Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more.

SKU: PR.466000470

Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470).

UPC: 680160099405. 11 x 17 inches.

This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.

Greek Suite for Wind Orchestra. Composed by Istv and István Bogár. EMB. Classical. Editio Musica Budapest #Z14690SET. Published by Editio Musica Budapest

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

Composed by John Williams. For flute I,II, piccolo (flute III), oboe I,II, Bb clarinet I,II, Bb bass clarinet, bassoon I,II, F horn, Bb trumpet I-III, trombone I,II, bass trombone, tuba, timpani, percussion I,II, harp, piano/celeste, violin I,II, viola, cello and contrabass. From the motion picture "Star Wars". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition. 131 pages. 10.5x14 inches. Published by Hal Leonard.

Composed by John Williams. For flute I (piccolo), flute II (piccolo), piccolo (flute), oboe I,II, english horn, Bb clarinet I,II, bassoon I,II, F horn I-IV, Bb trumpet I-II, trombone I-III, tuba, timpani, percussion I-III, harp, piano/celeste, violin I,II, viola, cello and contrabass. From the motion picture "J.F.K.". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition. 47 pages. 10.5x14 inches. Published by Hal Leonard.

Trio for Woodwinds, Strings, Recorders, or Mixed Ensemble. By Johann Sebastian Bach. Arranged by J.Durward Morsch. Mixed chamber ensemble. For Flute, Oboe, Clarinet, Bassoon, Violin I, Violin II, Cello, Soprano Recorder, Alto Recorder, Tenor Recorder, Bass Recorder. Score and parts. 6 pages. Published by Theodore Presser Company.

For Symphonic Band (Originally Composed As "Little Suite for Brass, Op. 80"). By Malcolm Arnold. Arranged by John P. Paynter. For Full Score, Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Eb Clarinet, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, BB Contrabass Clarinet, Eb Contrabass Clarinet, Bassoon I, Bassoon II, Contrabassoon, Alto SA. This edition: Carl Fischer Classic Band Edition. Score and parts. 30 pages. Published by Carl Fischer.

Concert Band Alto Clarinet, Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass Clarinet, Bassoon, Clarinet I, Clarinet II, Clarinet III, Flute I, Flute II, Horn I, Horn II, Horn III, Horn IV, Oboe, Tenor , Tenor Saxophone, Trumpet I, Trumpet II, Trumpet III - Grade 4 and up

SKU: CF.SPS2F

Suite for Band. Composed by Larry Clark. SWS. Carl Fischer Symphonic Performance Series. Classical. Full score. With Standard notation. Carl Fischer Music #SPS2F. Published by Carl Fischer Music (CF.SPS2F).

ISBN 9780825837500. UPC: 798408037505. 9 X 12 inches.

Wind instrumentsQuintet (Flute, Oboe, Clarinet, Horn, Bassoon) - Level 4

SKU: BA.BA11524

Composed by Pavel Haas. Edited by Robert Simon. This edition: urtext edition. In a folder. Set of parts. Opus 10. 6/6/8/7/4 pages. Baerenreiter Verlag #BA11524_00. Published by Baerenreiter Verlag (BA.BA11524).

ISBN 9790260109025. 31 x 24.9 cm inches.

Pavel Haas (1899–1944), one of Leoš Janácek’s most talented pupils, composed his Wind Quintet op. 10 in 1929. This work was issued by the Prague publisher Edition Sádlo in 1934, and is one of the few compositions that was printed during his lifetime. Its first performance took place in Brno on 24 March 1930. With its relative brevity and standard instrumentation (flute, oboe, clarinet, horn and bassoon), it is currently gaining in popularity among wind ensembles. The composer structured the quintet as a four-movement suite with the titles „Preludio“, „Preghiera“, „Ballo eccentrico“ and „Epilogo“.

This first Urtext edition of the Wind Quintet is based on the original print which was proofread by the composer in 1935, as well as the autograph score and a copyist’s manuscript. The publication has been supported by the Terezín Composers‘ Institute.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Full Score, Piano-Conductor Score, and Parts). By Arcangelo Corelli (1653-1713). Arranged by Philip Gordon. Orchestra. For Violin I, Violin II, Viola, Cello, Contrabass, Flute I, Oboe, Clarinet I, Clarinet II, Bassoon, Alto Saxophone, Tenor Saxophone, Horn I, Horn II, Trumpet I, Trumpet II, Tenor, Tuba, Timpani, Percussion, Piano. Score and part(s). Standard notation. 20 pages. Published by Carl Fischer

Arranged by Johnnie Vinson. MusicWorks Grade 1. Concert. Score and parts (with online audio). Published by Hal Leonard

By Michael Richard Plowman, Tommy Tallarico, arranged by Victor Lopez. Conductors score and set of performance parts for full orchestra (1 - 1st flute, 1 - 2nd flute, 1 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 - 3rd trumpet, 1 - 1st trombone, 1 - 2nd trombone, 1 - 3rd trombone, 1 - tuba, 4 - mallet percussion, 1 - timpani, 2 - percussion I, 3 - percussion II, 1 - piano, 8 - 1st violin, 8 - 2nd violin, 5 - viola, 5 - cello, 5 - string bass). Series: Belwin Full Orchestra Concert Level. Published by Alfred Publishing.