SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912419

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Set of Orchestra Parts. TVWV 7:30. Duration 20 minutes. Carus Verlag #CV 39.124/19. Published by Carus Verlag (CA.3912419).

ISBN 9790007139322. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and parts available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912414

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violoncello/double bass. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Cello/Double Bass. TVWV 7:30. 12 pages. Duration 20 minutes. Carus Verlag #CV 39.124/14. Published by Carus Verlag (CA.3912414).

ISBN 9790007055813. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912405

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Choral Score. TVWV 7:30. Duration 20 minutes. Carus Verlag #CV 39.124/05. Published by Carus Verlag (CA.3912405).

ISBN 9790007055776. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912411

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 1. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 1. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/11. Published by Carus Verlag (CA.3912411).

ISBN 9790007055783. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912412

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 2. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/12. Published by Carus Verlag (CA.3912412).

ISBN 9790007055790. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

2 violins - easy to intermediate

SKU: HL.49005373

Edited by Paul Bormann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 36 pages. Schott Music #ED5052. Published by Schott Music (HL.49005373).

ISBN 9790001057844. 9.0x12.0x0.133 inches.

Finest Encore Pieces. By Various. Arranged by Peter-Lukas Graf. Schott. 67 pages. Published by Schott.

Orchestra (Orchestra)

SKU: HL.48187841

Composed by Henri Dutilleux. Leduc. Classical. Softcover. 232 pages. Heugel & Cie #HE31721. Published by Heugel & Cie (HL.48187841).

UPC: 888680873813. 7.5x10.75x0.547 inches.

Symphonie No. 2,?Le Double, is a symphonic piece for oOrchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the Boston Symphony Orchestra in 1959. The piece features three movements, which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato, ma misterioso II. Andantino sostenuto III. Allegro fuocoso. Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night)..

By Colin Hand. Arranged by Colin Hand. For Organ. General collections. Classic. Level: Intermediate. Book. Published by Kevin Mayhew Publishers (U.K. Import).

Double Bass Quartet

SKU: BT.YE0036

Composed by Joseph Lauber. Classical. Set (Score and Parts). Yorke Edition #YE0036. Published by Yorke Edition (BT.YE0036).

Four movements, top part advanced. Several recordings and many broadcasts. Duration c.13'.

Programme Notes:

The Swiss composer Joseph Lauber was born at Ruswil near Lucerne in 1864. After studying with Heger in Zürich and Rheinberger in Munich, Lauber worked with Diémer and Massenet in Paris. With Massenet he learnt a great deal about orchestration, a subject that he subsequently taught until the end of his life at the Geneva conservatoire as well as piano and composition. He died in 1952.

Lauber's 193 catalogued works are many and varied. He wrote for all instruments and in every genre except oratorio and opera. Among his output areseveral works for double bass, most written for Prof. Hans Fryba, a personal friend with whom he worked as a double bass and piano recital duo. Fryba was one of the leading players in Europe in his day and was principal of the Berlin Philharmonic Orchestra. First was Theme and Variations (1936-7) and a Rhapsodie with orchestra (1937). Three Walzes followed in 1939, a Gavotte and Gigue, a Sonata and then in 1943 Fantasie de Concert, written for the Geneva Competition. Four Caprices appeared in 1942, the same date as the Quartet for double basses which was dedicated to Fryba and written for the Berlin Philharmonic Double Bass Quartet, one of the first ever such ensembles to exist.

The Quartet for double basses was revived by Klaus Stoll in the 1970s for the Philharmonic Double Bass Quartet at that time to play. It was subsequently published in 1975 by Yorke Edition by kind permission of the composer's son Edmund Lauber.

Rodney Slatford 2004

Violin solo, orchestra

SKU: BR.SON-433

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller and Salome Reiser. Linen. Complete Works. Romantic period. Complete Works. 184 pages. Breitkopf and Haertel #SON 433. Published by Breitkopf and Haertel (BR.SON-433).

ISBN 9790004802892. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.

(Performance Score). By Joseph Bodin de Boismortier. For Recorder Trio. Schott. Playing score. 12 pages. Schott Music #ED11653. Published by Schott Music

Violin solo

SKU: FG.55011-183-7

Kootut viuluteokset. Composed by Toivo Kuula. Collection. Published by Fennica Gehrman (FG.55011-183-7).

ISBN 979-0-55011-183-7.

This collection of Toivo Kuula's violin works was carefully edited by Sirkka Kuula. It includes also works not previously published. Together with the violin sonatas, to be published in 2015, Toivo Kuula's complete violin oeuvre will be available for all music enthusiasts.

By Arcangelo Crelli. For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and Play-Along CD. Published by Recorder JP

By Arcangelo Crelli. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part and Play-Along CD. Published by Recorder JP

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.EB-32090

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano/Vocal Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 32090. Published by Breitkopf and Haertel (BR.EB-32090).

ISBN 9790004186688. 7.5 x 10.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).