(Everything You Need to Create and Use Chords in Every Key). By Dan Fox and Dick...(+)
(Everything You Need to
Create and Use Chords in
Every Key). By Dan Fox
and Dick Weissman. Book;
Reference Textbooks;
Textbook - General;
Theory. 96 pages.
Published by Alfred Music
Banjo (5-string) - Beginning SKU: MB.21028M Composed by Ross Nickerson. S...(+)
Banjo (5-string) -
Beginning
SKU:
MB.21028M
Composed by
Ross Nickerson.
Saddle-stitched, Banjo:
5-String, Banjo 5-String,
Children and Young
Beginner, Solos and
Duets, Tunebooks. Made
Easy. Banjo. Book and
online audio. 32 pages.
Mel Bay Publications, Inc
#21028M. Published by Mel
Bay Publications, Inc
(MB.21028M).
ISBN
9780786689224. UPC:
786689226. 8.75 x 11.75
inches.
Fiddle
Tunes for Banjo Made Easy
is a collection of
must-know, easy-to-learn
bluegrass instrumental
standards. Ross records
each song at three speeds
and also includes a
rhythm backup track. The
slow speed is ideal for
hearing the notes clearly
and being able to play
along in rhythm; the
medium speed is a perfect
goal for the beginning
and intermediate student
while the faster speed
demonstrates what the
song can sound like with
a hard, driving push. The
tablature is large for
ease of reading and
includes accent marks for
melody notes where
needed. Ross also
provides tips and
suggestions for each song
to save you valuable
practice time. These are
tips on the more
challenging spots that
Ross has learned
firsthand from teaching
these privately for many
years. In addition, there
is a whole page of
instruction on learning
the chords to the song,
how to play the song
using only the chords,
chord charts written out
for each song and tips
for memorizing and
playing without tab.
Fiddle Tunes for Banjo
Made Easy is not just
another tab book; it
covers all the bases and
gives you a realistic
balanced approach for
learning the songs the
EASY way. Includes access
to online audio.
Cherished Hymn Favorites composed by Various. Arranged by Tina Tomlins. For easy...(+)
Cherished Hymn Favorites
composed by Various.
Arranged by Tina Tomlins.
For easy piano. This
edition: Paperback.
Collection. Sacred. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
(Beginning Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Nota...(+)
(Beginning Jazz Guitar).
By Jody Fisher. For
Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Beginner. 96 pages.
Published by Alfred Music
Learn to Play Using the Techniques and Songs of American Roots Music. Hal Leonar...(+)
Learn to Play Using the
Techniques and Songs of
American Roots Music. Hal
Leonard Guitar Method.
Book and CD package. With
notes and tablature. Size
9x12 inches. 120 pages.
Guitar - Beginner; Intermediate SKU: PE.DHC80075 A Beginner's Guide(+)
Guitar - Beginner;
Intermediate
SKU:
PE.DHC80075
A
Beginner's Guide.
Composed by Daniel Ho.
Guitar Method or
Supplement;
Method/Instruction.
Acoustic; Fingerstyle.
Book and CD. Edition
Peters #98-DHC80075.
Published by Edition
Peters (PE.DHC80075).
ISBN 9780984292844.
UPC: 644718007526.
English.
Created in
collaboration with the
Grammy Museum, six-time
Grammy award-winner
Daniel Ho's revolutionary
open-string method may be
one of the simplest ways
to play fingerstyle
guitar. Special
open-string voicings are
easy to play and sound
beautiful. You will play
chords in the keys of E
and G using only two
fingers on your left
hand, learn chords in
every key using no more
than three fingers on
your left hand, and study
proper hand technique to
make playing comfortable
and enjoyable. An audio
CD of examples is
included.
Three Little Nocturnes Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Wilhelm Hansen
String Quartet, Accordion SKU: BT.WHKP01684 Composed by Hans Abrahamsen. ...(+)
String Quartet, Accordion
SKU: BT.WHKP01684
Composed by Hans
Abrahamsen. Classical.
Score Only. 32 pages.
Edition Wilhelm Hansen
#WHKP01684. Published by
Edition Wilhelm Hansen
(BT.WHKP01684).
English.
Three
Little Nocturnes was
composed by Hans
Abrahamsen in 2005.
Commissioned by the
Cikada Ensemble, with
support from NOMUS, and
written for Frode Haltli
and the Cikada String
Quartet. Programme Note:
In the first nocturne a
slow, falling music
emerges on an irregular
pulse, filled with high
harmonics in the strings.
The second nocturne is
fast and unrestful music,
with a lot of passion,
which in a moment runs
into a glimpse of a
tango. In this movement
the accordion is employed
in its traditional
fashion, using the chord
bass, with its
“oom-pah-pahâ€
standard chords. The
third nocturne is again
slow, indeed very slow,
and it has German tempo
and expression markings.
Thepiece ends with a
lullaby in the accordion,
played with an unusual
technique, imitating the
string portato. This is
accompanied by high
harmonics in the strings,
while the first violin
slowly and softly plays a
melody from the second
nocturne. Hans
Abrahamsen.
Banjo - Beginning SKU: MB.21025M Composed by Ross Nickerson. Saddle-stitc...(+)
Banjo - Beginning
SKU:
MB.21025M
Composed by
Ross Nickerson.
Saddle-stitched, Banjo:
5-String, Folk, Solos and
Duets. Made Easy. Style.
Book and online audio. 32
pages. Mel Bay
Publications, Inc
#21025M. Published by Mel
Bay Publications, Inc
(MB.21025M).
ISBN
9780786691968. 8.75 x
11.75 inches.
Easy
to play five-string banjo
arrangements of
twenty-four childrens
favorites by banjo master
Ross Nickerson. Not only
are these songs fun to
play but from an
instructional standpoint
they are perfect for
helping you develop the
ability to bring out the
melody in the bluegrass
banjo style. Accenting
the melody within the
steady rhythmic roll of
banjo playing is one of
the biggest challenges
facing banjo students and
these familiar melodies
are ideal for your
development of that
skill. Each song is
arranged and performed
using proper three-finger
bluegrass technique. The
arrangements are
carefully designed to
bring out the melody, but
easy enough for a
beginner or intermediate
player to learn quickly.
The tablature in the book
is large and easy to read
with accent marks for
melody notes, as well as
right and left-hand
fingering indications.
This book is not simply a
tablature book. Childrens
Songs for Banjo Made Easy
also features instruction
on learning the chords to
each song, chord
progression charts for
each song, special
learning tips for each
arrangement, a full page
of advice on memorizing
the songs and more. Also,
in the instructional
section of the book Ross
includes a page of
suggestions on the best
use of practice time and
how to develop the skills
needed to succeed with
each piece. Includes
online access to a high
quality studio recorded
audio of all the songs
played at three speeds
and a bonus track of Ross
performing.
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. America...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 4; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 72
pages. Published by
Baerenreiter Verlag
(German import).
Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual.
Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy.
Pattern Play 6 Piano seul [Partition] Frederick Harris Music Company
(Inspiring Creativity at he Piano). By Forrest Kinney. For Piano. This edition: ...(+)
(Inspiring Creativity at
he Piano). By Forrest
Kinney. For Piano. This
edition: 1st. Piano.
Pattern Play. Book.
Published by The
Frederick Harris Music
Company
Guitar SKU: SP.TS71612 Composed by Tony Santorella. Instructional; Method...(+)
Guitar
SKU:
SP.TS71612
Composed
by Tony Santorella.
Instructional; Method.
Book and CD. Santorella
Publications #TS71612.
Published by Santorella
Publications
(SP.TS71612).
ISBN
9781585606924. UPC:
728941716124.
Teach
Yourself Guitar published
by Santorella
Publications is the first
in a series including CD
that was initially
created as an impulse
product for a typical
independent Guitar & Amp
shop. In a market flooded
with similar products, we
swiftly learned that our
edition was more than
just a quick fix for the
beginner. Although
titled, Teach Yourself
Guitar, it contains much
more than basic
instruction. Accordingly,
Teach Yourself Guitar has
become the standard for
countless educators as a
private lesson study
guide.
There are
numerous products on the
market that falsely
proclaim incomprehensible
results in just minutes.
Unfortunately, none of
these products cultivate
permanent advancement.
Becoming a better
musician is only possible
through hard work,
discipline and
dedication.
Our
challenge was to create
an approach to guitar
that was easy to
understand and followed a
logical step by step
progression. To truly
master the guitar, one
must have their eyes set
on short-term goals in
order to achieve
long-term results. We are
proud to say that we have
met this challenge by
providing a proven
curriculum to learning
the many facets of
playing the guitar in
this one of a kind
guide.