Sinfonia in F by Antonio Vivaldi (1678-1741). Arranged by Steven Frackenpohl. Score and Parts. Music for String Orchestra. Grade 3-4. Published by Hal Leonard

String Orchestra

SKU: BT.EMBZ14407

By László Zempléni. By Peter Ilyich Tchaikovsky. EMB Leggierissimo. Educational Tool. Book Only. Composed 2004. 116 pages. Editio Musica Budapest #EMBZ14407. Published by Editio Musica Budapest (BT.EMBZ14407).

Hungarian-English-Germ an-French.

This volume in Leggierissimo series contains character pieces and dances, most of them transcriptions of piano pieces, though they also include excerpts from the ballets Swan Lake, The Nutcracker and The Sleeping Beauty.

This volume in the Leggierissimo series contains character pieces and dances, most of them transcriptions of piano pieces, though they also include excerpts from the ballets Swan Lake, The Nutcracker and The SleepingBeauty.Instru mentation: 3 vl1, 3 vl2, 3 vl3, 2 vlcThe Leggierissmo series - growing repertoire for children's and youth string orchestras (position 1)

Die Leggerierissmo-Rei he von Editio Musica Budapest umfasst Stücke, mit und an welchen Kinderstreichorchester wachsen können. Jede Ausgabe ist in der ersten Lage spielbar und enthält Partitur und Stimmen (Violine 3 entspricht Viola).Die Ausgabe Tchaikovsky: Dreizehn leichte Stücke enthält Charakterstücke und Tänze, die meisten davon ursprünglich für Klavier geschreiben, aber auch Auszüge aus Schwanensee, dem Nussknacker und Dornröschen. Enthaltene Stimmen: 3x Violine 1, 3x Violine 2, 3x Violine 3, 2x Cello.

La collection Leggiero & Leggierissmo proposée par Editio Musica Budapest est une édition enrichie de pièces pour Orchestre Cordes Junior, dans un arrangement de degré de difficulté facile. Elle comprend des œuvres de compositeurs classiques et contemporains ainsi que des transcriptions de pièces faciles. La possibilité de substituer la partie d'alto par un 3e violon facilite l'interprétation des morceaux. Ces arrangements, qui favorisent l'acquisition d'une expérience musicale complète, sont l'œuvre des meilleurs pédagogues et compositeurs. Les annotations figurent en langue française. Le recueil Tchaikovsky: Treize Etudes Légères contient des piècesde caractère et des danses, transcrites pour orchestre cordes junior, mais également des extraits du Lac des Cygnes, Casse-Noisette, et La Belle au Bois Dormant.Instrumentati on: 3 vl1, 3 vl2, 3 vl3, 2 vlc.

String Orchestra

SKU: BT.EMBZ14629

By Lajos Vigh. By Arpad Pejtsik, Edward Elgar, and Lajos Vigh. EMB Leggiero. Educational Tool. Book Only. Composed 2008. 164 pages. Editio Musica Budapest #EMBZ14629. Published by Editio Musica Budapest (BT.EMBZ14629).

Between 1917 and 1931 Ottorino Respighi harmonized and instrumented twelve works from the 16th- and 17th-century Italian and French lute literature and arranged the pieces into three 4-movement suites, under the title Antiche danze ed arie. He instrumented the first suite for chamber orchestra, the second for symphony orchestra and the third for strings. He also published six of the twelve movements in a piano arrangement. This publication in the Leggiero series is a 5-movement selection from the three suites, in making this free transcrip-tion, Árpád Pejtsik took account of both the orchestral and the piano versions. The level of difficulty of the works corresponds to thegeneral demands of the series. The viola part may also be played on a third violin.

Ottorino Respighi harmonisierte und instrumentierte zwischen 1917-1931 zwölf Werke aus der italienischen und französischen Lautenliteratur des 16. und 17. Jahrhunderts. Er ordnete dann die Stücke unter den Namen: Antiche danze ed arie in drei jeweils viersätzige Suiten. Die erste Suite instrumentierte er für Kammerorchester, die zweite für ein Sinfonieorchester und die dritte für Streicher. Von den zwölf Sätzen gab er sechs auch als Klavierfassung heraus. Die in der Leggiero-Serie erscheinende Edition bildet eine fünfsätzige Auswahl aus den drei Suiten. Bei der freien Bearbeitung berücksichtigte Árpád Pejtsik sowohl die orchestrale als auch die Klavierversion. DerSchwierigkeitsgrad der Stücke stimmt mit den allgemeinen Anforderungen der Serie überein. Die Bratschenstimme kann auch von einer dritten Geigenstimme gespielt werden.

String Orchestra

SKU: BT.EMBZ14570

Für Kinderstreichorchester. By András Soós. By László Zempléni. EMB Leggierissimo. Educational Tool. Book Only. Composed 2007. 128 pages. Editio Musica Budapest #EMBZ14570. Published by Editio Musica Budapest (BT.EMBZ14570).

Hungarian-English-Germ an-French.

Followin g the Renaissance volume, this time it is Baroque works (more precisely, transcriptions of Baroque vocal and instrumental works) that are presented in the Leggierissimo series, extending the repertoire of junior string orchestras. Roughly half of the selection consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Pi ces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with such unusual items as Polish, German and Hungarian dancesfrom 17th- and 18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi s music book.

Nach dem Renaissance-Band erscheint die Leggierissimo-Serie nunmehr mit Barockwerken (genauer: mit Transkriptionen nach vokalen und instrumentalen Barockwerken), die das Repertoire der Kinderstreichorchestern erweitert. Etwa die Hälfte der Sammlung machen die Stücke der allgemein bekannten Werke der größten Komponisten der Epoche (H. Purcell: Dido und Aeneas, J. Ph. Rameau: Pi ces de clavecin, G. F. Händel: Wassermusik, Feuerwerksmusik, J. S. Bach: Partita B-Dur, Ouverture C-Dur) aus. Es kommen in ihr aber auch Stücke von heute weniger bekannten Komponisten (G. Böhm, J. C. F. Fischer u.a.), daneben als Besonderheit polnische, deutsche und ungarische Tänze aus dem 17. und 18.Jahrhundert aus dem Kájoni- und Vietórisz-Kodizes und aus dem Notenbuch der Eleonora Lányi vor.

String Orchestra

SKU: BT.F-80171

Composed by Peter Ilyich Tchaikovsky. Set (Score & Parts). Forberg Edition #F 80171. Published by Forberg Edition (BT.F-80171).

Divertimenti in D major K. 136 (125a) - Divertimenti in B-flat major K. 137 (125b) - Duvertimenti in F major K. 138 (125c). By Wolfgang Amadeus Mozart. Edited by F!Ssl, Karl H. For String orchestra. Score; Urtext Edition. Published by Baerenreiter-Ausgaben (German import).

String Orchestra

SKU: BT.EMBZ14606A

Serie für Jugendorchester. Composed by Daniel Csengery. EMB Leggiero. Educational Tool. Book Hardcover. Composed 2008. 176 pages. Editio Musica Budapest #EMBZ14606A. Published by Editio Musica Budapest (BT.EMBZ14606A).

Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.

Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.

By Steve Barri, P.F. Sloan. Arranged by Larry Moore. (Score & Parts). Easy Pops Specials For Strings. Published by Hal Leonard

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String Orchestra. Softcover. Ricordi #PR1418. Published by Ricordi (HL.50600147).

(Gammal F�¤bodpsalm Dalarna). Arranged by Robert Sieving. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Folk; Multicultural. Grade 3. 78 pages. Published by Highland/Etling

String orchestra

SKU: M2.MOS-40064-70

Composed by Roman Hoffstetter. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40064-70. Published by Möseler Verlag (M2.MOS-40064-70).

ISBN 9790203742647.

Die Frage der Autorschaft von Haydns Quartetten op. 3 beschaftigt die Musikwissenschaft seit Mitte des neunzehnten Jahrhunderts. Nahezu alle fuhrenden Haydn-Forscher haben sich zu diesem Thema geaussert. Inzwischen ist man sich weitgehend einig, dass Roman Hoffstetter der Autor ist. Angesichts der Quellenlage ist aber auch diese Erkenntnis nicht unumstosslich, denn es fehlen unanfechtbare Beweise. - Das vorliegende Quartett F-dur (Haydns op. 3,5 bzw. Hob. III:17) ist um 1775 entstanden. Wegen seines volkstumlichen zweiten Satzes, Andante cantabile, ist das Werk auch unter dem Beinamen Serenaden-Quartett oder Quartett mit der Serenade bekannt geworden.

String Orchestra

SKU: BT.EMBZ14411

Partitur und Stimmen. Composed by Edvard Grieg. EMB Leggierissimo. Educational Tool. Book Only. Composed 2005. 102 pages. Editio Musica Budapest #EMBZ14411. Published by Editio Musica Budapest (BT.EMBZ14411).

Hungarian-English-Germ an-French.

The latest volume in this popular series contains little character pieces and dances (Heroic ballad, Lullaby, Peasant song, Religious song, The Suitor's song, Solveig's song, Peasant dance, etc.), most of which are transcriptions of piano pieces. As in the case of the other volumes in the Leggierissimo series, these works scored for a junior orchestra consisting of 1st, 2nd and 3rd violin and cello can be played in the first position.

Der neueste Band der beliebten Serie beinhaltet kleine Charakterstücke und Tänze (Heroischer Gesang, Wiegenlied, Bauernlied, Religiöser Gesang, Lied des Freiers, Solveigs Lied, Dorftanz usw.), die in ihrer Mehrheit Übertragungen von Klavierstücken darstellen. Wie bei anderen Stücken der Leggierissimo-Serie lassen sich die Werke für ein mit 1., 2., 3. Violine und Cello besetztes Kinderorchester in der ersten Lage spielen.

String Orchestra

SKU: BT.EMBZ14468

Partitur und Stimmen. Composed by Franz Schubert. EMB Leggiero. Educational Tool. Book Only. Composed 2006. 112 pages. Editio Musica Budapest #EMBZ14468. Published by Editio Musica Budapest (BT.EMBZ14468).

English-German-Hungari an.

The Scubert volume now appearing in the Leggiero series gives a varied picture of the dances of the first third of the 19th century. These include waltzes, galops, minuets, ländler, sentimental waltzes, a series of écossaises, and Wiener Deutsche. The dances, although typical, are individual in character. The range of the violin parts does not go beyond the third position or that of the cello part beyond the fourth position. The viola may be replaced by a third violin section, so the part is provided in both an alto and treble clef version. The material also includes an ad libitum double-bass part.

Der neue Schubert-Band der Reihe Leggiero bietet ein vielfältiges Bild über die Tänze im ersten Drittel des 19. Jahrhundert. Es kommen hier Walzer, Galopp, Menuett, Ländler, sentimentale Walzer, Ecossaise und Wiener Deutsche vor. Obwohl die Tänze für die Zeit typisch sind, sind siedennoch individuell. Der Tonumfang der Violinen überschreitet die 3. Lage, der des Violoncello den 4. Lage nicht. Die Bratsche kann durch eine 3. Violine ersetzt werden, deshalb wird diese Stimme sowohl mit Altschlüssel, als auch mit Violinschlüssel publiziert. Eine Kontrabass-stimme ad libitum ergänzt das Stimm-Material.

String orchestra

SKU: M2.MOS-10014-70

Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Set of string parts. Möseler Verlag #MOS 10014-70. Published by Möseler Verlag (M2.MOS-10014-70).

ISBN 9790203735670.

Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.

String Orchestra

SKU: BT.EMBZ14335

By László Zempléni. By Franz Schubert. EMB Leggierissimo. Educational Tool. Book Only. Composed 2003. 108 pages. Editio Musica Budapest #EMBZ14335. Published by Editio Musica Budapest (BT.EMBZ14335).

The material of this volume consists of the dances most popular in Vienna at he beginning of the 19th century: ländler, écossaises and German dances. They were originally piano pieces, but were certainly performed on all sorts of instruments at social gatherings and in public places of entertainment. This transcription for children's orchestra of these miniature compositions is a modern continuation of the old tradition of their 'transcription'.

Die Leggerierissmo-Rei he von Editio Musica Budapest umfasst Stücke, mit und an welchen Kinderstreichorchester wachsen können. Jede Ausgabe ist in der ersten Lage spielbar und enthält Partitur und Stimmen (Violine 3 entspricht Viola).Die Ausgabe Schubert: Tänze enthält Tänze, die im Wien des beginnenden 19. Jahhunderts sehr beliebt waren: Ländler, Écossaises und Deutsche Tänze. Enthaltene Stimmen: 3x Violine 1, 3x Violine 2, 3x Violine 3, 2x Cello.

La collection Leggiero & Leggierissmo proposée par Editio Musica Budapest est une édition enrichie de pièces pour Orchestre Cordes Junior, dans un arrangement de degré de difficulté facile. Elle comprend des œuvres de compositeurs classiques et contemporains ainsi que des transcriptions de pièces faciles. La possibilité de substituer la partie d'alto par un 3e violon facilite l'interprétation des morceaux. Ces arrangements, qui favorisent l'acquisition d'une expérience musicale complète, sont l'œuvre des meilleurs pédagogues et compositeurs. Les annotations figurent en langue française. Le recueil Schubert: Danses rassemble des danses les pluspopulaires Vienne au début il du 19ème siècle. Pièces de musique festive écrites l'origine pour piano, elles ont été interprétées par de nombreux instruments. Transcrites présent pour orchestre cordes junior, ces miniatures raviront musiciens et auditoire.Instrumentation : 3 vl1, 3 vl2, 3 vl3, 2 vlc.

Orchestra strings - beginner

SKU: KJ.SO336F

Composed by Raymond Brown. Arranged by Raymond Brown. Score. Neil A. Kjos Music Company #SO336F. Published by Neil A. Kjos Music Company (KJ.SO336F).

UPC: 8402704167.

Into the Dragon's Den focuses on playing F-sharps and F-naturals, and helps students become more comfortable with 2-note slurs. The piece centers around E minor, offering the perfect mood for the subject: confronting difficult things and handling fear. As Mr. Brown mentions in his program notes, Like the brave knight [heading into the dragon's den], beginning string students have to venture into the dark unknown to confront F-natural. Approx. time - 2:30

Steps to Successful Literature presents exceptional performance pieces - concert and festival works for beginning to intermediate string orchestras. Each piece is correlated with a specific location in String BasicsTM Books 1 or 2. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometimes, a few new concepts are included and are officially introduced and defined in the score and parts. Each string orchestra work offers extended learning opportunities and briefly taps into one or more elements related to common core state standards.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

String Orchestra

SKU: BT.F-00001

Opus 35A. Composed by Anton Stepanovich Arensky. Score Only. Forberg Edition #F 00001. Published by Forberg Edition (BT.F-00001).

String Orchestra - advanced

SKU: BT.DHP-0930506-070

Composed by Jan Van der Roost. Arranged by Florent van den Vondel. Educational Tool. Set (Score & Parts). Composed 1993. 20 pages. De Haske Publications #DHP 0930506-070. Published by De Haske Publications (BT.DHP-0930506-070).

ISBN 9789043153843. International.

Riku dim (Hebrew for “Dances”) is a four-part dance suite based on Jewish music. By using eastern intervals and irregular time changes, the composer succeeds in creating a slightly melancholy but specifically Jewish flavoured piece.

Rikudim, das hebräische Wort für tanzen“, ist der Titel dieser vierteiligen Suite für Streichorchester von Jan Van der Roost. Durch den Gebrauch von unregelmäßigen Taktarten ist es dem Komponisten gelungen, in dieser Musik einerseits einen Hauch Melancholie, andererseits spezifisch jüdische Elemente miteinander zu verschmelzen.

Rikudim (de l’hébreu rikud, “danse”) est une suite de quatre danses originales inspirées de la musique traditionnelle juive. L’utilisation d’une structure tonale orientale, l’introduction de mesures irrégulières et la richesse sonore de l’orchestration apportent cette œuvre une teinte mélancolique mais surtout une grande authenticité. Les thèmes très inspirés sont clairement différenciés. L’harmonisation quelquefois surprenante sans jamais être dénaturée confère ces quatre danses originales juives une grande richesse d’expression.

By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, drums, piano). Score and parts. Duration 3 minutes, 06 seconds. Published by Carl Fischer

Orchestra string orchestra - Grade 1

SKU: KJ.SO213C

Composed by Richard Stephan and Robert Frost. Artistry in Strings. Score and parts. Neil A. Kjos Music Company #SO213C. Published by Neil A. Kjos Music Company (KJ.SO213C).

UPC: 8402701421.

The title refers to the 3rd degree of a scale, which refers to F-sharp and F-natural in Mr. Stephan's composition. Thirds A Plenty is in ternary form and all instruments have opportunities for melodic work. It is correlated with Artistry in Strings, Book I, Unit II.

About Artistry in Strings

Ar tistry in Strings is a groundbreaking string method that will be at home in your classroom or private studio. Its comprehensive approach contains all the basic tools necessary to establish solid technique and expressive music making. Artistry in Strings is a music educator's dream, combining a performance-centered approach with optional theory, composing, listening, assessment, and interdisciplinary and multi-cultural studies.

Authors Robert S. Frost, Gerald Fischbach, and Wendy Barden have combined their vast experience as educators to provide a string method that is well paced for all types of beginning string classes. Regardless of class frequency and duration, or class size and student age, Artistry in Strings will assist you to achieve superior results.

Orchestra string orchestra - Grade 1

SKU: KJ.SO206F

Composed by Robert Frost. Artistry in Strings. Score. Neil A. Kjos Music Company #SO206F. Published by Neil A. Kjos Music Company (KJ.SO206F).

This Frost original features 3/4 time and focuses on f-sharps and f-naturals. A perfect piece to reinforce the necessary finger patterns while preparing for performance.

About Artistry in Strings

Ar tistry in Strings is a groundbreaking string method that will be at home in your classroom or private studio. Its comprehensive approach contains all the basic tools necessary to establish solid technique and expressive music making. Artistry in Strings is a music educator's dream, combining a performance-centered approach with optional theory, composing, listening, assessment, and interdisciplinary and multi-cultural studies.

Authors Robert S. Frost, Gerald Fischbach, and Wendy Barden have combined their vast experience as educators to provide a string method that is well paced for all types of beginning string classes. Regardless of class frequency and duration, or class size and student age, Artistry in Strings will assist you to achieve superior results.

(Arranged for String Orchestra Score). Composed by Alfred Schnittke (1934-1998). Arranged by Jolán Berta. For String Orchestra (Score). Ensemble. Softcover. 36 pages. Sikorski #SIK1749. Published by Sikorski (HL.50499714)

By George Frideric Handel. Edited by George Megaw. Arranged by Paul Paradise. Orchestra. 116 pages. Published by Belwin.

Orchestra String Orchestra - medium easy

SKU: CF.CAS36

Composed by Traditional. Arranged by Roy Phillippe. Carl Fischer Concert String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS36. Published by Carl Fischer Music (CF.CAS36).

ISBN 9780825863646. UPC: 798408063641. 8.5 X 11 inches. Key: F major.

A warm and richly scored setting of the popular Christmas carol Bring a Torch Jeanette, Isabella, this full sounding arrangement will greatly enrich seasonal programming. Roy Phillippe has employed a broad palette of harmonic and instrumental colors to craft a memorable holiday selection.
Bring a Torch is a lovely Christmas carol. Using techniques such as suspensions, re-harmonization and modulations, my goal is to provide an interesting showcase for this familiar melody. the introduction in F major features sustained violins with a pattern of moving eighth notes in the violas and cellos. This pattern recurs throughout the piece. The first statement of the melody is in the first violins. The second violins supply harmonic support along with the viola/cello pattern. Measures 13-29 feature a section of tutti chordal playing. Measure 30 crescendos into the modulation to D major at m. 32. Here, the dynamic is forte, and the viola/cello pattern returns. At m. 40, the violas and cellos have the melody with violin accompaniment. A crescendo begins at m. 44 and builds to fortissimo at m. 48, featuring a modulation to G major. At this point the melody should soar. A descrescendo at m. 60 is followed by a ritard at m. 64. The final four measures are in the original tempo ending on a tutti chord.Careful attention to dynamics, especially in the accompanying parts, will result in a fine performance.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians