Piano SKU: BT.EMBZ8183 Années de Pelerinage. Composed by Franz Li...(+)
Piano
SKU:
BT.EMBZ8183
Années de
Pelerinage. Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 1977. Editio
Musica Budapest
#EMBZ8183. Published by
Editio Musica Budapest
(BT.EMBZ8183).
English-German.
During his ''years of
pilgrimage'' spent in
Italy, the young Liszt
gained enough musical
inspiration from the
local musical, artistic,
and literary heritage to
last for decades. These
intense impressions are
recorded in Volume 2 of
Années de pelerinage,
whose sources range from
Raphael to Michelangelo,
Dante, and Petrarch.
Three of the latter's
sonnets (47: Benedetto
sia 'l giorno 104: Pace
non trovo and 123: I'
vidi in terra angelici
costumi) were first set
by Liszt as songs and,
shortly afterwards,
arranged for piano solo.
The songs and, as a
result, the piano pieces
as well, reflect the
style of Italian bel
canto - Donizetti and
Bellini - rather than
following the GermanLied
tradition. And while this
feature was criticized by
the contemporary press,
the broadly arching
melodic lines of these
pieces and their
Mediterranean passion
have always carried away
performer and listener
alike. This revised
(2018) edition contains
the Three Sonnets in two
versions: the first
version was published in
the course of 1846 and
1847, and the second, as
part of Volume 2 of
Années de pelerinage, in
1858. Based on the New
Liszt Edition, the
present volume provides a
revised score, a
facsimile reproduction,
and critical notes. The
new editorial preface
orientates the reader in
all the major questions
regarding the work's
genesis.
SATB choir SKU: WD.080689752728 The Promise Of Easter. Composed by...(+)
SATB choir
SKU:
WD.080689752728
The Promise Of
Easter. Composed by
Allan Douglas, Deborah
Craig-Claar, and Phillip
Keveren. Arranged by
Phillip Keveren. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689752728. Published
by Word Music
(WD.080689752728).
UPC:
080689752728.
The
life-changing story of
Jesus' death and
resurrection is told from
the unique perspective of
the Samaritan woman at
the well as she is
transformed by the
sacrificial love of
Christ in this passionate
new work from Deborah
Craig-Claar, Allan
Douglas and Phillip
Keveren. Two actresses
portray the woman called
Anna - an older woman who
looks back at the Passion
events from a
post-resurrection
perspective, and her
younger counterpart who
encounters Jesus at the
well and joins His
followers in Jerusalem
during Passion Week. The
extraordinary score
includes songs written or
made popular by today's
most accomplished
artists, including
Michael W. Smith, Keith
Getty, Stuart Townend,
Matt Maher, and Natalie
Grant. Phillip Keveren's
breathtaking chamber
ensemble instrumentation
creates an intimate and
compelling experience. At
only 40 minutes in length
and with only two female
characters, one male
character, and purely
optional
sets/lights/costumes,
Never Thirst Again can be
offered by churches of
any size or production
capability.
Includ
es songs written or made
popular by Michael W.
Smith, Keith Getty,
Stuart Townend, Matt
Maher, Natalie Grant,
Tony Wood, Michael
Farren, Audrey Assad, and
Shelley Johnson. Chamber
ensemble instrumentation
creates an intimate and
compelling experience.
Accessible cast
requirements: two female
characters, one male
character - costumes,
props, and sets are
purely optional. Reader's
Theatre script available
at www.wordmusic.com.
Features early American
classics There Is a
Fountain and My Song in
the Night. Thoughtful
benediction, Peace Be
with You, or an exuberant
and congregational
Finale.
(10 Vocal Solos for Winter and Holiday Performances). Composed by and arr. by Sa...(+)
(10 Vocal Solos for
Winter and Holiday
Performances). Composed
by and arr. by Sally K.
Albrecht, Jay Althouse,
Andy Beck, Brian Fisher,
Greg Gilpin, Ruth Morris
Gray, Mark Hayes, Victor
C. Johnson, Donald Moore,
and Douglas E. Wagner.
For Voice (Low voice
(Medium-Low)). This
edition: Accompaniment
CD. CD; Vocal; Vocal
Collection; Worship
Resources. Christmas;
Sacred; Secular; Winter.
Published by Alfred Music
15
Outstanding Arrangements
for Choir. Choral.
Excel Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company
(LP.765762083103).
UPC:
765762083103.
South
ern gospel enthusiasts
rejoice! Here is an
outstanding collection of
your gospel favorites.
These are songs of
testimony fellowship and
the hope of heaven -
vital components for each
of us in our walk of
faith. Features Easy 2
Excel Flexible choral
format for choirs of all
sizes; Includes a
complete Keyboard
Accompaniment Edition;
Pieces from today's most
trusted (and revered)
gospel arrangers. Choirs
will find this book to be
a staple in their choral
diet and a refreshing
addition to their
customary worship
collection. Southern
Gospel Favorites is an
ideal resource for summer
choirs revivals camp
meetings or any gathering
place where southern
gospel music is
loved!
Folk and Country Waltzes for Guitar by Miles Courtiere. For Guitar. Saddle stitc...(+)
Folk and Country Waltzes
for Guitar by Miles
Courtiere. For Guitar.
Saddle stitch.
Folk/Guitar Instruction.
Beginner/Intermediate.
Book and Play Along CD.
82 pages. Duration 60
minutes. Published by ADG
Productions
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
Basic Acoustic Swing
Jazz Guitar. Composed
by Felix Schell.
Saddle-stitched, Style,
Duets and Ensemble.
Swing/Gypsy Jazz. Book
and online audio. 32
pages. Mel Bay
Publications, Inc
#20819M. Published by Mel
Bay Publications, Inc
(MB.20819M).
ISBN
9780786687039. 8.75 x
11.75
inches.
Finally, a
great method which will
show you how to play the
acoustic jazz guitar in
the style of players like
Django Reinhardt, Oscar
Alleman and Eddie Lang -
their style is
characterized by a
powerful rhythm guitar
and a vital swinging
single-note solo line.
Due to the fact that it
can be very hard to
master the original
transcriptions, this book
simplifies this style
without losing the
essence of the original
sound. Written in
standard notation and
TAB, the material can be
played by students and
players that master the
easy to intermediate
level on plectrum style
jazz guitar. All titles
are included on the audio
download available
online, as well as some
play along tracks which
offer a great possibility
to improvise on typical
gypsy chord changes and
rhythms.
Choir SKU: CA.3124595 Traditional version (1739/1749). Composed by...(+)
Choir
SKU:
CA.3124595
Traditional version
(1739/1749). Composed
by Johann Sebastian Bach.
Edited by Peter Wollny.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL.
Johannespassion Bwv 245
Tradition.Fassung.
Innovative practice aids,
Sacred vocal music,
Passions, Lent and
Passiontide. Choral
Score. Composed
1739/1749. BWV 245. 56
pages. Duration 120
minutes. Carus Verlag #CV
31.245/95. Published by
Carus Verlag
(CA.3124595).
ISBN
9790007164812. Text
language:
German/English.
Bac
h's St. John Passion is
among the greatest
settings of the Passion
in the history of music.
The St. John Passion
underwent several
fundamental changes
during Bach's lifetime.
Carus offers all of these
surviving versions for
sale. The traditional
version of the St. John
Passion, using the
partial autograph score,
is still most often
performed. Carus now
offers singers a new
vocal score for
performance which
includes the well-known
texts in the established
sequence without
requiring any additional
page turns. Please use
full score and
performance material of
our edition Carus
31.245/00. This edition
includes also the
traditional version. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.3124500.
Jazz Ear Training Guitare [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
Learning to Hear Your Way Through Music. Composed by Steve Masakowski. Saddle-...(+)
Learning to Hear Your Way
Through Music. Composed
by
Steve Masakowski. Saddle-
stitched. Mel Bay's
Private
Lessons. Jazz and
Contemporary. Book and
online audio. 40 pages.
Published by Mel Bay
Publications, Inc
Guitar - Early intermediate SKU: GI.G-7643G Composed by Michael Mahler. T...(+)
Guitar - Early
intermediate
SKU:
GI.G-7643G
Composed
by Michael Mahler. This
edition: Guitar edition.
Lent 4 C, Ordinary Time
24 C. Sacred. Guitar
part. With guitar chord
names. 4 pages. GIA
Publications #7643G.
Published by GIA
Publications
(GI.G-7643G).
English.
Text by Michael Mahler.
Scripture: Luke
15:11D32.
Guitar SKU: GI.G-7148G Composed by Tony Alonso S.J. This edition: Guitar ...(+)
Guitar
SKU:
GI.G-7148G
Composed
by Tony Alonso S.J. This
edition: Guitar edition.
Pentecost Vigl,
Pentecost. Sacred. Guitar
part. With guitar chord
names. 3 pages. GIA
Publications #7148G.
Published by GIA
Publications
(GI.G-7148G).
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC8. Published
by The Frederick Harris
Music Company (FH.VC8).
ISBN
978-1-55440-544-2.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Preparatory
Level: Etude in C
Major - Schroeder,
Carl Stroll Along -
Anonymous arr. Samuel
Applebaum Etude in C
Major - Romberg, Bernhard
Heinrich Climbing the
Scale - Hewitt-Jones,
Anita Etude in C Major
- Kummer, Friedrich
August My Pony -
Slovenian folk song arr.
Francis Grant Level
1: The Willow Tree -
Grant, Francis Etude
in C Major - Hohmann,
Christian-Heinrich Tra
velling Along -
Hewitt-Jones,
Anita The Train -
Legg, Pat Up and Down
Again - Dancla, Charles
arr. Samuel
Applebaum Etude in G
Major - Dotzauer,
Friedrich Etude in C
Major - Romberg, Bernhard
Heinrich Etude in G
Major, op. 101, no. 9 -
Lee, Sebastian Level
2: Etude in D Major -
Kummer, Friedrich
August Etude in B flat
Major, op. 70, no. 16 -
Lee,
Sebastian Phrygian
Frolic - Legg,
Pat Martele March -
Hewitt-Jones,
Anita Pachyderm Parade
- Mooney, Rick Etude
in G Minor - Romberg,
Bernhard
Heinrich Etude in C
Major - Werner,
Josef Level
3: Etude in A Major -
Dotzauer,
Friedrich Spiccato
Race - Hewitt-Jones,
Anita Etude in G
Major, op. 30, no. 6 -
Brueckner, Oskar Etude
in C Major - Borschitzky,
Johann Francis Etude
in B flat Major - Tabb,
Richard
Valentine Etude in G
Major - Kummer, Friedrich
August Etude in F
Major - Matz,
Rudolf Fire Stations -
Legg, Pat Etude in F
Major - Feuillard, Louis
R. Level 4: Etude
in G Minor, op. 70, no.
24 - Lee,
Sebastian Etude in C
Major - Tabb, Richard
Valentine Etude in D
Major - Matz,
Rudolf Calypso - Legg,
Pat I Was a Teenage
Monster - Mooney,
Rick Suo-Gan (A Welsh
Lullaby) - Welsh folk
song Arr. Rick
Mooney Etude in D
Minor - Werner,
Joseph Etude in G
Major, op. 31, no. 12 -
Schroeder, Carl Etude
in C Major - Feuillard,
Louis R. Spinner's
Waltz - Hewitt-Jones,
Anita.
Composed by Henry Mancini, words by Johnny Mercer. Arranged by Scott Ragsdale. J...(+)
Composed by Henry
Mancini, words by Johnny
Mercer. Arranged by Scott
Ragsdale. Jazz Ensemble.
Jazz Ensemble; Part(s);
Score. Jazz Vocal Series.
Jazz. Grade 3.5. 90
pages. Published by
Alfred Music
Composed by Normand Gouin. For Cantor, SATB choir, Assembly/Congregation with Ce...(+)
Composed by Normand
Gouin. For Cantor, SATB
choir,
Assembly/Congregation
with Cello. Holy
Week/Three Days. Medium.
Octavo. Published by
MorningStar Music
Publishers
Guitar SKU: GI.G-6062G Composed by Lori True. This edition: Guitar editio...(+)
Guitar
SKU:
GI.G-6062G
Composed
by Lori True. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 4
pages. GIA Publications
#6062G. Published by GIA
Publications
(GI.G-6062G).
English.
Text Source: Welcome the
Child of the Promise from
Circles of Care: Hymns
and Songs Text by
Ruth Duck.
Composed by Michael Boo.
Sws. Yps. Full score. 16
pages. Duration 2:30.
Carl Fischer Music
#YPS228F. Published by
Carl Fischer Music
(CF.YPS228F).
ISBN
9781491157978. UPC:
680160916573. 9 x 12
inches.
Ninja is a
Grade 2 piece playable by
any young band, due to
extensive doublings
throughout. The mood of
the piece is mysterious,
reflecting the image of
ninjas being seen one
moment and gone the next.
Flute 3 is not essential
as it doubles the oboes,
but is useful in case you
have a lot of flutes or
due to a limited number
of oboes. If you donat
have a bass clarinet,
baritone saxophone or
bassoons, those parts are
covered in the low brass.
The timpani part is
optional, and the piece
wonat suffer if you donat
have access to that
percussion. The optional
F-chime and gong only
play in the final measure
of the piece. While
adding a notable effect
at the end, those
instruments wonat be
missed if you donat have
them available. The
tom-tom part can be
played on a snare drum
with the snares off or
may be played on a tenor
drum. Care should be
taken that accented notes
are emphasized, but never
become ponderous. The
half notes at the
beginning of the piece
should not be accented.
The theme is introduced
in the first twelve
measures, and at m. 13
many of the instruments
trade the melody for half
notes and vice-versa. Be
careful that the
percussion section never
becomes overpowering. At
m. 25, care should be
taken that there is quite
a volume difference
between ff and mp. Think
of this representing the
ninjas being seen one
moment and being hidden
the next. The double
staccato figures at m. 33
should not be accented.
Trumpets and trombones at
m. 37 should not be
overly legato, but
certainly shouldnat be
treated as staccatos.
Being aware of not
accenting notes that
donat have accents will
make the accents at m. 49
more dramatic. Please
note that the legato
notes at mm. 58 and 60
are not to be
accented. Ninja is a
Grade 2 piece playable by
any young band, due to
extensive doublings
throughout. The mood of
the piece is mysterious,
reflecting the image of
ninjas being seen one
moment and gone the next.
Flute 3 is not essential
as it doubles the oboes,
but is useful in case you
have a lot of flutes or
due to a limited number
of oboes. If you don't
have a bass clarinet,
baritone saxophone or
bassoons, those parts are
covered in the low brass.
The timpani part is
optional, and the piece
won't suffer if you don't
have access to that
percussion. The optional
F-chime and gong only
play in the final measure
of the piece. While
adding a notable effect
at the end, those
instruments won't be
missed if you don't have
them available. The
tom-tom part can be
played on a snare drum
with the snares off or
may be played on a tenor
drum. Care should be
taken that accented notes
are emphasized, but never
become ponderous. The
half notes at the
beginning of the piece
should not be accented.
The theme is introduced
in the first twelve
measures, and at m. 13
many of the instruments
trade the melody for half
notes and vice-versa. Be
careful that the
percussion section never
becomes overpowering. At
m. 25, care should be
taken that there is quite
a volume difference
between ff and mp. Think
of this representing the
ninjas being seen one
moment and being hidden
the next. The double
staccato figures at m. 33
should not be accented.
Trumpets and trombones at
m. 37 should not be
overly legato, but
certainly shouldn't be
treated as staccatos.
Being aware of not
accenting notes that
don't have accents will
make the accents at m. 49
more dramatic. Please
note that the legato
notes at mm. 58 and 60
are not to be
accented. Ninja is a
Grade 2 piece playable by
any young band, due to
extensive doublings
throughout. The mood of
the piece is mysterious,
reflecting the image of
ninjas being seen one
moment and gone the
next.Flute 3 is not
essential as it doubles
the oboes, but is useful
in case you have a lot of
flutes or due to a
limited number of oboes.
If you don’t have
a bass clarinet, baritone
saxophone or bassoons,
those parts are covered
in the low brass. The
timpani part is optional,
and the piece
won’t suffer if
you don’t have
access to that
percussion. The optional
F-chime and gong only
play in the final measure
of the piece. While
adding a notable effect
at the end, those
instruments won’t
be missed if you
don’t have them
available. The tom-tom
part can be played on a
snare drum with the
snares off or may be
played on a tenor
drum.Care should be taken
that accented notes are
emphasized, but never
become ponderous. The
half notes at the
beginning of the piece
should not be accented.
The theme is introduced
in the first twelve
measures, and at m. 13
many of the instruments
trade the melody for half
notes and vice-versa. Be
careful that the
percussion section never
becomes overpowering.At
m. 25, care should be
taken that there is quite
a volume difference
between ff and mp. Think
of this representing the
ninjas being seen one
moment and being hidden
the next. The double
staccato figures at m. 33
should not be accented.
Trumpets and trombones at
m. 37 should not be
overly legato, but
certainly
shouldn’t be
treated as staccatos.
Being aware of not
accenting notes that
don’t have accents
will make the accents at
m. 49 more dramatic.
Please note that the
legato notes at mm. 58
and 60 are not to be
accented.
From Da Vinci Requiem. Composed by Cecilia McDowall. Sacred choral - mixed voi...(+)
From Da Vinci Requiem.
Composed by Cecilia
McDowall.
Sacred choral - mixed
voices.
Vocal score. Duration
4.5'.
Oxford University Press
#9780193529052. Published
by
Oxford University Press
40 Pieces without Octaves. Composed by Barbara Arens. Barbara Arens is playing...(+)
40 Pieces without
Octaves.
Composed by Barbara
Arens.
Barbara Arens is playing
Small Hand Piano on
YouTube.
Book. Breitkopf and
Haertel
#EB-8987. Published by
Breitkopf and Haertel
(Standard Repertoire for the Developing Pianist). Edited by Jane Magrath. For Pi...(+)
(Standard Repertoire for
the Developing Pianist).
Edited by Jane Magrath.
For Piano. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Classics for
Students. Masterwork;
Recital. Late
Intermediate. 48 pages.
Published by Alfred Music
By Louis Gabriel Guillemain (1705-1770). Edited by Philippe Lescat, Jean Saint-A...(+)
By Louis Gabriel
Guillemain (1705-1770).
Edited by Philippe
Lescat, Jean
Saint-Arroman. For 2 solo
violins, 2 solo flutes.
This edition: Facsimile.
La Musique Francaise
Classique de 1650 a 1800.
Score. 68 pages.
Published by Anne Fuzeau
Productions - France
Piano Solo - Medium SKU: BU.EBR-A050 Composed by Camille Saint-Saens. Arr...(+)
Piano Solo - Medium
SKU: BU.EBR-A050
Composed by Camille
Saint-Saens. Arranged by
Jean-Francois Pailler.
This edition: French
Edition. Classique.
Anacrouse. Partition +
Biographie + Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A050.
Published by Editions
Bourges (BU.EBR-A050).
Performed by Bob Marley. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Bob Marley.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and color
photos. Reggae. 214
pages. 9x12 inches.
Published by Hal Leonard