Arranged by James Barnes. Arr. James Barnes. For Concert Band. Concert Band. Pop...(+)
Arranged by James Barnes.
Arr. James Barnes. For
Concert Band. Concert
Band. Pop Symphonic Band.
Movie. Conductor Score.
52 pages. Published by
Alfred Publishing.
Level: 4 (Medium)
(grade 4).
Arranged by James Barnes. Arr. James Barnes. For Concert Band. Concert Band. Pop...(+)
Arranged by James Barnes.
Arr. James Barnes. For
Concert Band. Concert
Band. Pop Symphonic Band.
Movie. Conductor Score
and Parts. 352 pages.
Duration 6:24. Published
by Alfred Publishing.
Level: 4 (Medium)
(grade 4).
By E.Y. "Yip" Harburg and Harold Arlen. Arranged by Michael Story. By E.Y. "Yip"...(+)
By E.Y. "Yip" Harburg and
Harold Arlen. Arranged by
Michael Story. By E.Y.
"Yip" Harburg and Harold
Arlen / arr. Michael
Story. For Concert Band.
Concert Band. Pop Young
Band. Movie. Level: 2
(Easy) (grade 2).
Conductor Score. 28
pages. Published by
Alfred Publishing.
By E.Y. "Yip" Harburg & Harold Arlen. Arranged by Michael Story. By E.Y. "Yip" H...(+)
By E.Y. "Yip" Harburg &
Harold Arlen. Arranged by
Michael Story. By E.Y.
"Yip" Harburg & Harold
Arlen / arr. Michael
Story. For Concert Band.
Concert Band. Pop Young
Band. Movie. Level: 2
(Easy) (grade 2).
Conductor Score & Parts.
250 pages. Duration 4:05.
Published by Alfred
Publishing.
The Wizard of Oz Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
By Harold Arlen, E.Y. "Yip" Harburg. Arranged by Ralph Ford. For Concert Band. C...(+)
By Harold Arlen, E.Y.
"Yip" Harburg. Arranged
by Ralph Ford. For
Concert Band. Concert
Band. Pop Beginning Band.
Movie. Level: 1 (Very
Easy) (grade 1).
Conductor Score. 36
pages. Published by
Alfred Publishing.
Voyage with the VOC Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-010 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-010
Composed by William Vean.
Set (Score & Parts). 36
pages. Gobelin Music
Publications #GOB
000834-010. Published by
Gobelin Music
Publications
(BT.GOB-000834-010).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails
along en A joyful
homecoming.
Di
e Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage
with the VOC verfolgt
ein Schiff vom Ablegen an
(1. Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Voyage with the VOC Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-140 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000834-140. Published by
Gobelin Music
Publications
(BT.GOB-000834-140).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails along
en A joyful
homecoming.
Die
Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage with
the VOC verfolgt ein
Schiff vom Ablegen an (1.
Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-340-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-340-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
340-010. Published by
Anglo Music Press
(BT.AMP-340-010).
9x12
inches.
English-German-French-Dut
ch.
Philip Sparke
entitled this descriptive
work in honour of
America’s natural
wonders with lines from
the hymn America the
Beautiful: O Beautiful
the Spacious Skies is
as light as a spring sky,
From Sea to Shining
Sea describes
calm,flowing and bubbling
waters, while in the
third movement, For
Purple Majestic
Mountains, the
glowing hues of the
mountains are set to
music.
Philip
Sparke ontleende de
titels van de drie delen
van dit progrmamatische
werk over Amerikas
natuurschoon aan regels
uit het lied America
the Beautiful: O
beautiful for spacious
skies is licht als een
lentehemel, From sea to
shining seaverklankt het
stromende water in beken,
rivieren en meren,
terwijl in het derde
deel, For purple mountain
majesties, beelden worden
opgeroepen van een
indrukwekkende
bergketen.
Philip
Sparke betitelte sein
deskriptives Werk zu
Ehren von Amerikas
Naturwundern mit Zeilen
aus dem Lied America
the Beautiful: O
Beautiful for Spacious
Skies ist leicht wie
ein Frühlingshimmel,
From Sea to Shining
Sea
beschreibtruhende,
fließende und
sprudelnde Gewässer,
während im dritten
Satz, For Purple
Mountain Majesties,
die Erhabenheit der
purpurrot leuchtenden
Berge vertont
ist.
Philip
Sparke ha intitolato la
sua opera descrittiva in
onore delle meraviglie
naturali
dell’America
rifacendosi a versi della
canzone America the
Beautiful. O Beautiful
the Spacious Skies
è leggera come il
cielo di primavera.
From Sea toShining
Sea descrive le acque
silenziose, i corsi
d‘acqua
zampillanti, mentre nel
terzo movimento della
sinfonia For Purple
Majestic Mountains,
viene tradotta in musica
la maestosit delle
montagne.
Arranged by Jack Bullock. Arr. Jack Bullock. For Concert Band. Concert Band. Bel...(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: Medium
(grade IV). Conductor
Score. 36 pages. Duration
5:57. Published by Alfred
Publishing.
Arranged by Jack Bullock. Arr. Jack Bullock. For Concert Band. Concert Band. Sym...(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Concert Band. Concert
Band. Symphonic Band.
Level: Medium (grade IV).
Conductor Score and
Parts. 302 pages.
Duration 5:57. Published
by Alfred Publishing.
All I Ask Of You Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1033362-140 From The Pha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1033362-140
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Festive and
Solemn Music. Score Only.
Composed 2003. De Haske
Publications #DHP
1033362-140. Published by
De Haske Publications
(BT.DHP-1033362-140).
Andrew Lloyd
Webber komponierte die
Musik zu einer Reihe
weltberühmter
Musicals. All I Ask Of
You ist ein Lied aus
dem Phantom der
Oper, dem Musical,
das auf die längste
Spielzeit von allen am
Broadway zurückblicken
kann. All I Ask of
You wurde aus gutem
Grund von zahlreichen
bekannten Stars gesungen
und mehrfach bearbeitet -
es spricht einfach jedes
Publikum unmittelbar an.
Peter Kleine Schaars
schrieb diese
gefühlvolle
Bearbeitung für
Blasorchester.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135408-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135408-140
Composed by James Horner
and Lalo Schifrin.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show.
Score Only. Composed
2013. 28 pages. De Haske
Publications #DHP
1135408-140. Published by
De Haske Publications
(BT.DHP-1135408-140).
9x12 inches.
English-German-French-Dut
ch.
The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top Gun,
Star Trek and
Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart, Mission:
Impossible, Star Trek
en Top Gun tot een
briljante medley.
Movie Main Theme
Miracles: niet alleen
voor filmliefhebbers een
lust voor het oor!
Die in Movie
Main Theme Miracles
versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart, Mission:
Impossible, Star Trek
sowie Top Gun zu
einem brillanten Medley
für Blasorchester,
das nicht nur die Herzen
von Cineasten höher
schlagen lässt.
Come suggerisce
il titolo, le colonne
sonore sapientemente
raggruppate da Peter
Kleine Schaars in questa
raccolta sono tra le
più note e amate della
storia del cinema. Un
brillante medley che
propone le musiche di
Braveheart, Top Gun,
Star Trek e
Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili.
Movie Main Theme Miracles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135408-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135408-010
Composed by James Horner
and Lalo Schifrin.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135408-010. Published by
De Haske Publications
(BT.DHP-1135408-010).
9x12 inches.
English-German-French-Dut
ch.
The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top Gun,
Star Trek and
Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart, Mission:
Impossible, Star Trek
en Top Gun tot een
briljante medley.
Movie Main Theme
Miracles: niet alleen
voor filmliefhebbers een
lust voor het oor!
Die in Movie
Main Theme Miracles
versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart, Mission:
Impossible, Star Trek
sowie Top Gun zu
einem brillanten Medley
für Blasorchester,
das nicht nur die Herzen
von Cineasten höher
schlagen lässt.
Come suggerisce
il titolo, le colonne
sonore sapientemente
raggruppate da Peter
Kleine Schaars in questa
raccolta sono tra le
più note e amate della
storia del cinema. Un
brillante medley che
propone le musiche di
Braveheart, Top Gun,
Star Trek e
Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-422-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-422-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. Anglo Music Press
#AMP 422-140. Published
by Anglo Music Press
(BT.AMP-422-140).
English-German-French-
Dutch.
Three
Washington Statues
was commissioned by the
United States Army Band
â??Pershings Ownâ?,
led by Colonel Thomas H.
Palmatier. Washington
D.C. contains some of the
worldâ??s most iconic
monuments, memorials and
statues. Philip Sparke
has chosenthree of these
as the inspiration for
this piece: â??The
Lincoln Memorialâ?? in
the form of a Greek Doric
temple in which the
composer depicts the
grandeur of this
monument; â??The Martin
Luther King, Jr.
Memorialâ?? on which
steps the iconic speech
â??I havea dreamâ?? was
given - the music is both
reverential as well as
powerful referring to
Martin Luther Kingsâ??
speech; and the
â??Encoreâ?? statue in
memory of the world
famousAfrican-American
composer, pianist and
bandleader Duke
Ellington. In this
finalmovement, Philip
Sparke catches the
virtuosic, energetic and
unique dynamism of
Ellingtonsâ??
music.
Three
Washington Statues is
geschreven in opdracht
van de United States Army
Band â??Pershingâ??s
Ownâ?? en de leider van
dit orkest, kolonel
Thomas H. Palmatier.
Washington D.C. is het
decor van een aantal van
de meest iconische
monumenten,gedenktekens
en standbeelden van de
VS. Componist Philip
Sparke heeft er drie
uitgekozen als inspiratie
voor dit werk: The
Lincoln Memorial, in de
vorm van een Griekse
Dorische tempel, waarin
de grandeur van het
monument wordt verklankt;
het MartinLuther King Jr.
Memorial, het gebouw waar
de iconische toespraak
â??I have a dreamâ??
ooit weerklonk de sfeer
is respectvol en
eerbiedig, maar de muziek
weerspiegelt tevens de
karakteristiekekracht die
ervan uitgaat; en het
beeld â??Encoreâ??
vancomponist, pianist en
bandleider Duke Ellington
in dit laatste deel geeft
Philip Sparke de
virtuoze, energieke,
unieke en dynamische
stijl van Ellingtons
muziek
weer.
Three
Washington Statues
wurde von der United
States Army Band
Pershings Ownâ??, die
von Oberst Thomas H.
Palmatier geleitet wird,
in Auftrag gegeben.
Washington D.C. besitzt
einige der
weltberühmtesten
Bauwerke, Denkmäler
und Statuen. PhilipSparke
hat drei von diesen als
Inspiration für dieses
Stück genommen. So
beschreibt er die
Erhabenheit des Lincoln
Memorialâ??, das mit
seinen dorischen
Säulen in Form eines
griechischen Tempels
erbaut wurde. Das Martin
Luther King, Jr.
Memorialâ??erinnert an
die legendäre Rede
Martin Luther Kings I
have a dreamâ?? (Ich
habe einen Traumâ??).
Die ehrfurchtsvolle und
zugleich kraftvolle Musik
ist ein Tribut an diese
Rede. Die
StatueEncoreâ?? erinnert
an den weltbekannten
afroamerikanischenKomponi
sten, Pianisten und
Bandleader Duke
Ellington. In diesem
letzten Satz fängt
Philip Sparke die
virtuose, energiegeladene
und einzigartige Dynamik
von Duke Ellingtons Musik
ein.
Co
mmissionato dalla banda
dellâ??esercito
statunitense, condotta
dal colonnello Thomas H.
Palmatier, Three
Washington Statues
è un brano dedicato ad
alcuni dei più noti e
iconici monumenti
americani mai realizzati.
Philip Sparke ha
scelto,difatti, di
musicare la stentoreit
del Lincoln Memorial,
della statua di Martin
Luther King di West
Potomac Park e di quella
dedicata al gigante della
musica afro-americana
Duke Ellington.
Two Symphonic Interludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-010
Composed by Harrie
Janssen. Set (Score &
Parts). Gobelin Music
Publications #GOB
000915-010. Published by
Gobelin Music
Publications
(BT.GOB-000915-010).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie, gebaseerd
op de taal van de gewone
man. Het was een reactie
op de aan strenge regels
gebonden poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Two Symphonic Interludes Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Wind Sketches Sc/pts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: HL.44012346 Composed by Philip Spark...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44012346
Composed
by Philip Sparke. Anglo
Music Concert Band. Set
(Score & Parts). Composed
2014. Anglo Music Press
#AMP401010. Published by
Anglo Music Press
(HL.44012346).
UPC:
888680058708.
English-German-French-Dut
ch.
Wind
Sketches is a top
quality concert work for
wind band in three
movements, inspired by
the relationship between
man and wind. Trade
Winds, in the form of
a march, is reminiscent
of a shanty, conjuring up
seafaring and the
tradewinds.
Becalmed,
harmonically and
melodically almost
static, depicts the
doldrums. All the more
contrasting is Riding
the Storm, which
concerns the love-hate
relationship of people to
the winds that he needs
and at the same times
fears.
Wind
Sketches is een
eersteklas concertwerk
voor blaasorkest. Het
bestaat uit drie delen,
die gebaseerd zijn op de
relatie tussen de mens en
de wind: Trade
Winds, in marsvorm,
doet denken aan een
shanty en roept
associaties op met dezee
en passaatwinden.
Becalmed, dat in
melodieus en harmonieus
opzicht bijna statisch
is, schetst een
windstilte. Riding the
Storm is stormachtig:
het beschrijft de
haat-liefdeverhouding
tussen de mens en de
wind.
Wind
Sketches ist ein
hochkaratiges Konzertwerk
fur Blasorchester in drei
Satzen, die alle von der
Beziehung Mensch und Wind
inspiriert sind: Der
erste Trade Winds
in Marschform
erinnert an ein Shanty
und an Passatwinde auf
hoher See.Der zweite
Satz, Becalmed,
harmonisch und melodisch
fast statisch, beschreibt
eine Flaute. Umso
kontrastreicher ist der
dritte Satz, Riding
the Storm, der von
der Hassliebe des
Menschen des Menschen zu
Winden gepragt
ist.
Les trois
mouvements de cette piece
s'inspirent des rapports
entre les humains et
divers types de vents. Le
premier, Alizes
(Trade Winds), prend la
forme d'une marche aux
accents de chansons de
marins, le deuxieme
mouvement,
Encalmine(Becalmed
), est de nature quasi
statique, sans grand
developpement melodique
ou harmonique. Le finale,
Porte par la
tempete (Riding the
Storm), depeint les
relations humaines, par
le biais de vents
tumultueux, dangereux,
benefiques
etvivifiants.
I
tre movimenti di questo
brano si ispirano al
rapporto dell'uomo con il
vento. Il primo, Trade
Winds, prende la
forma di una marcia dagli
accenti di mare, il
secondo movimento,
Becalmed, e di
natura quasi statica,
senza grandi
sviluppimelodici o
armonici. Il finale,
Riding the Storm,
descrive i tanti venti
tumultuosi, pericolosi,
benefici e vigorosi.
I'm So Excited Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043705-140 Arranged by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043705-140
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Original
Light Music. Score Only.
Composed 2004. De Haske
Publications #DHP
1043705-140. Published by
De Haske Publications
(BT.DHP-1043705-140).
The sisters
Ruth, Anita and June
Pointer from West Oakland
in California learned how
to sing in the sixties in
church where their father
was a minister. At the
beginning of the 1970s
they entered the music
business, where they
proved to have a mastery
of many styles -
including rhythm & blues,
jazz, and country.
However, the Pointer
Sisters acquired
international fame at the
beginning of the eighties
with their soul-like pop
music. A great hit was
the up-tempo number
I’m So
Excited, which is
still a success on every
dance floor. This
sparkling arrangement by
Peter Kleine Schaars
certainly provides the
excitement that is
suggested in the
title.
Die
Pastorentöchter Ruth,
Anita und June Pointer
aus Kalifornien lernten
in den 60er-Jahren in der
Kirche ihres Vaters das
Singen. Anfang der
70er-Jahre stiegen sie
ins Musikgeschäft ein
und bewiesen ihr
Können in vielen
Stilen - darunter Rhythm
& Blues, Jazz und
Country. Der
internationale Ruhm kam
jedoch zu Beginn der 80er
mit ihrer soulartig
angehauchten Popmusik.
Ein Riesenhit war I'm
So Excited, heute
noch ein Erfolg auf allen
Tanzflächen. Diese
spritzige Bearbeitung
für Blasorchester
sorgt mit Sicherheit
für Aufregung - das im
Titel versprochene
?excitement!
Score Only Concert Band (Score) - Grade 2-3 SKU: HL.4005025 Arranged by M...(+)
Score Only Concert Band
(Score) - Grade 2-3
SKU: HL.4005025
Arranged by Michael
Brown. Flex-Band Grade 3.
Movies. Softcover. 24
pages. Published by Hal
Leonard (HL.4005025).
UPC: 888680661755.
9.0x12.0x0.054
inches.
Originally
released as an animated
film in 1994, then
adapted as a stunning
musical for Broadway in
1997, The Lion King
remains one of the most
powerful and beloved
productions to come out
of the Disney studios.
Scored for flexible
instrumentation this
medley includes: This
Land, I Just Can't Wait
to Be King, Hakuna
Matata, Can You Feel the
Love Tonight? and Circle
of Life.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Red Thunder Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
By Larry Clark. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II...(+)
By Larry Clark. Concert
Band. For Flute, Oboe,
Flute II, Clarinet I,
Clarinet II, Bass
Clarinet, Alto Saxophone,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Baritone (Bass Clef),
Bassoon, Baritone (Treble
Clef in Bb), Tuba, Bells,
Xylophone, Timpani, Snare
Dru. Carl Fischer First
Plus Performance Series.
Grade 1.5. Score and Set
of Parts. Standard
notation. 16 pages.
Published by Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS250 Composed by Peter Sciaino. Set...(+)
Band concert band - Grade
3
SKU: CF.CPS250
Composed by Peter
Sciaino. Set of Score and
Parts.
27+12+12+6+12+12+12+6+6+6
+6+4+4+8+8+8+4+4+6+6+6+4+
12+4+2+6+10 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #CPS250. Published
by Carl Fischer Music
(CF.CPS250).
ISBN
9781491159576. UPC:
680160918164.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Kaleidoscope Sky Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS250F Composed by Peter Sciaino. Fu...(+)
Band concert band - Grade
3
SKU: CF.CPS250F
Composed by Peter
Sciaino. Full score. 27
pages. Carl Fischer Music
#CPS250F. Published by
Carl Fischer Music
(CF.CPS250F).
ISBN
9781491159583. UPC:
680160918171.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Concert Band - difficult SKU: HL.49015665 Full Score. Composed by ...(+)
Concert Band - difficult
SKU: HL.49015665
Full Score.
Composed by Bertold
Hummel. This edition:
Paperback/Soft Cover.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Score.
Composed 1977. Op. 67.
104 pages. Duration 25'.
Schott Music #SHS1023.
Published by Schott Music
(HL.49015665).
ISBN
9790001139786. UPC:
884088156251.
9.0x12.0x0.296
inches.
Best
playability and musical
spirit - this is what
characterizes the music
of Bertold Hummel who
died in 2002, and why his
music must be part of the
repertoire of any amateur
and semi-professional
orchestra. The Oregon
Symphony occupies a
special position in his
oeuvre: it was written by
Hummel for the typically
American symphonic wind
bands, requiring almost
100 musicians, including
15 clarinets in three
groups of five alone, as
well as four piccolos and
six flutes, bass
clarinet, bassoons,
saxophones, trumpets,
horns, tubas and the
typically American
sousaphone, and five
percussionists. The work
consists of four
movements; in the rousing
finale, Hummel mixes jazz
motifs with popular
themes and even weaves
the anthem of the State
of Oregon in the final
music. For getting better
acquainted with this
music, the first movement
is also separately
available ('Symphonische
Ouverture', SHS
1001).
Picc. * 2 *
2 * Klar. in Es * 3 *
Bassklar. in B * 2
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 2 - 4 * 3 (Korn.) * 3 *
Tenorhr. in B (Bar.) * 2
- P. S. (Trgl. * 4 hg.
Beck. * Beckenp. * Tamt.
* Gong * Glock. ad lib. *
Bngs. * Schellentr. * kl.
Tr. * gr. Tr. * Holzbl. *
Tempelbl. * Ratsche *
Xyl. * Vibr) (5 Spieler)
- Kb.
Brother James' Air Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBe...(+)
By James Leith MacBeth
Bain. Arranged by Douglas
E. Wagner. By James Leith
MacBeth Bain / arr.
Douglas E. Wagner. For
Concert Band. Concert
Band. Belwin Beginning
Band. Level: Very Easy
(grade I). Conductor
Score & Parts. 164 pages.
Duration 2:29. Published
by Alfred Publishing