Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Electric Viola (or 5 String Violin) & Concert Band SKU: SU.26030041 Fo...(+)
Electric Viola (or 5
String Violin) & Concert
Band
SKU:
SU.26030041
For
Electric Viola (or 5
String Violin) & Concert
Band. Composed by
Martha Mooke. Concert
Band/Wind Ensemble,
Strings, Viola. Electric
Viola, Electric Violin.
Set of Parts. Vener Music
Publishing #26030041.
Published by Vener Music
Publishing (SU.26030041).
Set of
PartsX-ING is the
intersection of sound
worlds at a crossing of
stylistic boundaries. The
three movements
characterize three X-ING
concepts: 1. Pegasus
X-ING, 2. X-ING Over, 3.
Double X-ING.Electric
Viola (or 5 string
Violin);
4fl,2ob,eh,2cl,bcl;
asx,tsx,bari;
4tpt,4hn,2tbn,btbn,euph,t
ba; 6perc,hp; cb
Duration: 15' Composed:
2017 Published by: Vener
Music Publishing (ASCAP)
Also available: Full
Score cat#26030040.
Electric Viola (or 5 String Violin) & Concert Band SKU: SU.26030040 Fo...(+)
Electric Viola (or 5
String Violin) & Concert
Band
SKU:
SU.26030040
For
Electric Viola (or 5
String Violin) & Concert
Band. Composed by
Martha Mooke. Concert
Band/Wind Ensemble,
Strings, Viola. Electric
Viola, Electric Violin.
Full Score. Vener Music
Publishing #26030040.
Published by Vener Music
Publishing (SU.26030040).
Full ScoreX-ING
is the intersection of
sound worlds at a
crossing of stylistic
boundaries. The three
movements characterize
three X-ING concepts: 1.
Pegasus X-ING, 2. X-ING
Over, 3. Double
X-ING.Electric Viola (or
5 string Violin);
4fl,2ob,eh,2cl,bcl;
asx,tsx,bari;
4tpt,4hn,2tbn,btbn,euph,t
ba; 6perc,hp; cb
Duration: 15' Composed:
2017 Published by: Vener
Music Publishing (ASCAP)
Also available: Set of
Parts cat#26030040.
200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
For Viola & Wind
Ensemble. Composed by
Frank Ezra Levy. Strings,
Viola, Woodwinds,
Woodwind Ensemble,
Concert Band/Wind
Ensemble. Score & Parts.
Seesaw Music Corp
#50501250. Published by
Seesaw Music Corp
(SU.50501250).
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS120F
Composed
by Bill Calhoun. Young
Performance Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS120F.
Published by Carl Fischer
Music (CF.YPS120F).
ISBN 9780825892530.
UPC: 798408092535. 9 x 12
inches.
Chant,
Chorale and Dance for
young band is composed of
three contrasting styles
as the title implies.
Along with its
baroque-like modal
harmonies, this work
provides the young
musician with ample
opportunities for
expressive and technical
development. It is the
perfect piece for concert
or contest
performances.
Morning Glory Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS123F
March. Composed by
Joseph Compello. Young
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS123F.
Published by Carl Fischer
Music (CF.YPS123F).
ISBN 9780825892592.
UPC: 798408092597. 9 x 12
inches.
Joseph
Compello gives us Morning
Glory, which is evocative
of some of the greatest
marches, but well with in
the capabilities of young
bands. It is harmonious,
with creative counter
lines in the low brass
and standard modulation
at the trio. Perfect for
a contest/festival
warm-up.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Scottish Bobber Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
By Larry Clark. Concert band/stage band. For Violin I, Violin II, Violin (Viola,...(+)
By Larry Clark. Concert
band/stage band. For
Violin I, Violin II,
Violin (Viola, Treble
Clef), Viola, Cello,
Double Bass, Piano. Carl
Fischer Performance
Series: For String
Orchestra. Level: very
easy. Score and parts. 8
pages. Published by Carl
Fischer.
Viola Concert Band SKU: HL.49000797 Viola Part. Composed by Richar...(+)
Viola Concert Band
SKU: HL.49000797
Viola Part.
Composed by Richard
Wagner. Sheet music.
Edition Schott.
Classical. Individual
part. 8 pages. Schott
Music #BSS 18469-43.
Published by Schott Music
(HL.49000797).
Symphony No. 5 by Beethoven, New World Symphony by Dvorak, 1812 Overture by Tcha...(+)
Symphony No. 5 by
Beethoven, New World
Symphony by Dvorak, 1812
Overture by Tchaikovsky -
Full Score. By Various.
Arranged by Joseph
Compello. Concert
band/stage band. For
Violin I, Violin II,
Viola (Treble Clef),
Viola, Cello, Double
Bass, Piano. Carl Fischer
First Plus String
Orchestra Performance
Series: Very Easy. Full
Score - Large. 8 pages.
Published by Carl
Fischer.
Christmas Rondo Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS125F
Composed
by Gene Milford. Young
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS125F.
Published by Carl Fischer
Music (CF.YPS125F).
ISBN 9780825892639.
UPC: 798408092634. 9 x 12
inches.
A joyous
arrangement of three
familiar Christmas
favorites is also a means
of introducing the rondo
form to your students.
Jolly Old Saint Nicholas
is the recurring rondo
A-theme, presented with
variation each time and
featuring different
sections of the band. The
contrasting B- and
C-themes are Deck the
Halls and Up on the
Housetop, providing the
maximum opportunity for
style and dynamic
contrast. A delightful
choice for your next
holiday concert.
Kilimanjaro Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Alan Lee Silva. String orchestra. For violin I, violin II, violin II...(+)
Composed by Alan Lee
Silva. String orchestra.
For violin I, violin II,
violin III (viola TC),
viola, cello, bass,
piano. Score and parts.
116 1 pages. Duration 1
minute, 48 seconds.
Published by Carl Fischer
Divertimento Orchestre d'harmonie - Intermédiaire Latham Music Enterprises
Concert Band Clarinet or Violin, Viola, Cello and Piano - Grade 3.5 SKU: AP.3...(+)
Concert Band Clarinet or
Violin, Viola, Cello and
Piano - Grade 3.5
SKU:
AP.36-52784001
For
Violin or Clarinet,
Viola, Cello and
Piano. Composed by
Anna Amalia. Arranged by
Lynne Latham. This
edition: Latham Music.
String Ensemble - Mixed.
LudwigMasters - Latham
Music. Score and Part(s).
Latham Music Enterprises
#36-52784001. Published
by Latham Music
Enterprises
(AP.36-52784001).
English.
Anna
Amalia of Prussia held
various titles during her
lifetime, including
Princess and Abbess of
Quedlinburg. Born in
Berlin, she was one of
ten surviving children of
the royal family of King
Frederick William I of
Prussia. Princess Anna
Amalia studied
harpsichord, piano and
counterpoint. Princess
Anna also founded a music
library collection, which
included autographed
scores of J.S. Bach and
other composers. This
collection still exists
today (Amalien
Bibliothek). This
two-movement Divertimento
in Bb Major has something
for everyone. The melodic
and secondary parts are
passed equally between
the instruments. The
piano part is quite
playable for a high
school student. It has
the character of a
conversation between
friends gathering for a
friendly afternoon tea.
This arrangement is
scored for piano quartet,
with a substitue clarinet
part in place of
violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Shepherd's Hey Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS121F
Arranged
by Andrew Balent. Young
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS121F.
Published by Carl Fischer
Music (CF.YPS121F).
ISBN 9780825892554.
UPC: 798408092559. 9 x 12
inches.
Band
conductors know of this
famous folk song because
of the popular setting by
band composing icon Percy
Grainger, but it has been
out of reach for young
bands... until now!
Andrew Balent has
arranged the delightful
tune in a setting that
works wonderfully for
young band.
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS124F
Composed
by Anthony Showalter.
Arranged by Carl
Strommen. Young
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS124F.
Published by Carl Fischer
Music (CF.YPS124F).
ISBN 9780825892615.
UPC: 798408092610. 9 x 12
inches.
This hymn
tune has been used in
movies and television,
most notably in the
soundtrack of the film
True Grit. Carl Strommen
brings us a lush and
reverent treatment of the
Anthony Showalter hymn
that will encourage the
musical growth of your
ensemble. Stunningly
beautiful!
Veni, Veni, Emmanuel Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Michael John Trotta. Folio. Score and part(s). 82 Cover pages. Du...(+)
Composed by Michael John
Trotta. Folio. Score and
part(s). 82 Cover pages.
Duration 3 minutes, 18
seconds. Carl Fischer
Music
#YAS198. Published by
Carl
Fischer Music
Black Mast Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - G...(+)
Band Violin I, Violin II,
Violin III (Viola T.C.),
Viola, Cello, Bass, Piano
- Grade 2
SKU:
CF.YPS122F
Composed
by Peter Terry. Young
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS122F.
Published by Carl Fischer
Music (CF.YPS122F).
ISBN 9780825892578.
UPC: 798408092573. 9 x 12
inches.
Black Mast
conjures images of a
dramatic life on the high
seas in the service of a
pirate captain and crew,
and is also Peter Terry's
first work in the Carl
Fischer catalogue.
Allegro Spiritoso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Orchestra concert band - Grade 3-4 SKU: KJ.SOS1C Composed by Robert Frost...(+)
Orchestra concert band -
Grade 3-4
SKU:
KJ.SOS1C
Composed by
Robert Frost. Arranged by
Jean Baptiste Senaille.
Score and parts. Neil A.
Kjos Music Company
#SOS1C. Published by Neil
A. Kjos Music Company
(KJ.SOS1C).
UPC:
8402703965.
This
arrangement provides a
rich and energetic
accompaniment for the
virtuosic, yet accessible
solo part. The multiple
solo options of violin,
viola, or cello, are all
arranged in the key of D
Minor, thus using the
same accompaniment. Lots
of fantastic options
here!
Whitewater Orchestre d'harmonie [Conducteur] Faber Music Limited
Orchestra 12 Strings SKU: AP.12-0571518796 For Twelve Solo Strings...(+)
Orchestra 12 Strings
SKU:
AP.12-0571518796
For Twelve Solo
Strings. Composed by
Matthew Hindson. Full
Orchestra (Full Score);
Larger Works;
Masterworks; Performance
Music Ensemble. Faber
Edition. 20th Century;
Masterwork. Score. Faber
Music #12-0571518796.
Published by Faber Music
(AP.12-0571518796).
ISBN 9780571518791.
English.
Commission
ed by the Faber Music
Millennium Series, and
premiered by the BT
Scottish Ensemble in
London, May 2000. The
rushing waters of a river
are the central image of
this work, scored for
seven violins, two
violas, two cellos, and
bass. With a program
note. Duration ca. 18
minutes.
Hungarian Rondo Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4603-75 Arranged by Glover. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4603-75
Arranged by Glover.
Concert Band. Spotlight
Series. Audio recording
available separately
(item CL.WFR391).
Oversized, spiral-bound
score. Composed 2017.
Duration 5 minutes, 55
seconds. Opus III Wind
Orchestra Publications
#012-4603-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4603-75).
Composed by
Carl Maria von Weber for
solo viola with
orchestra, the Hungarian
Rondo has become a
standard repertoire
bassoon solo. This
edition offers a choice
of soloist, including
bassoon, bass clarinet,
euphonium, or tuba. The
band setting is carefully
arranged to require a
minimum of preparation
time, and is playable
with either full concert
band, or if accompanying
a soloist requiring
greater presence, just
woodwinds and horns. The
finale includes an ossia
part as well as the
original. An excellent
piece to feature a guest
artist or outstanding
soloist with your
band!
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments
Courage (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Harold Bennett. Arranged by Larry Clark. For concert band (part 1 - ...(+)
Composed by Harold
Bennett. Arranged by
Larry Clark. For concert
band (part 1 - flute,
clarinet in Bb / trumpet
in Bb, violin, part 2 -
clarinet in Bb / trumpet
in Bb, alto saxophone in
Eb, oboe / violin, part 3
- clarinet in Bb / tenor
saxophone in Bb, alto
saxophone in Eb, horn in
F, violin, viola, part 4
- tenor saxophone).
Flexible Band Series.
Score and parts. Duration
2 minutes, 18 seconds.
Published by Carl Fischer
By Gustav Mahler (1860-1911). Arranged by Paul Brantley. For 2 violins, viola, 2...(+)
By Gustav Mahler
(1860-1911). Arranged by
Paul Brantley. For 2
violins, viola, 2 cellos.
Chamber Music. Score and
parts. Duration 17
minutes. Published by
Bill Holab Music
King Cotton Orchestre d'harmonie [Conducteur] Theodore Presser Co.
By John Philip Sousa. Arranged by Frederick Fennell. Concert Band. For Piccolo, ...(+)
By John Philip Sousa.
Arranged by Frederick
Fennell. Concert Band.
For Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Alto Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Trumpet I, Trumpet II,
Horn I, Horn II, Horn
III, Horn IV, Tenor I,
Tenor II, Tenor III,
Euphonium, Tuba,
Contrabass, Kettle Drums,
Bells, Triangle, Snare
Drum, Field Drum, Cymbal,
Bass Drum, Violin I,
Violin II, Viola, Cello.
Condensed Score.
Published by Theodore
Presser Company.
Composed by Larry Clark. For concert band (part 1 - flute, clarinet in Bb / trum...(+)
Composed by Larry Clark.
For concert band (part 1
- flute, clarinet in Bb /
trumpet in Bb, violin,
part 2 - clarinet in Bb /
trumpet in Bb, alto
saxophone in Eb, oboe /
violin, part 3 - clarinet
in Bb / tenor saxophone
in Bb, alto saxophone in
Eb, horn in F, violin,
viola, part 4 - tenor
saxophone). Flexible Band
Series. Score and parts.
Duration 3 minutes, 56
seconds. Published by
Carl Fischer
Sea Shanty Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Excelcia Music Publishing
Concert Band Concert Band - Grade 2.5 SKU: XC.FCB2106 Four Sea Shantie...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
XC.FCB2106
Four
Sea Shanties.
Composed by Various.
Arranged by Tyler Arcari.
Flexible Concert Concert
Band. Flexcel Concert
Works. Contest/Festival.
Contest/Festival. Score
and set of parts.
Excelcia Music Publishing
#FCB2106. Published by
Excelcia Music Publishing
(XC.FCB2106).
UPC:
812598038644. 9 x 12
inches.
Who would
have thought that sea
shanties would have
caused a huge social
media craze? These four
classic yet timely
shanties are scored in
full four-part-flex with
percussion and viola
world parts. These are
also perfectly suitable
for festival performance
in addition to the
countless other
applications of this fun
and energetic music!
Twelfth Night Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(A Musical Masque After Shakespeare). By Alfred Reed. Score and full set of part...(+)
(A Musical Masque After
Shakespeare). By Alfred
Reed. Score and full set
of parts. Hal Leonard
Concert Band Series.
Grade 4. Published by
E.B. Marks Music.
Galloping Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4
SKU:
MH.1-59913-064-5
Composed by William
Ryden. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 2:45. Published
by Manhattan Beach Music
(MH.1-59913-064-5).
ISBN
9781599130644.
I
wrote Galloping Ghosts (A
Ragtime March) to
conclude a concert of my
chamber music in New York
City on October 28, 1986.
It is the final part of a
work called Rags for
Divers Players. This work
was written to show the
variety possible within
the standard rag form. I
used all the players
available for the finale
-- two violins, viola,
cello, bass, flute, oboe,
clarinet, horn, bassoon,
and piano. Since this is
a rather unusual
instrumental combination
and not easy to
reassemble, I decided to
rescore the work for
concert band. Galloping
Ghosts is written in a
standard march form but
incorporates many of the
syncopations found in
ragtime. The uniquely
American music called
ragtime traces its
history to African
rhythms brought over by
slaves. Over the years
this music became welded
to European musical forms
such as the quadrille and
the march. Drums and
banjos and the minstrel
tradition lent a special
flavor, and from all
these elements ragtime
slowly evolved within the
largely unknown black
subculture of the late
19th century. In the late
1890's it emerged as a
fully developed form in
the classic piano solos
of Scott Joplin
(1869-1917). Joplin's
1899 hit, Maple Leaf Rag,
was an overnight
sensation and brought
ragtime worldwide fame.
Ensemble instrumentation:
1 Piccolo, 8 Flute 1 and
2, 2 Oboe, 1 Eb Clarinet,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 2 Eb Alto Clarinet, 3
Bb Bass and Bb Contrabass
Clarinet, 2 Bassoon 1 and
2, 2 Eb Alto Saxophone 1,
2 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Cornet 1, 3 Bb Cornet 2,
3 Bb Cornet 3, 2 Horn 1
and 2 in F, 2 Horn 3 and
4 in F, 4 Trombone 1 and
2, 4 Bass Trombone, 2
Baritone (B.C.), 2
Baritone (T.C.), 4 Tuba,
1 String Bass, 1 Timpani,
1 Xylophone, 3 Percussion
1, 3 Percussion 2.