(Foreword and Additional Editing by Doris Gazda). By Giovanni Marco Bordogni Georg Philipp Telemann. Edited by Various. For Viola. Book. 52 pages. Published by Carl Fischer

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

For Viola. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Published by Hal Leonard (HL.197189).

Solo-Duet-Trio-Quartet with Optional Accompaniment. Arranged by Victor Lopez. For Viola. Mixed Instruments - Flexible Instrumentation. Flex-Ability Series. Book. 24 pages. Published by Alfred Publishing.

For Viola. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

By Leonard B. Smith. For Viola. Band Supplement. Book. 12 pages. Published by Alfred Publishing.

(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music

Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard Corporation.

Viola

SKU: FZ.50532

Edited by Frederic Laine. Mnemosis: The Memory of Music Collection. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50532).

ISBN 9782360950041. 17.00 x 24.00 cm inches.

Dans la collection Mnemosis, Anne Fuzeau Classique presente le premier volume d'une serie d'ouvrages consacres aux instruments de musique. Chaque volume traitera de tous les aspects d'un instrument des origines a nos jours : histoire, facture, pedagogie, repertoire, interpretes, role dans l'orchestre et dans la musique de chambre. . . Le plan d'ensemble etant toujours chronologique. C'est donc le compagnon indispensable de tous les instrumentistes professionnels ou amateurs, historiens, musicologues. Ce premier ouvrage, consacre a l'alto, est l'oeuvre de Frederic Laine, brillant pedagogue, interprete et historien de cet instrument. Cet ouvrage presente, en une soixantaine de chapitres, un parcours chronologique de l'alto, des origines au XXe siecle. L'histoire de l'alto est singuliere comme l'est le parcours de cet instrument trop proche du violon, et qui pour cette raison a ete tardivement considere comme une specialite. Tout violoniste peut jouer facilement de l'alto, sans etudes particulieres, pense-t-on jusqu'a l'oree du XXe siecle. Ainsi, il parait inutile de s'y consacrer exclusivement et il est souvent considere au mieux comme un instrument d'appoint. Son histoire est donc ecrite par des violonistes qui le servent au gre des occasions, parfois avec enthousiasme, souvent sans grande conviction. Longtemps voue au second role, il va pourtant entamer, en particulier a partir du derniers tiers du XVIIIe siecle, une veritable quete d'identite qui va lui permettre peu a peu de s'echapper de la tutelle violonistique. Ainsi, grace a ceux qui ont percu la richesse de son timbre et de son potentiel (Bach, Mozart, Berlioz, Wagner, Richard Strauss. . . ), aux interpretes qui ont servi sa cause (Rolla, Urhan, Tertis, Hindemith, Vieux, Primrose. . . ), l'alto est aujourd'hui un instrument reconnu, desormais servi par une brillante generation d'interpretes. Cet ouvrage traite les differentes facettes de l'histoire de l'alto (facture, repertoire, interpretes, pedagogie). Il consacre notamment une partie importante au groupe (orchestre et musique de chambre), element essentiel de l'evolution de l'alto et du role musical de l'altiste. Il est complete par un chapitre anatomie de l'instrument (figures et glossaire des termes de lutherie) ainsi que par une importante bibliographie, des illustrations et de nombreux exemples musicaux. L'auteur: Frederic Laine. Apres des etudes d'alto au CNSM de Lyon et d'histoire de la musique au CNSM de Paris, Frederic Laine mene une triple activite d'altiste, d'enseignant et de musicologue. Docteur en musicologie de l'universite de Tours, il a publie en 2002 corpus pedagogique pour l'alto chez Mardaga, et a contribue a plusieurs ouvrages edites chez Fayard, Buchet-Chastel, Symetrie ou par la Cite de la Musique et les Presses universitaires de France. Altiste du trio Cappa, auteur de nombreuses publications pedagogiques (dont une ecole de l'alto en six volumes), il enseigne l'alto et la musique de chambre dans les conservatoires du centre et du XIIIe arrondissement de Paris et au Cefedem de Rueil-Malmaison. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. Only in French. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique.

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Viola. Book. 48 pages. Published by Carl Fischer

Composed by Various. Arranged by Kenneth D. Friedrich. For viola solo. Level 2 to 4. Published by Kenneth D. Friedrich

Viola

SKU: CA.4060813

Heiligmesse. Composed by Franz Joseph Haydn. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Heiligmesse In B Xxii:10. Sacred vocal music, Masses, Latin. Individual part. Hob. XXII:10. 20 pages. Duration 50 minutes. Carus Verlag #CV 40.608/13. Published by Carus Verlag (CA.4060813).

ISBN 9790007219475. Language: Latin.

The Missa Sti Bernardi von Offida (1796) stands at the beginning of Joseph Haydn's late works. The Mass earned its nickname because in the Sanctus Haydn quoted the then well-known sacred hymn Heilig, heilig, heilig. The text of the music for this critical edition presents the work with the complete scoring for winds, including the clarinets and horns missing in the autograph score and the first edition. The optional horn parts are contained in the appendix and as part of the performance material. However, these parts cannot be dispensed with if we wish to fully re-create the Mass within the context of Eisenstadt. Score and part available separately - see item CA.4060800.

Viola

SKU: CA.5199113

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Viola. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Individual part. Composed 1767. Hob. XXbis. 24 pages. Duration 60 minutes. Carus Verlag #CV 51.991/13. Published by Carus Verlag (CA.5199113).

ISBN 9790007225544. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.5199100.