By The Real Group. By Burt Bacharach and Hal David. Arranged by Anders Edenroth. For Choral (SATBB A CAPPELLA). Walton Choral. 16 pages. Walton Music #WRG1024. Published by Walton Music

(For SATB Voices with Keyboard). Composed by Crawford R. Thoburn. SATB chorus. For SATB, Keyboard. Choral. Choral part(s). Standard notation. 11 pages. Published by Carl Fischer

Arranged by Mark Hayes. For Choir. (SATB divisi). Choral Octavo. Choral Octavo. 20 pages. Published by Alfred Publishing.

Piano (SATB) - early intermediate

SKU: CR.984360

Composed by Jeffrey Blersch. Choral. Octavo. With music. Concordia Publishing House #984360. Published by Concordia Publishing House (CR.984360).

ISBN 9780758669025. 7 X 10.25 inches.

Jeffrey Blersch has composed a moving setting for SATB and piano using a text by Stephen P. Starke. Based on the story of the prodigal son, the text reminds listeners that just as the father welcomes his lost son home with open, loving arms, so does our heavenly Father welcome us home again and again. This anthem is based on the text and tune from Lutheran Service Book, 'As Rebels, Lord, Who Foolishly Have Wandered.'

SATB and Piano Jazz Ensemble Optional Choral; Piano Accompaniment (SATB with Piano)

SKU: HL.48024900

Come Down, O Love Divine; God Is Love/Love Divine; Let All Mortal Flesh Keep Silence. Composed by Ralph Vaughan-Williams. Arranged by Will Todd. BH Large Choral. Classical, Jazz. Octavo. 28 pages. Boosey & Hawkes #M060136412. Published by Boosey & Hawkes (HL.48024900).

ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.

These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine” supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampney”, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,” which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,” again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence” is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most high”. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

Composed by Lloyd Larson. For SATB choir, piano (with optional Children's Choir, 2 octave handbells). Sacred Anthem. Octavo. Lorenz Publishing Company #10/4692L. Published by Lorenz Publishing Company

By Greg Gilpin. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel; Spiritual, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB choir, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, guitar - Early intermediate

SKU: GI.G-9855

Composed by John Bacchus Dykes. Celebration Series. Tune Name: Melita. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9855. Published by GIA Publications (GI.G-9855).

UPC: 785147985501. English. Text by Marty Haugen.

A simple and easily singable song to the familiar tune MELITA, this piece was written to be used in worship as a way to pray for those who have suffered loss, for the first responders to any crisis, and for all who provide aid and support. A text and arrangement to return to again and again in turbulent times.

SATB choir, piano

SKU: LO.10-5587MD

Composed by Cliff Duren. Choral. Sacred Anthem. Octavo. Medallion Music #10/5587MD. Published by Medallion Music (LO.10-5587MD).

ISBN 9780787774301.

It's impossible not to lift your voice in praise along with this driving worship anthem! Cliff Duren's take on this worship hit is perfect for any worship service. Including a worship leader solo with supportive and easy-to-learn choir parts, this is one that your choir and congregation will want to sing again and again.

SATB choir and orchestra - difficulty: moderate

SKU: LP.765762230606

Composed by Benji Cowart and Michael Weaver. Arranged by Mike Speck and Stan Whitmire. Anthem. General. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762230606).

ISBN 7-65762-23060-6. UPC: 765762230606. Orchestrated by Cliff Duren.

Encourage your choir and congregation to rest in the grace of God with this popular anthem written by Benji Cowart and Michael Weaver. Appearing in Everlasting Praise 4, it's back again with a male solo arrangement by Mike Speck and Stan Whitmire. From the opening piano strains to the closing cymbal crash, orchestrator Cliff Duren weaves the intimacy of forgiveness with the majesty of redemption to remind us of the truth of the gospel once again.

Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Spiritual, Christmas. Level: Level 4 (grade L4). Choral Octavo. 16 pages. Published by Alfred Publishing.

SATB choir, piano

SKU: LO.10-5580MD

Composed by Jay Rouse. Choral. Crossings Worship Series. Sacred Anthem. Octavo. Medallion Music #10/5580MD. Published by Medallion Music (LO.10-5580MD).

ISBN 9780787773892.

Reco rded by Gospel music great, CeCe Winans, Believe For It is an exciting profession of faith and reliance on God's power. Driven by an emotive, worshipful and rich solo, followed by easy to learn choir parts, this is one that your choir and congregation will want to sing again and again.

Composed by Anna Laura Page. For SATB choir, piano (with optional congregation). Ready to Worship. Sacred anthem. Octavo. Published by Lorenz Publishing Company

SATB choir, piano

SKU: WD.080689499234

Composed by Marty Hamby. Arranged by Marty Hamby. Choral. Sacred Anthem, Christmas. Octavo. Word Music #080689499234. Published by Word Music (WD.080689499234).

UPC: 080689499234.

With Rita Baloche’s “Prepare Him Room” (truly one of the most hauntingly lovely new melodies in recent years and taken from the Integrity musical, “The Arrival”), Marty Hamby creates a personal, intimate, angelic space for God’s presence to enter our hearts and minds as we prepare Him room this Christmas. With beautiful choral harmonies and a tender, cinematic orchestration, this anthem will be one your choir loves to sing and your congregation will enjoy hearing again and again.

SATB choir, piano

SKU: LO.10-5656L

Composed by Anna Laura Page. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Octavo. Lorenz Publishing Company #10/5656L. Published by Lorenz Publishing Company (LO.10-5656L).

ISBN 9780787776299.

Here is the Palm Sunday anthem you have been looking for! The accessible vocal writing, the joyously driving accompaniment, and the optional children's choir and ring and sing handbell part make this stand-out anthem an immediate winner. Quickly learned but difficult to forget, this is an anthem you will return to again and again. One of Anna Laura's best!

Arranged by Craig Courtney. Sacred. Octavo. 15 pages. Published by Beckenhorst Press (BP.2105).

Composed by Mark Cabaniss, Pat Luboff, and Pete Luboff. Arranged by Alan Billingsley. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Graduation; Secular. 12 pages. Published by Alfred Music

SATB choir, piano reduction - Early intermediate

SKU: GI.G-2422

Composed by Randolph N. Currie. Holy Thursday, Body and Blood of Christ, OT 19 B, OT 18 A. Choral. Sacred. Octavo. 4 pages. GIA Publications #2422. Published by GIA Publications (GI.G-2422).

UPC: 785147242208. Text Source: from Lauda Sion. Text by Thomas Aquinas.

Sing this one on Holy Thursday and again on the Body and Blood of Christ.

Sing this one on Holy Thursday and again on the Body and Blood of Christ.

Composed by Benji Cowart and Michael Weaver. Arranged by Mike Speck and Stan Whitmire. For SATB choir and keyboard accompaniment. Anthem. General. Difficulty: moderate. Octavo. 15 pages. Published by Lillenas Publishing Company

By Herbert Fromm. (SATB). Transcontinental Music Choral. Jewish. Size 7x10.5 inches. 3 pages. Published by Transcontinental Music Publications.

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB Choir, Piano

SKU: CA.926620

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926620).

ISBN 9790007295592. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Gedanken uber die Zeit:Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken uber die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif Zeit (time) is explored and played with in a dialectical manner.The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet.

Composed by Benji Cowart and Michael Weaver. Arranged by Mike Speck and Stan Whitmire. For SATB choir and orchestra. Anthem. General. Difficulty: moderate. Split-channel, stereo and demo CD. Published by Lillenas Publishing Company

Composed by Eric Barnum. For SATB choir, a cappella. Octavo. Published by Alliance Music Publications

SATB choir, piano

SKU: LO.10-5793MD

Composed by David Wise. Choral. Sacred Anthem. Medallion Music #10/5793MD. Published by Medallion Music (LO.10-5793MD).

ISBN 9780787779405.

With a laid-back, modern country groove, this stellar song recorded by artist and songwriter Anne Wilson boasts in the transforming power of Jesus! Exciting from beginning to end, this bold arrangement from David Wise will inspire your congregation and your choir will want to sing it again and again!

SATB choir, piano

SKU: LO.10-5597L

Composed by Dan Boone. Choral. Sacred Anthem, General. Octavo. Lorenz Publishing Company #10/5597L. Published by Lorenz Publishing Company (LO.10-5597L).

ISBN 9780787774394.

Lore nz is proud to welcome Dan Boone to our catalog with his striking arrangement of I Need Thee Every Hour. Full of well-crafted vocal writing, unexpected harmonies, and creative piano textures, this anthem breathes new life into a treasured hymn. You will want to return to this one again after again!

Composed by David W. Brewer. Octavo. Alliance Music Publications #AMP 1095. Published by Alliance Music Publications

Composed by Lloyd Larson. Arranged by Kevin Boesiger. Choral. Sacred Anthem. Lorenz Publishing Company #10/5698L. Published by Lorenz Publishing Company