24 Traditional Pieces. Composed by Various. Edited by Hugh Burns. This edition: Saddle stitching. Sheet music with CD. Guitar. Die Sammlung von Bearbeitungen traditioneller und zeitgenossischer Weisen, darunter Jigs, Reels, Airs und vieles mehr. Die meisten dieser Stucke sind fur Sologitarre bearbeitet; einige davon werden auch mit Begleitung angeboten. Celtic, Folk, Irish. Edition with CD. 52 pages. Schott Music #ED 13571. Published by Schott Music

Guitar

SKU: BT.9781408115008

Abracadabra. Book with CD. 72 pages. Collins Music Publishing #9781408115008. Published by Collins Music Publishing (BT.9781408115008).

ISBN 9781408115008.

A bracadabra Singalong Guitar makes learning the Guitar simple and fun. Bursting with songs from pop classics to traditional campfire favourites, the book includes full teaching notes, chord diagrams, lyrics and twoeasy-to-follow CDs.

It is the perfect resource for use during classroom singing, at small Guitar groups, in assemblies or for individual learners.

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Guitar

SKU: HL.14033994

Music Sales America. Irish. Music Sales #OSSCD98. Published by Music Sales (HL.14033994).

0.396 inches.

This demo CD features Paul de Grae playing 31 tunes from his book Traditional Irish Guitar (OMB130). Although intended to accompany the book the CD makes good listening in itself, providing new insights into the use of the guitar and the richness and diversity of Irish music.

By Sarah Mcquaid. For Guitar. Irish, Traditional, Folk. Sheet Music. 96 pages. Published by Music Sales.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By John Zaradin. For Guitar. Classical. Sheet Music. 64 pages. Published by Music Sales.

By Frederick Noad. For Guitar. Romantic, Classical. Sheet Music and Audio CD. 128 pages. Published by Music Sales.

For Guitar. By Robert Beaser. Schott. Size 9x12 inches. 12 pages. Published by Helicon.

Guitar - intermediate

SKU: BT.LCM9790570122172

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122172. Published by London College Music (BT.LCM9790570122172).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Saddle-stitched, Theory. Other. Book and online audio. Mel Bay Publications, Inc #30968M. Published by Mel Bay Publications, Inc

Guitar - advanced

SKU: BT.LCM9790570122219

Exam Material. Book with Online Audio. 20 pages. London College Music #LCM9790570122219. Published by London College Music (BT.LCM9790570122219).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - easy

SKU: BT.LCM9790570122158

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122158. Published by London College Music (BT.LCM9790570122158).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - easy

SKU: BT.LCM9790570122165

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122165. Published by London College Music (BT.LCM9790570122165).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122226

Exam Material. Book with Online Audio. 20 pages. London College Music #LCM9790570122226. Published by London College Music (BT.LCM9790570122226).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - intermediate

SKU: BT.LCM9790570122196

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122196. Published by London College Music (BT.LCM9790570122196).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - intermediate

SKU: BT.LCM9790570122189

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122189. Published by London College Music (BT.LCM9790570122189).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122202

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122202. Published by London College Music (BT.LCM9790570122202).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

By David Brody. For Guitar. Folk. Sheet Music. 112 pages. Published by Oak Publications.

An Innovative Method for Class Instruction. Composed by Jason Yeary and Aaron Stang. Book; Digital Download; Guitar Method or Supplement; Method/Instruction. Sound Innovations for Guitar. 128 pages. Published by Alfred Music (AP.44086).

An Innovative Method for Class Instruction. Composed by Jason Yeary and Aaron Stang. Book; Digital Download; Guitar Method or Supplement; Method/Instruction. Sound Innovations for Guitar. 64 pages. Published by Alfred Music (AP.44089).

Guitar; Unison Choir (Guitar)

SKU: HL.49046729

For Guitar German. Guitar. Classical, German Edition. Softcover Audio Online. 72 pages. Schott Music #ED23486. Published by Schott Music (HL.49046729).

UPC: 196288021063.

Child ren love exciting stories with familiar songs. The 10 mini musicals in this booklet are fun for everyone! Traditional Martin songs like I go with my lantern, Lantern, lantern or Saint Martin rode through snow and wind are embedded in beautiful storiesabout St. Martin's Day. All people walk with a light and We want to run a lantern address the lantern running of young and old. In the magic land of the lanterns, the black magician tries to transform the bright colors of the lanterns into black. The ghost Husch lights lanterns and is smeared with soot. And little Aquarius Nick also wants to run the lantern. The mini musicals bring beautiful stories and traditional melodies together. The stories can be freely adapted to the age of the children. For each song there is a picture card for narrative theater as a PDF and an MP3 playback for download. Chords for classical guitar and JelGi numbers are given. Simple songs can be accompanied by children on guitars, or ff instruments and boomwhackers. German Edition.

Piano, Vocal and Guitar - Grade 2

SKU: HL.14021851

Music Sales America. Folk British Isles. Book [Softcover]. 56 pages. Music Sales #OMB77. Published by Music Sales (HL.14021851).

ISBN 9780946005543. 5.75x8.25x0.242 inches. English.

Continuing on from the first volume, More Songs And Ballads Of Ireland is another fabulous volume of traditional music from the Emerald Isle! It encompasses every style and type of Irish song to form a well rounded and versatile selection to enliven any sing-song, hooley or traditional session. This second collection of forty songs contains the complete words, music and guitar chords for each piece. Featured songs include: A Bunch of Thyme, The Wild Rover, Raglan Road and the ever popular Sally Gardens.

(Progressive Repertoire, Volume 4). By Various. Arranged by Collectif. For guitar solo. 3. 40 pages