Two Folksongs of Love and Loss. Composed by American Folk Song Irish Folk So...(+)
Two Folksongs of Love and
Loss. Composed by
American
Folk Song Irish Folk
Song.
Arranged by Greg Gilpin.
Fold. Octavo. 8 pages.
Duration 1 minute, 40
seconds. Carl Fischer
Music
#CM9646. Published by
Carl
Fischer Music
isco Classics, Volume 1 arranged by Charles Beale. Choir Secular. For with Piano...(+)
isco Classics, Volume 1
arranged by Charles
Beale. Choir Secular. For
with Piano (3-Part Mixed
Choir (SAB)). Book;
Choral Collection. Faber
Edition. Published by
Faber Music
Dies Irae Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed b...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9716
Day of
Wrath. Composed by
David (D) Smith. 12
pages. Duration 0:01:57.
Carl Fischer Music
#CM9716. Published by
Carl Fischer Music
(CF.CM9716).
ISBN
9781491160954. UPC:
680160919550. Key: D
minor. Latin. Early Latin
Text.
This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a
manic depiction of the
fierce wrath of judgment
day. They should be sung
with fire, crisp
consonants while always
enunciating the accents
in order to realize the
full effect of this
powerful text. The entire
demeanor of the tone and
facial expressions should
change for the B-section,
mm. 30-42 as it is a plea
for mercy. The audience
should realize the change
in this contrasting
section. Translation Dies
irae, dies illa: Day of
wrath, that day Solvet
saeclum in favilla: shall
dissolve the world into
embers Teste David cum
Sibylla: As David
prophesied with the
Sibyl. Voca me cum
benedictis :Call me to be
with the blessed. Salva
me fons pietatis : Save
me, fount of pity. The
Sibyl is a reference from
a Greek word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical scholars.
About the Arranger D.
Farrell Smith is the
Director of Choirs at
Hilldale Middle School,
and Hilldale High School
in Muskogee, Oklahoma. He
holds a B.A. in Music
Education and the M.A. in
Theological Studies.
Currently the Minister of
Music at Eastern Heights
Baptist Church, he has
been a Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a manic
depiction of the fierce
wrath of judgment day.
They should be sung with
fire, crisp consonants
while always enunciating
the accents in order to
realize the full effect
of this powerful text.
The entire demeanor of
the tone and facial
expressions should change
for the B-section, mm.
30-42 as it is a plea for
mercy. The audience
should realize the change
in this contrasting
section.TranslationDies
irae, dies illa: Day of
wrath, that daySolvet
saeclum in favilla: shall
dissolve the world into
embersTeste David cum
Sibylla: As David
prophesied with the
Sibyl.Voca me cum
benedictis :Call me to be
with the blessed.Salva me
fons pietatis : Save me,
fount of pity.The
“Sibyl†is a
reference from a Greek
word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical
scholars.About the
ArrangerD. Farrell Smith
is the Director of Choirs
at Hilldale Middle
School, and Hilldale
High School in Muskogee,
Oklahoma. Â He holds a
B.A. in Music Education
and the M.A. in
Theological Studies.
Currently theÂ
Minister of Music at
Eastern Heights Baptist
Church, he has been a
Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson.
SAB choir, assembly, keyboard accompaniment, C instrument, B-flat instrument, vi...(+)
SAB choir, assembly,
keyboard accompaniment, C
instrument, B-flat
instrument, violin 1,
violin 2, cello, guitar
SKU: GI.G-9616K
From the Heart of Pope
Francis. Composed by
Jeanne Cotter and Tony
Alonso S.J. This edition:
Keyboard edition. Sacred.
164 pages. GIA
Publications #9616K.
Published by GIA
Publications
(GI.G-9616K).
UPC:
785147961666.
English.
By his
words and actions, Pope
Francis compels the
global Church to a
radically renewed
personal encounter with
Jesus Christ. Encounter:
From the Heart of Pope
Francis is a performance
piece that animates this
call in song, story, and
prayer, inviting all
Christians to risk
stepping toward Jesus in
both the blessing and the
bruising of daily life.
Encounter takes us to the
front lines of
God’s field
hospital, calling us to a
revolution of tenderness
in a world desperate for
healing, wholeness and
hope. This keyboard
edition for Encounter
includes vocal and piano
parts, as well as chord
symbols. When used in
connection with the other
available editions listed
below, any parish or
community will be able to
bring this performance
piece to life. However,
the songs of Encounter
are also useful for
liturgical celebrations
and other occasions
throughout the year.
SAB choir, assembly, C instrument, B-flat instrument, violin 1, violin 2, cello,...(+)
SAB choir, assembly, C
instrument, B-flat
instrument, violin 1,
violin 2, cello, guitar -
Intermediate
SKU:
GI.G-9616C
From
the Heart of Pope
Francis. Composed by
Jeanne Cotter and Tony
Alonso S.J. This edition:
Choral edition. Sacred.
100 pages. GIA
Publications #9616C.
Published by GIA
Publications
(GI.G-9616C).
UPC:
785147961604.
English.
By his
words and actions, Pope
Francis compels the
global Church to a
radically renewed
personal encounter with
Jesus Christ. Encounter:
From the Heart of Pope
Francis is a performance
piece that animates this
call in song, story, and
prayer, inviting all
Christians to risk
stepping toward Jesus in
both the blessing and the
bruising of daily life.
Encounter takes us to the
front lines of
God’s field
hospital, calling us to a
revolution of tenderness
in a world desperate for
healing, wholeness and
hope. This choral edition
for Encounter includes
vocal parts for soloists,
choir, and assembly. When
used in connection with
the other available
editions listed below,
any parish or community
will be able to bring
this performance piece to
life. However, the songs
of Encounter are also
useful for liturgical
celebrations and other
occasions throughout the
year.