
er’s Op. 2 set is
externally very similar
to its Op. 1 predecessor
in its combinations of
movement types and
musical language, but now
has an added spaciousness
and audacity born of
greater maturity.
Everything is wonderfully
blended: the fugal
movements are melodious;
the ‘singing
allegros’ are
harmonically rich and
contrapuntally charged;
the dance-like movements,
full of happy surprises,
fizz and purr. Op. 2
appeared in print only in
the year following
Fisher’s death.
Surprisingly in the
circumstances, the level
of accuracy in the
engraved parts matched
the high standard set by
Op. 1. This would have
gratified the composer,
who was so evidently a
perfectionist in all he
undertook.
Opera / Full Score - Advanced; Early Advanced; Intermediate; Late Intermediate <...(+)
Opera / Full Score -
Advanced; Early Advanced;
Intermediate; Late
Intermediate
SKU:
AP.6-293297
Composed
by Giacomo Puccini.
Masterworks; Vocal
(Opera) Score (Full
Score). Dover Edition.
Masterwork; Opera. Score.
Dover Publications
#06-293297. Published by
Dover Publications
(AP.6-293297).
ISBN
9780486293295.
English.
Considered
the greatest Italian
opera composer since
Verdi, Giacomo Puccini
(1858--1924) created many
of the most popular
operas in the repertoire,
including Madama
Butterfly, La Boheme,
Tosca, Manon Lescaut, and
Turandot. His well-known
gifts for lush melody and
rapturous lyricism, along
with his strong sense of
theater, are amply
evident in Il Trittico
(The Triptych), a series
of three highly
individual one-act operas
patterned after the
Parisian Grand Guignol's
three-part scheme of
horror, tragedy, and
farce. Il Trittico, which
premiered at New York's
Metropolitan Opera in
1918, consists of Il
Tabarro, a somber,
near-melodramatic
tragedy; Suor Angelica, a
sentimental tragedy with
strong melodies and a
mystic theme; and Gianni
Schicchi, a delightful
comedy, full of wit and
vivacity, whose libretto
was
derived---surprisingly
enough---from a few lines
in Dante's Inferno. All
three works appear in
this single volume,
reprinted from
authoritative early
editions.
