Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

Chamber Music flute, piano

SKU: PR.114424240

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42424. Published by Theodore Presser Company (PR.114424240).

ISBN 9781491137581. UPC: 680160691036.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.
Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry” and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,” a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.

Music Minus One Flute. Composed by Georg F. Handel. Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 24 pages. Music Minus One #MMO3374. Published by Music Minus One

By Johann Pachelbel. Edited by Ervin Monroe. Arranged by Ervin Monroe And Terry Herald. For flute and piano. Classical. Published by Little Piper

Flute and Piano or Flute and Clarinet. By Gabriel Faure. Arranged by Robin De Smet. Fentone Play Along Books. Play Along. Size 8x11.5 inches. 10 pages. Published by Fentone Music.

For flute and piano. Format: set of performance parts (includes separate pull-out flute part). With solo part and piano accompaniment. Baroque, classical period and romantic period. Series: Everybody's Favorite Series #38. 190 pages. 9x12 inches. Published by Music Sales.

Flute Solo with Piano Accompaniment - 1-2

SKU: KN.10300

Composed by Various. Edited by Carl Strommen. Arranged by Amy Kempton. Solo Collection. Flute Solo. Kendor Music Inc #10300. Published by Kendor Music Inc (KN.10300).

UPC: 822795103007.

Desig ned for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Piano accompaniment book sold separately (#10301). Available in SmartMusic.

Conten ts:
Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).

Flute Solo with Piano Accompaniment - 1-2

SKU: KN.KEN10301

Composed by Various. Edited by Carl Strommen. Arranged by Amy Kempton. Solo. Flute Solo. Kendor Music Inc #KEN10301. Published by Kendor Music Inc (KN.KEN10301).

UPC: 822795103014.

Desig ned for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Solo book sold separately (#10300). Available in SmartMusic.

Conten ts:
Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).

Edited by Thom Proctor. Instrumental solo book for flute solo. Piano accompaniment sold separately (EL03326). With standard notation. Series: Solo Sounds Instrumental Series. 20 pages. Published by Belwin.

Edited by Thom Proctor. Instrumental solo book for flute solo. Piano accompaniment sold separately (EL03324). With standard notation. Series: Solo Sounds Instrumental Series. 20 pages. Published by Belwin.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Or with flute accompaniment ad libitum. Composed by Ludwig van Beethoven (1770-1827). Edited by Gerschon Jarecki. Arranged by Gerschon Jarecki. With Standard notation. Wiener Urtext/Vienna Urtext #UT50017. Published by Wiener Urtext/Vienna Urtext

Flute and Piano (FLUTE AND PI)

SKU: HL.50488142

Composed by Franz Anton Hoffmeister and Imre Sulyok. Classic. EMB. Book [Softcover]. Editio Musica Budapest #Z4274. Published by Editio Musica Budapest (HL.50488142).

ISBN 9790080042748. A/4 inches. Janos Szebenyi; Imre Sulyok.

Franz Anton Hoffmeister (1754-1812) was a popular, very creative composer of his age. His oeuvre consists of nine operas, sixty-six symphonies, forty-two string quartets, eighteen string trios, eleven piano trios, five piano quintets, serenades and ecclesiastical works. He composed especially numerous chamber music works for flute in various arrangements (duets, trios, quartets, quintets etc.). Out of his twenty-four flute concertos the one hereby published is marked No. 18 in the catalogue of Hoffmesiter's works, published in 1800. (A copy of that catalogue has been preserved at the Belgian Royal Library, Brussels.) The contemporary handwritten orchestral part-material ofthe concerto is to be found at the King Stephen Museum at Szekesfehervar, it had got there in 1951 as part of the music collection of the family Verebi-Vegh.

Franz Anton Hoffmeister (1754-1812) ist einer der beliebten und fruchtbaren Komponisten seiner Zeit. Er komponierte 9 Opern, 66 Symphonien, 42 Streichquartette, 18 Streichtrios, 11 Klaviertrios, 5 Klavierquintette, Serenaden und Kirchenmusik. Besonders fur Flote schrieb er viele Kammerwerke in verschiedenen Gruppierungen (Duette, Trios, Quartette, Quintette u. s. w.) Unter seinen 24 Flotenkonzerten ist das jetzt veroffentliche Konzert mit Nummer 18 in dem im Jahre 1800 erschienenen Katalog seiner Werke versehen. (Ein Exemplar des Kataloges befindet sich in der Brusseler Koniglich Belgischen Bibliothek.) Das handschriftliche Orchestermaterial aus dieser zeit befindet sich imSzekesfehervar Konig Stephan Museum, wohin es im Jahre 1951 mit der Notensammlung der Familie Verebi-Vegh belangt ist.

Flute and Piano. By Samuel Barber. Arranged by Samuel Barber. (Flute). Woodwind Solo. Size 9x12 inches. 10 pages. Published by G. Schirmer, Inc.

By Giancarlo Aquilanti. For Flute and Piano. Flute. Level: moderately difficult. Score and Part. 52 pages. Published by Ione Press.

Instrumental, Flute

SKU: HP.9116

Arranged by Lloyd Larson. General Worship. Instrumental parts. 76 pages. Hope Publishing Company #9116. Published by Hope Publishing Company (HP.9116).

UPC: 763628191160.

Eight Contempory Christian Songs This collection of eight flute solos is filled with popular contemporary songs that cover many Sundays of the church year including, Christmas, Lent, Pentecost, and general worship occasions. Featuring well-developed piano accompaniments and creative flute writing for intermediate to advanced players these settings are sure to enhance your worship.

Flute and Piano. By Various. Arranged by Louis Moyse. (Flute). Woodwind Solo. Size 9x12 inches. 52 pages. Published by G. Schirmer, Inc.

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Franz Linden. This edition: urtext edition. Stapled. Performance score, Part. Baerenreiter Verlag #BA08738. Published by Baerenreiter Verlag

Flute and Piano. By Franz Schubert. Arranged by James Galway. (Flute). Woodwind Solo. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

Chamber Music flute, piano

SKU: PR.114423510

Composed by Carter Pann. Set of Score and Parts. 8+2 pages. Duration 9 minutes. Theodore Presser Company #114-42351. Published by Theodore Presser Company (PR.114423510).

ISBN 9781491135327. UPC: 680160687480.

My Cross (2021) was commissioned as a gift to Boulder resident Laurie Hathorn by her husband Peter Spear and flutist Christina Jennings who gave the premiere. The piece is an exploration in bel canto writing for an instrument I have been in love with since my first forays as a composer. The technical challenges for the soloist lie primarily in breath control and in maintaining a sustained, beautiful tone throughout. Any meaning behind this music will remain a private, long-suffered trial for the composer to overcome.
My Cross (2021) was commissioned as a gift to Boulder resident Laurie Hathorn by her husband Peter Spear and flutist Christina Jennings who gave the premiere. The piece is an exploration in bel canto writing for an instrument I have been in love with since my first forays as a composer.The technical challenges for the soloist lie primarily in breath control and in maintaining a sustained, beautiful tone throughout. Any meaning behind this music will remain a private, long-suffered trial for the composer to overcome.