(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.277282
SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282).
UPC:
840126915006. 6.75x10.5
inches.
Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo.
By Robert Kyr. Text: William Blake and Alexander Pope. For Boy soprano and Tenor...(+)
By Robert Kyr. Text:
William Blake and
Alexander Pope. For Boy
soprano and Tenor soli,
SATB Choir [divisi],
piano and optional cello.
(Mixed Voices). General.
Choral. Level: moderately
difficult. Octavo. 20
pages. Published by Ione
Press.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . ...(+)
By David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Christmas
Choral Collection. Pack
of 10 copies. 384 pages
By Michael Praetorius (1571-1621). This edition: paperbound. Psalms, German; Cho...(+)
By Michael Praetorius
(1571-1621). This
edition: paperbound.
Psalms, German; Choral
Collection for SAM Choir;
Occasions: Praise and
thanks, Our Father; Use
during chuch year: Easter
and Eastertide,
Pentecost. Collection.
100 pages
Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano...(+)
100 Carols for Choirs by
David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Advent,
Christmas, Epiphany,
Easter, Sacred, Secular.
Paperback. 388 pages.
Published by Oxford
University Press
SATB choir - Easy/Moderate SKU: WD.080689496776 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689496776
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulletins
(100-pak). Duration 32
minutes. Word Music
#080689496776. Published
by Word Music
(WD.080689496776).
UPC:
080689496776.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy SKU: WD.080689498770 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689498770
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Bulletins (100-pak).
Duration 39 minutes. Word
Music #080689498770.
Published by Word Music
(WD.080689498770).
UPC:
080689498770.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Viola. Composed 1725. BWV
108. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.108/13. Published by
Carus Verlag
(CA.3110813).
ISBN
9790007047979. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
SATB choir - Moderate SKU: WD.080689504778 A Dramatic Musical for Chri...(+)
SATB choir - Moderate
SKU:
WD.080689504778
A
Dramatic Musical for
Christmas. Composed
by Heidi Petak & Daniel
Semsen, Jeff Bumgardner,
and Joel Lindsey.
Arranged by Daniel
Semsen. Choral, cantatas.
Bulletins (100-pak).
Duration 55 minutes. Word
Music #080689504778.
Published by Word Music
(WD.080689504778).
UPC:
080689504778.
For
many of us, Christmas is
a time of joy and
celebration, a time to be
spent with family and
friends...a festive,
happy time. But for
others, the same holiday
season only serves to
underscore the
loneliness,pain, and
hopelessness of their own
lives. In our story,
Susanna King's bright
spirit and love for life
overrides her
circumstances; you see,
Susanna has been recently
diagnosed with cancer.
But in spite of bad news
and challenging times,
she lives with the joy of
Christmas in her
heart. This is an
emotion-filled story,
rich with heart. It comes
alive with great new
songs that are sometimes
powerful, sometimes
celebratory, sometimes
poignant; sometimes
happy, sometimes sad;
songs that propel the
story along while
speaking to our hearts
with the love language of
God's Christmas
story...the birth of our
Savior,
Jesus. Designed to
bring your music and
drama ministries
together, Shepherds and
Kings proclaims a strong,
vibrant message about the
power of love--our love
for one another, our love
for God, and most
importantly, God's desire
that ALL would come to
know of His great love
for us. Share the hope
and good news of
Christmas with your
church and community this
year, through your
presentation of Shepherds
and Kings.
Song
Titles: Christmas All
Over the World (Opener) *
Underscore 1 (Susanna
Arrives) * Underscore 2
(Mattiello's) * We All
Need Christmas * Hopes
and Fears (Duet) * Mercy
for Me * Everlasting
Light * Underscore 3
(Accusations) * Prince of
Peace * Underscore 4
(Realization) * Winter
White * Shepherds and
Kings * Christmas Makes
Us One (with We All Need
Christmas; Christmas
Makes Us One; O Come, All
Ye Faithful and Shepherds
and Kings).
SATB Choir and Piano SKU: HL.14043700 Composed by Various. Arranged by Gi...(+)
SATB Choir and Piano
SKU: HL.14043700
Composed by Various.
Arranged by Gitika
Partington. Choral. Pop &
Rock. Softcover Audio
Online. Composed 2015.
Novello & Co Ltd.
#NOV165110. Published by
Novello & Co Ltd.
(HL.14043700).
ISBN
9781783058617. UPC:
888680736491.
9.0x12.0x0.125 inches.
English.
Sing Pop A
Cappella is a collection
of a cappella
arrangements of fantastic
pop songs old and new, by
renowned teacher, singer
and director Gitika
Partington . Her
arrangements are used by
choirs across the UK, and
she emphasises that being
able to read music is not
necessary. Rewarding and
enjoyable, Book Three
continues her project to
bring people together
through the power of
song. What's great about
Gitika Partington 's Sing
Pop A Cappella series is
how she understands that
to make great music or to
sing a great song, it's
not necessary to be able
to sight-read. It may be
useful, but she has
learned that there are
other ways to communicate
music, namely through ear
training,repetition and
gesture. Her
arrangements, five of
which appear in this
book, have enabled youth
and community choirs to
spring up across the
country, making singing
truly and universally
accessible.
Included in this book are
wonderfully rich a
cappella arrangements of
Ain't No Sunshine
by Bill Withers,
Black Is The Colour Of My
True Love's Hair, Rick
Astley's Never Gonna Give
You Up, Adele's Rolling
In The Deep and a
huge favourite, Sway
(Quien Sera) . Vocal
scores for these
innovative and enjoyable
arrangements are included
in standard notation,
although Partington
recommends learning by
ear as something equally
beneficial. To aid with
this, the accompanying
download card includes
five tracks of audio for
each song. One features a
full performance
demonstration while the
other four each focus on
either soprano, alto,
tenor or bass. The easy
download of these tracks
makes learning efficient
and fun, as you are able
to listen wherever you
are. The great thing
about a cappella singing
is that it can be done
anywhere, with limited
resources, with members
who don't necessarily
have any musical
training. Partington
has created a book
that can be used by a
cappella choirs who love
pop music that sounds
great and will thrill
audiences. Sing Pop A
Cappella is not just a
songbook, though, it also
includes an
extensive.
SATB choir - Easy SKU: WD.080689850721 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689850721
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Bulk CD (10-pak).
Duration 39 minutes. Word
Music #080689850721.
Published by Word Music
(WD.080689850721).
UPC:
080689850721.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 1. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/11. Published by
Carus Verlag
(CA.3110211).
ISBN
9790007047405. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/12. Published by
Carus Verlag
(CA.3110212).
ISBN
9790007047412. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.