Pre 1 SKU: AP.98-RWS212001 Arranged by Robert W. Smith. Young Concert Ban...(+)
Pre 1
SKU:
AP.98-RWS212001
Arranged by Robert W.
Smith. Young Concert
Band. Extra score.
Composed 2021. RWS Music
Company #RWS-2120-01.
Published by RWS Music
Company
(AP.98-RWS212001).
Based on the
holiday classic Jingle
Bells, this clever
arrangement by Robert W.
Smith for the beginning
band is based on the
story of a young child
hearing a bit of a
commotion in the living
room on Christmas Eve.
Upon sneaking down the
stairs, the child is
surprised to see Santa
having a great time
dancing the samba as he
delivers the gifts and
then soars out of sight.
Fun and entertaining,
this new arrangement for
beginning band will be a
hit at your holiday
concert!
Pre 1 SKU: CL.RWS-2120-00 Arranged by Robert W. Smith. Young Concert Band...(+)
Pre 1
SKU:
CL.RWS-2120-00
Arranged by Robert W.
Smith. Young Concert
Band. Score and set of
parts. Composed 2021. RWS
Music Company
#RWS-2120-00. Published
by RWS Music Company
(CL.RWS-2120-00).
Based on the
holiday classic Jingle
Bells, this clever
arrangement by Robert W.
Smith for the beginning
band is based on the
story of a young child
hearing a bit of a
commotion in the living
room on Christmas Eve.
Upon sneaking down the
stairs, the child is
surprised to see Santa
having a great time
dancing the samba as he
delivers the gifts and
then soars out of sight.
Fun and entertaining,
this new arrangement for
beginning band will be a
hit at your holiday
concert!
Lebuïnus ex Daventria Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-140
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 48
pages. De Haske
Publications #DHP
1115061-140. Published by
De Haske Publications
(BT.DHP-1115061-140).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
Lebuïnus ex Daventria Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-010
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115061-010.
Published by De Haske
Publications
(BT.DHP-1115061-010).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Suite from Miss Saigon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-010 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-010
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1105035-010. Published by
De Haske Publications
(BT.DHP-1105035-010).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Suite from Miss Saigon Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-140 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-140
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1105035-140.
Published by De Haske
Publications
(BT.DHP-1105035-140).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series. Pop
& Rock. Set (Score &
Parts). Composed 2011.
Anglo Music Press #AMP
316-010. Published by
Anglo Music Press
(BT.AMP-316-010).
9x12
inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 28 pages. Anglo
Music Press #AMP 316-140.
Published by Anglo Music
Press (BT.AMP-316-140).
9x12 inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Friedensmarsch Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-140 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-140
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Score Only. Composed
2006. De Haske
Publications #DHP
1064021-140. Published by
De Haske Publications
(BT.DHP-1064021-140).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-010 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-010
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-010. Published by
De Haske Publications
(BT.DHP-1064021-010).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Rienzi is
een vroeg werk van
Wagner: deze opera
behoort zeker niet tot
zijn bekendste werken.
Rienzi, der Letzte der
Tribunen - zoals de
volledige titel luidt -
werd door tijdgenoten
enthousiast ontvangen. Er
zijn inde partituur
voldoende elementen te
vinden die dit kunnen
verklaren: processies,
marsen, gevechten,
lofzangen, goed in het
gehoor liggende
ensembles, een
grootschalig ballet,
klokgelui, veelvuldige
trompetsignalen,
enzovoort.
DeFriedensmarsch uit de
vierde akte (scène 2)
van Rienzi is
ingetogen, statig en
gedragen van karakter:
Rienzi schrijdt op de
klanken van deze mars
naar een plechtige dienst
in de
kerk.
Entdecken
Sie Wagner neu mit
Rienzi, der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
The Way to Heaven Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-010
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Set
(Score & Parts). Composed
2017. Anglo Music Press
#AMP 426-010. Published
by Anglo Music Press
(BT.AMP-426-010).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert. The Way to Heaven
beginnt mit einer
unruhigen Figur in den
Holzbläsern und mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt, um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way to Heaven Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-140
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Score
Only. Composed 2017.
Anglo Music Press #AMP
426-140. Published by
Anglo Music Press
(BT.AMP-426-140).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven<+O> is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to
Heaven beginnt mit
einer unruhigen Figur in
den Holzbläsern und
mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
By the River Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115063-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115063-010.
Published by De Haske
Publications
(BT.DHP-1115063-010).
9x12 inches.
Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region.The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost createswill keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den
ländlichenCharakter
einer eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie
dieAufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the River Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115063-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 52
pages. De Haske
Publications #DHP
1115063-140. Published by
De Haske Publications
(BT.DHP-1115063-140).
9x12 inches.
Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the River
a very personal work for
both of them. The first
part is pastoral and
describes the rural
character of what is
actually an industrial
region. The next
movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
Composed by
Travis Weller. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+8+8+8+4+2+6+6+6+2+2+8+
2+2+3+6+6+24 pages.
Duration 3 minutes, 1
seconds. Carl Fischer
Music #CPS200. Published
by Carl Fischer Music
(CF.CPS200).
ISBN
9781491152355. UPC:
680160909858.
Altho
ugh some stories in Greek
mythology reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicating joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and the
performer. Program
NotesAmong the many
stories in Greek
mythology, Apollo holds a
unique place as a complex
Olympian god known for
truth, prophecy, healing,
poetry, plague,
knowledge, light and
music. Although some
stories reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicated joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band, ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and
performer. From the
dynamic opening fanfare
to the soaring motifs and
rhythms that follow,
Apollo Arise provides a
wonderful opportunity for
the ensemble to reach for
new musical heights in
their performance! Â
 Rehearsal Notes and
SuggestionsThe opening
twenty-four measures of
the work are important
for the rest of the work
to unfold successfully.
Encourage the ensemble to
play with a unified
articulation style,
maintain a proper
balance, and establish a
consistent tempo through
this section as several
recurring rhythms must be
performed consistently.
Measure 38 features a
trumpet solo, so be sure
that the rest of the
ensemble balances their
line to support the solo
instrument. In the
section that begins at m.
67, there is an optional
solo opportunity for
trumpet and trombone.
Both of these sections
provide nice contrast
against the full ensemble
sections that are present
in the work. The section
at m. 81 includes a
call-and-response section
between woodwind, brass
and percussion groups. Be
sure that as groups
enter, the tempo remains
consistent and that the
winds articulation style
is unified and
complimentary to the
percussion. As the
opening fanfare returns
at m. 101, remind the
ensemble to play with
consistent style, balance
and tempo as they did in
the opening. As the
ensemble begins the part
of the journey with
Apollo at m. 110, the
music contains unique
layers that must work
together to be effective
and set up the material
that begins at m. 127.
Encourage the group to
play so they can hear all
other lines, and allow
their energy to grow into
a focused musical
celebration by the final
note. Thank you in
advance for your support
of this music, and I wish
you and your ensemble
well as Apollo Arise
welcomes the audience to
your concert hall.
Composed
by Travis Weller. Concert
Band (CPS). Full score.
With Standard notation.
24 pages. Carl Fischer
Music #CPS200F. Published
by Carl Fischer Music
(CF.CPS200F).
ISBN
9781491153031. UPC:
680160910533.
Altho
ugh some stories in Greek
mythology reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicating joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and the
performer. Program
NotesAmong the many
stories in Greek
mythology, Apollo holds a
unique place as a complex
Olympian god known for
truth, prophecy, healing,
poetry, plague,
knowledge, light and
music. Although some
stories reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicated joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band, ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and
performer. From the
dynamic opening fanfare
to the soaring motifs and
rhythms that follow,
Apollo Arise provides a
wonderful opportunity for
the ensemble to reach for
new musical heights in
their performance! Â
 Rehearsal Notes and
SuggestionsThe opening
twenty-four measures of
the work are important
for the rest of the work
to unfold successfully.
Encourage the ensemble to
play with a unified
articulation style,
maintain a proper
balance, and establish a
consistent tempo through
this section as several
recurring rhythms must be
performed consistently.
Measure 38 features a
trumpet solo, so be sure
that the rest of the
ensemble balances their
line to support the solo
instrument. In the
section that begins at m.
67, there is an optional
solo opportunity for
trumpet and trombone.
Both of these sections
provide nice contrast
against the full ensemble
sections that are present
in the work. The section
at m. 81 includes a
call-and-response section
between woodwind, brass
and percussion groups. Be
sure that as groups
enter, the tempo remains
consistent and that the
winds articulation style
is unified and
complimentary to the
percussion. As the
opening fanfare returns
at m. 101, remind the
ensemble to play with
consistent style, balance
and tempo as they did in
the opening. As the
ensemble begins the part
of the journey with
Apollo at m. 110, the
music contains unique
layers that must work
together to be effective
and set up the material
that begins at m. 127.
Encourage the group to
play so they can hear all
other lines, and allow
their energy to grow into
a focused musical
celebration by the final
note. Thank you in
advance for your support
of this music, and I wish
you and your ensemble
well as Apollo Arise
welcomes the audience to
your concert hall.
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman.
The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003.
Orchestra Concert Band SKU: PR.116400500 Composed by Carter Pann. Folio. ...(+)
Orchestra Concert Band
SKU: PR.116400500
Composed by Carter Pann.
Folio. Set of Score and
Parts.
28+2+2+2+2+2+2+2+2+2+2+2+
2+2+2+2+2+2+2+2+2+2+2+2+2
+2+2+2+4+16+16+20+20+10
pages. Duration 5
minutes. Theodore Presser
Company #116-40050.
Published by Theodore
Presser Company
(PR.116400500).
ISBN
9781491130773. UPC:
680160676729. 9 x 12
inches.
TINY TATTOO
was written after the
composer visited a
“treetopâ€
bistro at Big Sur,
California. The
restaurant is named
Nepenthe, after an
ancient Greek elixir
fabled to relieve any and
all sorrows. This
spot-on-the-cliff made
such an impression on
Pann that musical ideas
immediately started
flowing, giving rise to
the opening hook of this
5-minute orchestral work.
Written as a gift to
conductor Alastair
Willis, TINY TATTOO is a
highly catchy and
colorful work with
exciting percussion
parts, equally suitable
for advanced student
orchestras, professional
ensembles, and everything
in between. TINY
TATTOO (2017) was written
after visiting a
“treetopâ€
bistro at Big Sur,
California with my wife
after driving the entire
day up from L.A. The
restaurant is called
“Nepenthe,â€
named after an ancient
Greek elixir fabled to
relieve one from any and
all sorrows. This
spot-on-the-cliff made
such an impression on me
(in my exhausted state)
that I immediately began
humming the opening
minimal hook in what is
now this piece. Any
well-known excerpts
containted within the
work are happy
accidents.Tiny Tattoo was
written as a gift to
conductor Alastair
Willis.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Moment Musical Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064046-140 Composed by Hay...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064046-140
Composed by Hayato
Hirose. Performance
Series. Festive and
Solemn Music. Score Only.
Composed 2006. 16 pages.
De Haske Publications
#DHP 1064046-140.
Published by De Haske
Publications
(BT.DHP-1064046-140).
9x12 inches.
English-German-French-Dut
ch.
While composing
this beautiful chorale,
Hayato Hirose was
inspired by the fond
memory of the pre-marital
days he spent with his
beloved wife, Minako.The
chorale starts with
gorgeous woodwinds, after
which the brass section
is gradually added to
enhance the atmosphere.
The main theme is
repeated and developed in
several different keys in
the middle section,
followed by the
recapitulation and the
romantic coda that
concludes the work.
Moment Musical gives any
concert programme a touch
of warmth and
tenderness.
Zu
diesem wunderschönen
Choral ließ sich
Hayato Hirose von der
Erinnerung an die Zeit
der Hochzeit mit seiner
geliebten Frau Minako
inspirieren. Moment
Musical setzt mit
prächtigen
Holzbläsern ein, dann
wird die Stimmung nach
und nach von den
Blechbläsern
unterstützt. Das
Hauptthema wird in
mehreren
unterschiedlichen
Tonarten im mittleren
Register wiederholt und
entwickelt. Darauf folgen
die Reprise und die
romantische Coda, die das
Werk beendet. Moment
Musical verleiht
jedem Konzertprogramm
einen Hauch von Wärme
und
Zärtlichkeit.
Questa corale
dalle linee delicate
inizia con fervore. I
legni sviluppano con
delicatezza e
trasparenza, aiutati
dagli ottoni che si
uniscono allo sviluppo
del tema. Nel passaggio
centrale, il tema
principale è esposto a
più riprese in varie
tonalit . Una coda
seducente e romantica
chiude il brano.
Moment Musical Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064046-010 Composed by Hay...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064046-010
Composed by Hayato
Hirose. Performance
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2006.
De Haske Publications
#DHP 1064046-010.
Published by De Haske
Publications
(BT.DHP-1064046-010).
9x12 inches.
English-German-French-Dut
ch.
While composing
this beautiful chorale,
Hayato Hirose was
inspired by the fond
memory of the pre-marital
days he spent with his
beloved wife, Minako.The
chorale starts with
gorgeous woodwinds, after
which the brass section
is gradually added to
enhance the atmosphere.
The main theme is
repeated and developed in
several different keys in
the middle section,
followed by the
recapitulation and the
romantic coda that
concludes the work.
Moment Musical gives any
concert programme a touch
of warmth and
tenderness.
De
inspiratiebron voor het
schrijven van dit
prachtige koraal vond
Hayato Hirose in zijn
aangename herinnering aan
de verlovingstijd die hij
doorbracht met Minako,
zijn geliefde echtgenote.
Het koraal begint met een
prachtige passagein het
hout, waarna de
kopersectie langzaam
wordt toegevoegd voor nog
meer sfeer. Het
hoofdthema wordt herhaald
en ontwikkelt zich in
verschillende toonsoorten
in de middenstem, gevolgd
door de reprise en het
romantische codawaarmee
het werk eindigt.
Moment Musical
geeft elk
concertprogramma een
vleugje warmte en
tederheid.
Zu
diesem wunderschönen
Choral ließ sich
Hayato Hirose von der
Erinnerung an die Zeit
der Hochzeit mit seiner
geliebten Frau Minako
inspirieren. Moment
Musical setzt mit
prächtigen
Holzbläsern ein, dann
wird die Stimmung nach
und nach von den
Blechbläsern
unterstützt. Das
Hauptthema wird in
mehreren
unterschiedlichen
Tonarten im mittleren
Register wiederholt und
entwickelt. Darauf folgen
die Reprise und die
romantische Coda, die das
Werk beendet. Moment
Musical verleiht
jedem Konzertprogramm
einen Hauch von Wärme
und
Zärtlichkeit.
Questa corale
dalle linee delicate
inizia con fervore. I
legni sviluppano con
delicatezza e
trasparenza, aiutati
dagli ottoni che si
uniscono allo sviluppo
del tema. Nel passaggio
centrale, il tema
principale è esposto a
più riprese in varie
tonalit . Una coda
seducente e romantica
chiude il brano.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1064021-040 From Rienzi. Compos...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1064021-040
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-040. Published by
De Haske Publications
(BT.DHP-1064021-040).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Bohemian Rhapsody Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.44010995 Composed by Freddie Mercu...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44010995
Composed
by Freddie Mercury.
Arranged by Philip
Sparke. Anglo Music
Concert Band. Pop. Score
Only. Composed 2011.
Anglo Music Press
#AMP316140. Published by
Anglo Music Press
(HL.44010995).
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock 'n' roll. The song
defied all convention in
terms of form. It has no
chorus. Instead, it
comprised of an
introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke's authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklarten
ratselhaften Text trug
vor allem die
ungewohnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie moglich am
Original zu
bleiben.
Bohemian
Rhapsody est souvent
mentionne comme le titre
le plus important dans
l'histoire du Rock.
Ecrite par Freddie
Mercury, cette chanson
defie toutes les normes
jusque-la respectees.
Elle se compose de six
sections bien distinctes:
introduction, ballade,
solo de guitare, parties
opera et hard rock ainsi
qu'un finale.
L'arrangement pour
orchestre d'harmonie de
Philip Sparke reste
conforme a la version
originale. Succes
garanti!
Bohemian
Rhapsody e spesso
menzionato come il titolo
piu importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale. L'arrangiamento
per banda di Philip
Sparke e fedele
all'originale.