Fascinating Rhythm Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By George Gershwin and Ira Gershwin. Arranged by John Whitney. Orchestra. For fu...(+)
By George Gershwin and
Ira Gershwin. Arranged by
John Whitney. Orchestra.
For full
(xylophone/bells/cabasa
or afuche, timp,
snare/2toms/bass,
suscym/ridecym,
hi-hat/triangle). Full
Orchestra; Masterworks;
Part(s); Score. Pop
Concert Full Orchestra.
Light Concert; Masterwork
Arrangement; Pop;
Standard. Grade 4. 228
pages. Published by
Alfred Music Publishing
Fascinating Rhythm Orchestre [Conducteur] - Intermédiaire Alfred Publishing
By George Gershwin and Ira Gershwin. Arranged by John Whitney. Orchestra. Full O...(+)
By George Gershwin and
Ira Gershwin. Arranged by
John Whitney. Orchestra.
Full Orchestra;
Masterworks; Score. Pop
Concert Full Orchestra.
Light Concert; Masterwork
Arrangement; Pop;
Standard. Grade 4. 28
pages. Published by
Alfred Music Publishing
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert
Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score
and
Parts. Composed by Johan
De
Meij. Amstel Music.
Concert.
Softcover. Duration 2580
seconds. Amstel Music
#AM200-
010. Published by Amstel
Music
Orchestra (Study Score) SKU: HL.49045924 Opera in 3 Acts Study Score(+)
Orchestra (Study Score)
SKU: HL.49045924
Opera in 3 Acts Study
Score. Composed by
Erich Wolfgang Korngold.
This edition:
Hardback/Hard Cover.
Sheet music. Study Score.
Die tote Stadt war von
Anfang an ein
durchschlagender Erfolg.
Bei der Urauffuhrung 1920
war der Komponist
Korngold, der spater in
Hollywood Karriere als
Filmkomponist machte,
gerade einmal 23 Jahre
alt. Das Libretto, ein
vielschichtig
gebrochenes, morbide.
Classical, Opera.
Hardcover. Composed
1916-1919. Op. 12. 696
pages. Duration 8700
seconds. Eulenburg
Edition #ETP8113.
Published by Eulenburg
Edition (HL.49045924).
ISBN 9783795711764.
UPC: 888680949426.
8.0x10.5x1.8 inches.
German. Korngold -
Librettist: Paul Schott;
Author of Original Text:
Georges
Rodenbach.
This
masterpiece, composed by
Erich Wolfgang Korngold
when he was only 23, was
one of the great stage
successes of the 1920s
and 30s before being
removed from theatre
schedules by the National
Socialists. Rediscovered
in the 1970s, it has
enjoyed continuing
popularity ever since.
The libretto was compiled
by the composer's father,
the music critic Julius
Korngold, writing under
the pseudonym 'Paul
Schott', a combination of
the name of the
protagonist and the
publishing house. A
vivacious theatre group
comes to liven up the
gloomy city of Bruges
(here, a symbol of death)
and the widower Paul is
forced to decide between
the past and the present.
Korngold was fascinated
by this symbolic plot and
created an iridescent
orchestral score washed
in vivid colours. A
variety of operatic
devices are intermingled
as if viewed through a
kaleidoscope: opulent
melodic arias, advanced
harmonies, psychoanalytic
profundity and cinematic
transitions oscillating
between reality and dream
worlds guarantee the
continuing modernity of
this work up to the
present day.
Overture to the
Dramatic Poem Manfred by
Lord Byron - Urtext.
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Study
Score. 60 pages. Duration
11'. Breitkopf and
Haertel #PB 5546-07.
Published by Breitkopf
and Haertel
(BR.PB-5546-07).
ISBN
9790004213568. 6.5 x 9
inches.
Spiritual
AffinitiesSchumann had
already worked on Byron's
Manfred as a law student,
and the topic fascinated
him from that time on.
Perhaps he discovered a
spiritual affinity to
himself in the romantic
hero's inner conflict? In
any event, he decided on
a stage rendition of the
drama with incidental
music, an entirely new
genre that he had been
dreaming of for some time
already. He conducted the
overture - it dates from
1848 - for the first time
as a separate piece in
March 1852. In addition,
he followed the
preparations for the
first edition of the
complete performance
material very closely,
which was published by
Breitkopf in Leipzig that
same year. The Breitkopf
Urtext edition of the
Manfred Overture is based
on this first print of
the score and parts
revised by Schumann. At
the same time, this
edition also marks a new
chapter in the expansion
of the collection of
Schumann overtures that
have already been
published by Breitkopf
(to Hermann und Dorothea
op. 136, Szenen aus
Goethes Faust WoO 3 and
Genoveva op.
81).
Audiences
should be ready for
something new and unheard
of, wrote Robert Schumann
to Franz Liszt in late
1851, referring to the
world premiere of his
Dramatic Poem
Manfred.
The Bewitched Orchestre [Conducteur d'étude / Miniature] Schott
Orchestra (Study Score) SKU: HL.49033032 A Dance Satire Facsimile Stud...(+)
Orchestra (Study Score)
SKU: HL.49033032
A Dance Satire
Facsimile Study
Score. Composed by
Harry Partch. This
edition: Ring/Spiral
binding. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1954-1956. 192
pages. Duration 4800
seconds. Schott Music
#ED9354. Published by
Schott Music
(HL.49033032).
ISBN
9790001130554. UPC:
888680942229.
8.25x11.5x0.462 inches.
English.
Fascinated
by the idea that there
could be an omniscient
witch, Partch wrote these
ten scenes for a singer
and ensemble. The
musicians and their
movements are part of the
plot in which people are
freed from various
problems by a witch. Most
of the required
instruments and the sound
system used were
developed by Partch
itself.
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.
Cello; Orchestra (Study Score) SKU: HL.48024646 Cello and Orchestra St...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.48024646
Cello
and Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Chamber Music.
Classical, Russian.
Softcover. 104 pages.
Duration 2100 seconds.
Boosey & Hawkes
#M060134852. Published by
Boosey & Hawkes
(HL.48024646).
ISBN
9781784544041. UPC:
888680949105.
7.25x10.25x0.363
inches.
New
edition, with preface by
Gerard McBurney. The work
was composed in 1933-38
for one of the greatest
cellists of the 20th
century, Gregor
Piatigorsky. McBurney
explains that, somehow
this concerto had come to
seem jinxed to the
composer. And when, in
1947, he heard it in
Moscow once again, this
time played by the young
Mstislav Rostropovich, he
decided to recast it
(albeit using much of the
same material) as an
entirely new piece, the
Sinfonia Concertante, op
125. The earlier version
never entirely
disappeared, however,
with a scattering of
cellists always
preferring it to the
later one. And in recent
years, it has found new
favor and new champions,
its spectacularly
difficult cello writing
and virtuosic orchestral
effects offering a
brilliance, pungency and
fascination all of their
own..
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.
Orchestra SKU: HL.14010856 Composed by Manuel de Falla. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14010856
Composed
by Manuel de Falla. Music
Sales America. Classical.
Score. Composed 2002.
Chester Music #CH61022.
Published by Chester
Music (HL.14010856).
ISBN 9780711960879.
0.575
inches.
Fuego Fatuo has
an interesting history.
Manuel De Falla
(1876-1946), often
regarded as the greatest
Spanish composer of the
20th century, wanted to
write an opera based
around themes from
Chopin, whomhe greatly
admired. The stage work
was never finished;
however, several attempts
have been made to arrange
the work for orchestra,
most successfully by the
Catalan conductor
Antoni
Ros-Marba.
Des
pite its history,this
orchestral suite is far
from being a mere
mish-mash of Chopin
melodies; it is more of a
meditation on Chopin's
work in general, with the
focus on the harmonic and
textural elements which
De Falla drew
from his work.It forms a
fascinating insight into
the mind of a great
musician.
Tempus Fugit Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024683 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024683
Orchestra Study
Score. Composed by
Magnus Lindberg. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060135880. Published by
Boosey & Hawkes
(HL.48024683).
ISBN
9781784545062. UPC:
888680952570. 8.25x11.75
inches.
TEMPUS
FUGIT was commissioned to
celebrate the centenary
of Finnish independence
on 6 December 2017 and it
received its first
performance in Helsinki
on that day, given by the
Finnish Radio Symphony
Orchestra.
The
composer says that
“if you translate
TEMPUS FUGIT as 'Time
Flies', you could say
that Finland has
travelled a long way
already -but 100 years is
a short time-span, and
living as a human in this
part of the world started
long ago and, we hope,
will continue
formillennia to come.
This relates to my
fascination with Bernd
Alois Zimmermann's
concept of spherical time
- that the past, the
present and the future
are continuously linked
and within reach. You can
also examine the
inter-connection of
musical time in the
earlier works of
Stockhausen such as
Kontakte and Gruppen
which had a big impact on
me as a young composer. A
translation of TEMPUS
FUGIT that I prefer is
'Time in Flight',
offering the idea that
time escapes from us but
bequeaths a tangible
residue, rather like
aplane travelling towards
the distance but leaving
a visible vapour
trail.” This
30-minute score is a
major addition to the
orchestral repertory.
ISBN
9790006574926. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text:
Simon-Joseph
Pellegrin.
Rameauâ
€™s “Hippolyte
et Aricieâ€
showcases great
confusions amongst nymphs
and gods. The opera
represents a fascinating
masterpiece of a Baroque
“Tragdie en
musique†by the
French composer. This
edition of the
“Symphoniesâ€
includes all of the
purely instrumental
numbers of the opera in
their various versions.
The contents provides an
overview of the movements
according to keys so that
an effective suite can be
easily compiled for a
concert performance. The
expressive and diverse
music encompasses some of
Rameau’s most
popular instrumental
works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 3 SKU: AP.35990S Composed by Richard Meyer. Full Orches...(+)
Orchestra - Grade 3
SKU: AP.35990S
Composed by Richard
Meyer. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form:
Overture. Score. 36
pages. Highland/Etling
#00-35990S. Published by
Highland/Etling
(AP.35990S).
UPC:
038081411323.
English.
Before
writing the piece, Mr.
Meyer asked members of
the Pasadena Youth
Symphony Orchestra to
compose original themes
of their own. Four of
these themes were chosen,
and then woven together
by the composer. The
result is a fascinating
and high-spirited
overture that explores a
myriad of emotions. With
brief solos for trombone,
trumpet, and violin, this
piece is sure to hold the
interest of all of your
students---after all, it
was written with the help
of their peers!
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 322 pages.
Published by Alfred
Publishing.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jon...(+)
Facade Entertainments by
William Walton
(1902-1983). Arranged by
David Lloyd-Jones.
Narrator, flute (
piccolo), clarinet (
bass clarinet), alto
saxophone, trumpet in C,
percussion, cello (1-2
players); Percussion:
snare drum, cymbal,
triangle, Chinese block,
castanets, tambourine,
jingles). Scores. William
Walton Edition. Walton
Edition. Full score. 272
pages. Duration 50'.
Published by Oxford
University Press
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 4 SKU: AP.40486S From Piano Concerto No. 14, KV 447<...(+)
Orchestra - Grade 4
SKU: AP.40486S
From Piano Concerto
No. 14, KV 447.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Robert Sieving.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 16 pages.
Highland/Etling
#00-40486S. Published by
Highland/Etling
(AP.40486S).
UPC:
038081457673.
English.
Alfred
Einstein, the eminent
musicologist, declared
this piano concerto to be
Mozart's most
characteristic creation .
. . the peak of all his
instrumental achievement.
The span of these amazing
works provides a view of
the fascinating journey
from a great talent to
pure genius. Unlike most
of the Middle Concertos,
Mozart considered this
selection to be a chamber
work, where spare
instrumentation, and, in
the case of the Andantino
movement, a religious
air, exhibit similarities
to some choral works,
like Ave Verum Corpus.
This arrangement allows
the eloquent melodic
themes to be shared by
all sections, requiring
attention to detail and
sensitive phrasing. This
title is available in
MakeMusic Cloud.
The Elements Orchestre [Conducteur] - Intermédiaire Highland/Etling
Orchestra - Grade 4 SKU: AP.46713S Composed by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 4
SKU: AP.46713S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 36
pages. Highland/Etling
#00-46713S. Published by
Highland/Etling
(AP.46713S).
ISBN
9781470660994. UPC:
038081535395.
English.
The
Elements by Richard Meyer
is a colorful depiction
of the four basic
elements---Earth, Air,
Water, and Fire---and is
sure to challenge and
delight every member of
your advanced string
orchestra.
Impressionistic harmonies
and fascinating rhythmic
nuances give this piece
an other-worldly feel
with each element coming
alive as a unique and
wondrous tone painting.
Technical challenges
include 5/4, 9/8, and 7/4
meters and a refreshing
variety of diverse key
signatures and modes.
This title is available
in MakeMusic Cloud.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Orchestra - Grade 3 SKU: AP.40465S Composed by Michael Senturia. Performa...(+)
Orchestra - Grade 3
SKU: AP.40465S
Composed by Michael
Senturia. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Variations. Score. 20
pages. Highland/Etling
#00-40465S. Published by
Highland/Etling
(AP.40465S).
UPC:
038081451367.
English.
Here is an
ideal way to introduce
young string players to
simple, yet endlessly
fascinating Baroque
variation technique.
Above a stately bass line
appears a series of
contrasting textures,
each requiring a
different bowing
technique. And at the
end, there is a quick
romp, itself also a
variation!
Tales of Vandosar Orchestre [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
Composed by Richard Meyer. Orchestra. For full (timp, bells/xylophone, Suspended...(+)
Composed by Richard
Meyer. Orchestra. For
full (timp,
bells/xylophone,
Suspended Cymbal, Crash
Cymbals, Triangle, Snare
Drum, Tambourine,
Castanets). Full
Orchestra; Part(s);
Score. Highland Full
Orchestra. Form:
Overture. Grade 3. 220
pages. Published by
Highland/Etling
Orchestra (Study Score) SKU: HL.49044525 Opera in One Act - Study Scor...(+)
Orchestra (Study Score)
SKU: HL.49044525
Opera in One Act -
Study Score. Composed
by Huw Watkins. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Wenn wir den
Ausgangspunkt von Thomas
Hardy Geschichte
betrachten, fuhlen wir
uns in die Gegenwart, zu
einem heutigen Blick auf
die Novelle
transportiert. Diese
Sicht verdeutlicht,
welche Macht der
menschliche Geist uber
die Handlungen einer
Person hat. E. Classical,
Contemporary, Opera.
Softcover. Composed
2011-2012. 156 pages.
Duration 45'. Schott
Music #ED13780. Published
by Schott Music
(HL.49044525).
ISBN
9790220135569. UPC:
888680080495.
8.25x11.75x0.388 inches.
English.
Taking
Thomas Hardy's short
story as its starting
point, we are transported
to the present for a
contemporary take on the
novella which explores
the power the mind can
have over that person's
actions. A closed door
sparks an obsession so
strong that the
boundaries between
reality and fantasy begin
to blur.Ella and her
high-finance husband
Stephen rent a room in a
holiday home on the
coast, owned by Susan.
Ella discovers that a
locked room in the house
is rented by a poet - Ben
Pascoe - whose work holds
a deep fascination for
her. The room is held for
Pascoe, though he visits
rarely.Ella's obsession
with Pascoe grows in
parallel with the
progress of Stephen's
biggest City deal. She
begins by imagining the
poet's voice as she reads
his work, but this
quickly grows to
fantasised encounters
with Pascoe in his locked
room. Stephen returns
from the City and makes
love to Ella, but it is
not him she wishes for.
We see the real Pascoe
only once, with Susan.As
Stephen's financial
dreams are realised and
Ella's fantasy consumes
her, she learns of
Pascoe's death. Despite
her changed
circumstances, Ella
chooses to stay in her
new world.
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Score. Belwin Classic
Band. TV. Grade 5. 88
pages. Published by
Belwin Music