Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

By Franz Schubert. Edited by Werle(Urtext). For TTB, TTBB, TTBBB (a cappella/piano;4 horn). TTB(5);TTBB(18);TTBBB(2): some with Pf and/or with incidental solos;one with 4 Horns. Secular Choral Works. Published by C.F. Peters.

Men's choir (TTBB) a cappella - difficult

SKU: HL.49019664

Composed by Alwin Michael Schronen. This edition: Saddle stitching. Sheet music. Choral. Octavo. Composed 2012. 8 pages. Duration 4' 10''. Schott Music #C55505. Published by Schott Music (HL.49019664).

ISBN 9790001192712. 7.75x10.75x0.04 inches. English.

In this sonorous and colourful composition for male choir, commissioned for the award-winning male-voice choir of Chorknaben Uetersen who recorded the piece on CD under the direction of Hans-Joachim Lustig (product number RPO6075 on the label 'Rondeau'), Alwin M. Schronen paints a tonal picture of the poem by Charles Anthony Silvestri. Listen to shades of light, shining stars, explosions and love!

Arranged by Spebsqsa, Inc. (TTBB A Cappella). Close Harmony for Men. Size 6.75x10.5 inches. 7 pages. Published by Hal Leonard.

By Till Macivor Meyn. Text: Edgar Allan Poe. For TTBB Choir divisi. (Men's Voices). Secular. Choral. Level: moderately difficulty. Octavo. 16 pages. Published by Ione Press.

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.

By Franz Biebl. Arranged by Franz Biebl. Text: Ancient Liturgical Text. For A Cappella. (Trio (TTB), TTBB, Bass and Tenor Solo). Chanticleer. Sacred, Concert. Level: Advanced Adult. 8 pages. Duration 4 min, 50 sec. Published by Hinshaw Music Inc.

Arranged by Mack Wilberg. For TTBB choir and piano/orchestra (3 flutes ( piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns. 3 trumpets (C), 3 trombones, tuba, timpani, 3 percussion (triangle, suspended cymbal, bass drum, chimes), harp, organ, strings). Male Voices. Spirituals, Leaflet. Level B (easy). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

Composed by David Angerman and Joseph M. Martin. For Choral (TTBB). Harold Flammer. 12 pages. Published by Shawnee Press

Composed by Kevin S. Foster. For TTBB choir (a cappella). Concert. Octavo. Santa Barbara Music Publishing #SBMP1008. Published by Santa Barbara Music Publishing

By Morten Lauridsen (1943-). TTBB. Peermusic Classical. 12 pages. Peermusic #62366-120. Published by Peermusic

SAATTBar vocal soli, SSAATTBB choir

SKU: CA.738610

Composed by Michael Waldenby. Contemporary Choir Music. Sacred vocal music, Motets. Full score. Op. 49, No. 1. 12 pages. Duration 8 minutes. Carus Verlag #CV 07.386/10. Published by Carus Verlag (CA.738610).

ISBN 9790007166281. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).

Choral (TTBB Choir)

SKU: HL.421316

Composed by Pepper Choplin. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Duration 200 seconds. Published by Shawnee Press (HL.421316).

UPC: 196288061274. 6.75x10.5x0.029 inches. Luke 12:26-28, Philippians 4:19, Psalm 37:23-24.

Alive with gospel goodness, this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesus is a subject appropriate for any time of year, and the cheerful styling found in this choral is immediately engaging.

Arranged by Stacey V. Gibbs. For Choral (TTBB A Cappella). National/Emerson Fred Bock. 12 pages. Gentry Publications #NM1027. Published by Gentry Publications

Choral (TTBB Choir)

SKU: HL.50600722

Andrea Ramsey Choral Series. Composed by Derrick Fox. Andrea Ramsey Choral Series. Concert, Festival. Octavo. 8 pages. Published by G. Schirmer (HL.50600722).

ISBN 9781495075469. UPC: 888680646110. 6.75x10.5 inches.

Introducing ?Four Shape Note? singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19th century music can be so much fun to sing.

Arranged by Burt Szabo. Barbershop Harmony Society. A Cappella, Barbershop, Standards. Octavo. 8 pages. Contemporary A Cappella Publishing #210613. Published by Contemporary A Cappella Publishing

Arranged by Gene Cokeroft. Barbershop Harmony Society. A Cappella, Barbershop, Standards. Octavo. 8 pages. Barbershop Harmony Society #210319. Published by Barbershop Harmony Society

Arranged by Norman Luboff. (TTBB). Walton Choral. Size 6.8x10.5 inches. Published by Walton Music.

Arranged by Jay Althouse. For Choir. (TTBB). Choral Octavo. Folk Song; Peace/Brotherhood; Spiritual. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.