Composed by Franz Xaver Gruber. Arranged by Greg Gilpin. Shawnee Press. Christmas Sacred. Octavo. 12 pages. Published by Shawnee Press

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911512

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. TVWV 1:1452. 8 pages. Duration 22 minutes. Carus Verlag #CV 39.115/12. Published by Carus Verlag (CA.3911512).

ISBN 9790007215613. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and part available separately - see item CA.3911500.

Keyboard

SKU: HH.HH453-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH453-SOL. Published by Edition HH Music Publishers (HH.HH453-SOL).

ISBN 9790708146605.

Geor ge Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

Orchestra (2 Fl, 2 Ob, 2 clarinet, clarinet-B, 2 bassoon, 3Hn, 2 Trp, 3trombone, Tb, harp, timpani, percussion, Str)

SKU: BA.BA06848

Orchester-Ballade. Composed by Leos Janacek. Edited by Jarmil Burghauser and Radomil Eliska. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek D/6. Complete edition, Score. Composed 1912-1914. Duration 12 minutes. Baerenreiter Verlag #BA06848_00. Published by Baerenreiter Verlag (BA.BA06848).

ISBN 9790006483303. 34.4 x 27 cm inches. Text: Svatopluk Cech.

Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.

This editon presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech / German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Isaac Albeniz (1860-1909). Arranged by Shaul Ben-Meir. For Flute Choir. Published by Megido Publications

Study Score. By Peter Ilyich Tchaikovsky. Schott. Size 5.25x7.5 inches. 198 pages. Published by Eulenburg London (Schott).

SKU: HL.49005826

7 Versuche zur neueren Vokalmusik. Composed by Rudolf Stephan. Edited by Rudolf Stephan. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 120 pages. Schott Music #ED 5728. Published by Schott Music (HL.49005826).

ISBN 9783795717544. German.

Das Institut fur Neue Musik und Musikerziehung Darmstadt fordert zeitgenossische Musik aller Bereiche und ihre padagogische Vermittlung. Das thematische Spektrum reicht von der Tradition der kompositorischen Avantgarde uber Klangkunst, Performance, Neue Medien und grenzuberschreitende Konzepte bis zur Improvisation, zum Jazz und zur Musik der Jugendkulturen.

By Philip Sparke. (Score and Parts). This edition: AMP196. Anglo Music Press. Published by Anglo Music.

Fanfare Band - Grade 3

SKU: BT.AMP-139-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-020. Published by Anglo Music Press (BT.AMP-139-020).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

For Orchestra. Composed by Franz Liszt (1811-1886). Eulenburg Taschenpartituren (Pocket Scores). Study score. 44 pages. Eulenburg Edition #ETP1298. Published by Eulenburg Edition (HL.49009531).

By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 inches. 70 pages. Published by Eulenburg London (Schott).

By Louise Farrenc (1804-1875). Edited by Bella and Semjon Kalinowsky. For viola and piano. Viola. Instrumental Music. Intermediate. Score and parts. Composed 1861. Published by Furore Verlag

Opera in Three Acts. Composed by Luigi Cherubini (1760-1842). Edited by Heiko Cullmann. Boosey and Hawkes Scores/Books. Softcover. 400 pages. Boosey and Hawkes #M221121448. Published by Boosey and Hawkes (HL.48020818).

Soli STB, Fl, 2 Vl, Va, Bc

SKU: CA.3121112

Coffee cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, Secular choral music. Single Part, Violin 2. Composed 1734. BWV 211. Duration 27 minutes. Carus Verlag #CV 31.211/12. Published by Carus Verlag (CA.3121112).

ISBN M-007-25175-8. German/English.

In 1729 Bach took over the running of the Collegium musicum in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann's coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach's famous Coffee Cantata. The cantata is only superficially about daughter Liesgen's addiction to coffee, in fact it is really about her strict father Schlend rian's educational efforts, which ultimately remain ineffective - but only in Bach's cantata. In Picander's printed libretto it seems as if Schlendrian might prevail, and only in Bach's cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach's experiences as a father have come into play here?

Orchestra (Study Score)

SKU: HL.49009857

From Alexander's Feast. Composed by George Frideric Handel. Edited by Felix Schroeder. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 40 pages. Eulenburg Edition #ETP383. Published by Eulenburg Edition (HL.49009857).

ISBN 9783795762414. UPC: 841886015838. 5.25x7.5x0.127 inches. German - English.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Concert Band - Grade 2

SKU: BT.DHP-1053879-040

Composed by Christian Bouthier. Flexible 5 Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053879-040. Published by De Haske Publications (BT.DHP-1053879-040).

9x12 inches. English-German-French-Dut ch.

The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.

De energieke werkzaamheden van drie ambachtslieden op een plaatselijke ambachtsmarkt inspireerden de Belgische componist Christian Bouthier tot het schrijven van The Craftsmen, een compositie in drie delen. De klokkenmaker,de kuiper (tonnenmaker) en de hoefsmid worden achtereenvolgens op ludieke wijze in de muziek weergegeven.

Zu The Craftsmen - ‘Die Handwerker’ - ließ sich Christian Bouthier beim Bummel über einen Markt inspirieren, wo alte Handwerkskünste vorgeführt wurden. In den drei Sätzen seiner Komposition werden sehr anschaulich die Klangeindrücke in Musik umgesetzt: das Ticken nostalgischer Uhren beim Uhrmacher, das Hämmern des Böttchers beim Bau von Holzfässern und schließlich das Schlagen der Hufeisen, bevor der Hufschmied die Pferde beschlägt. Ein Werk der Reihe Flexible 5 für eine fünfstimmig variable Besetzung, an dem Musiker und Publikum ihre Freude haben werden!

Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant.

Affascinato dall’originalit e dallo charme di un mercato di artigiani, per comporre questa suite in tre movimenti, Christian Bouthier si è ispirato al “savoir-faire� � di tre artigiani. All’ombra dei platani, dinnanzi ad un pubblico numeroso ed appassionato, gli artigiani eseguono e ripetono gesti ancestrali che danno vita a oggetti unici. Scoprite le tradizioni attraverso un orologiaio, un bottaio e un fabbro.

Choral (SATB)

SKU: HL.35032003

Composed by Franz Xaver Gruber. Arranged by Greg Gilpin. Shawnee Press. Christmas Sacred, Christmas/Advent Sacred. Octavo. Duration 345 seconds. Published by Shawnee Press (HL.35032003).

ISBN 9781540019806. UPC: 888680726621. 6.75x10.5x0.029 inches.

Unique, accessible to all ages, and stunningly beautiful describes this arrangement of the beloved carol. Incorporating the use of American Sign Language throughout, the piece begins in German sung by a soloist, then by the choir, singing then in English, then with “oos” and finally only “singing” with American Sign Language, filling the room with silent splendor. It is truly a work that will become a tradition for your choir. The ASL vocabulary is included in the choral.

For God has Loved the World so Well, BWV 68. By Johann Sebastian Bach. Arranged by Hans Grischkat. (Study Score). Schott. 38 pages. Published by Eulenburg.

Soli STB, Fl, 2 Vl, Va, Bc

SKU: CA.3121148

Coffee cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Harpsichord. Cantatas, Secular choral music. Single Part, Cembalo. Composed 1734. BWV 211. Duration 27 minutes. Carus Verlag #CV 31.211/48. Published by Carus Verlag (CA.3121148).

ISBN M-007-24486-6. German/English.

In 1729 Bach took over the running of the Collegium musicum in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann's coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach's famous Coffee Cantata. The cantata is only superficially about daughter Liesgen's addiction to coffee, in fact it is really about her strict father Schlend rian's educational efforts, which ultimately remain ineffective - but only in Bach's cantata. In Picander's printed libretto it seems as if Schlendrian might prevail, and only in Bach's cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach's experiences as a father have come into play here?

Concert Band/Harmonie and Trombone Solo - Grade 5

SKU: BT.DHP-1094442-140

La Tragédie Cathare - Poéme Symphonique pour Trombone et Orchestre d'Harmonie. Composed by Maxime Aulio. Solo Spectrum. Concert Piece. Score Only. Composed 2009. 72 pages. De Haske Publications #DHP 1094442-140. Published by De Haske Publications (BT.DHP-1094442-140).

9x12 inches. English-German-French-Dut ch.

Symfonische gedichten zijn gewoonlijk verhalende of beschrijvende werken die zijn gebaseerd op een verhaallijn - of het nu gaat om poëzie of proza. Naar het voorbeeld van meestercomponisten als Berlioz, Liszt en Debussy zet MaximeAulio het genre voort met Montségur, een klankgedicht dat uitgaat van het dramatische verhaal over de burcht van de katharen, het Ch teau de Montségur (Ariège, Frankrijk). Als een impressionistische schilder gebruikt de componistveel nuances en klankkleuren, steeds perfect in harmonie met de betreffende thematiek. Een schilderachtig solowerk voor trombone!

In der Tradition von Meisterkomponisten, wie Berlioz, Liszt und Debussy, erweitert Maxime Aulio das Genre des Tongedichts um Montségur, einem Werk auf der Grundlage der dramatischen Geschichte der gleichnamigen Festung in Südfrankreich. Wie ein impressionistischer Maler verwendete Maxime Aulio dabei viele Tonnuancen und Klangfarben. Ein malerisch schönes Solowerk für Posaune und Blasorchester!

Un poème symphonique est une composition dont la nature expressive relève d'une intention essentiellement poétique ou descriptive, s'appuyant explicitement sur un thème, un personnage, une légende le plus souvent inspirés par un texte littéraire. Suivant l’exemple d’illustres compositeurs tels que Berlioz, Liszt et Debussy, entre autres, Maxime Aulio fait perdurer le genre dans ce poème de sons qui relate l’histoire tragique du ch teau de Montségur (Ariège, France), bastion de la résistance cathare. Et tel un peintre impressionniste, il choisit, une multitude de timbres et de couleurs tonales toujours en parfaite adéquation avec le motif décrire. Le tableau respire, etl’on perçoit dans les premières mesures, le souffle du vent. La beauté du paysage qui s’enroule autour du gigantesque piton rocheux défile sous nos yeux quand soudain, une volée de carreaux d’arbalète fend l’air en sifflant comme une pluie de fer. On entend les pierres s’écraser sur les murailles du ch teau. La forteresse cathare est assiégée... Dans ce climat musical pesant et poignant, le trombone revêt une dimension tragique servie par une symbolique expressive. Il expose des thèmes cycliques qui reviennent dans l’ensemble de l’œuvre : le thème du ch teau, la prière des Parfaits, le thème du b cher. En mars 1244, 207 Parfaits cathares périrent br lés vifs. Presque huit siècles plus tard, ces flammes d'un autre ge alimentent encore les rumeurs les plus folles.