Parts supplied with fingerings and bowing marks by Engelbert Rontgen. Compose...(+)
Parts supplied with
fingerings and bowing
marks
by Engelbert Rontgen.
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Engelbert
Rontgen.
The Breitkopf Originals
series opens up a
fascinating view into the
Breitkopf and Hartel
publishing-house
archives.
The focus is on its
rarities
and treasures, together
with
milestones in the history
of
interpretation for works
of
the . Breitkopf and
Haertel
#KM-254. Published by
Breitkopf and Haertel
String Quartet - intermediate SKU: BT.DHP-1064034-070 Arranged by Gunter ...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1064034-070
Arranged by Gunter Van
Rompaey and Hans Aerts.
Pop & Rock. Set (Score &
Parts). Composed 2006. 40
pages. De Haske
Publications #DHP
1064034-070. Published by
De Haske Publications
(BT.DHP-1064034-070).
ISBN 9789043124720.
9x12 inches.
English-German-French-Dut
ch.
Traditionally a
string quartet will not
readily take on pop
music. But times are
changing and the classic
quartet line-up proves
suitable for beautiful
arrangements of
contemporary songs as
well. This book features
three hits from past
decades, The Rose
(Bette Midler) with its
simple, pure sounds and
underlying harmonies,
La Solitudine
(Laura Pausini) -
compelling and with a
hidden energy and finally
Wonderwall
(Oasis), an unexpected
choice, with its
persistent rhythmic
background. To allow the
string quartet to play
together with optional
guitar or keyboard, chord
symbols have been added
in the score. These songs
- which certainly have a
passionate andromantic
ring to them - are ideal
for receptions, weddings
and other festive
occasions. (Position 1-5)
Drie bekende
songs in geslaagde
bewerkingen voor
strijkkwartet: Pop
Ballads for String
Quartet bewijst dat
het kan. Om het
strijkkwartet de
mogelijkheid te bieden
samen te spelen met
gitaar of keyboards zijn
akkoordsymbolentoegevoegd
in de partituur. Deze
songs vol passie en
romantiek zijn ideaal
voor het opluisteren van
recepties, bruiloften en
andere feestelijke
gelegenheden. (Position
1-5)
Ein Buch
für alle Streicher,
die anstatt der
klassischen Literatur
für Streichquartett
auch einmal etwas ganz
Modernes, Unterhaltsames
spielen wollen. Hans
Aerts und Gunter Van
Rompaey bearbeiteten
für diese Ausgabe drei
bekannte Pop- Titel
für zwei Violinen,
Viola und Cello.
Akkordsymbole für eine
Begleitung von Keyboard
oder Gitarre sind
ebenfalls
enthalten.(Position 1-5)
Questa
pubblicazione permetter
ai giovani musicisti di
cominciare a suonare in
gruppo. Il quartetto
d’archi è da
sempre la formazione per
eccellenza, equilibrata e
potente
nell’espressione.
Anche la musica in stile
pop, arrangiata per
l’occasione da
Hans Aerts, si adatta a
questo tipo di organico.
L’importante è
saper ascoltare la parte
degli altri per inserire
il proprio ritmo
nell’insieme.
(Position 1-5).
Composed
by Richard Wernick.
Premiered by the
Juilliard String Quartet,
Perelman Theater,
Philadelphia Chamber
Music Society;
Philadelphia, PA.
Contemporary. Score. With
Standard notation.
Composed February 19
2015. 27 pages. Duration
19 minutes. Theodore
Presser Company
#114-41733S. Published by
Theodore Presser Company
(PR.11441733S).
UPC:
680160631865.
Strin
g Quartet No. 9 is the
fourth that Wernick has
written for the Juilliard
Quartet. A commission by
the Philadelphia Chamber
Music Society, Wernick's
ninth string quartet was
premiered by the
Juilliard in November,
2015 and subsequently
taken on tour. The first
movement's affect (marked
'Assertive, Aggressive')
[compares] to Rockport's
forbidding coastline in
the eyes of the first.
settlers. This was an apt
analogy since the work's
musical language is, in
today's vernacular,
'gnarly.' [The second
movement]...a
'never-ending throb of
repeated notes'...the
effect of steadily
diminishing life-force,
though with a 'final
burst of hope from the
solo cello.' Again, the
composer made intriguing
use of many of the
different ways stringed
instruments can produce
sound. Geoffrey Wieting,
The Boston Musical
Intelligencer.
Composed
by Richard Wernick.
Premiered by the
Juilliard String Quartet,
Perelman Theater,
Philadelphia Chamber
Music Society;
Philadelphia, PA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 19
2015. 27+8+8+8+8 pages.
Duration 19 minutes.
Theodore Presser Company
#114-41733. Published by
Theodore Presser Company
(PR.114417330).
UPC:
680160631841.
Strin
g Quartet No. 9 is the
fourth that Wernick has
written for the Juilliard
Quartet. A commission by
the Philadelphia Chamber
Music Society, Wernick's
ninth string quartet was
premiered by the
Juilliard in November,
2015 and subsequently
taken on tour. The first
movement's affect (marked
'Assertive, Aggressive')
[compares] to Rockport's
forbidding coastline in
the eyes of the first.
settlers. This was an apt
analogy since the work's
musical language is, in
today's vernacular,
'gnarly.' [The second
movement]...a
'never-ending throb of
repeated notes'...the
effect of steadily
diminishing life-force,
though with a 'final
burst of hope from the
solo cello.' Again, the
composer made intriguing
use of many of the
different ways stringed
instruments can produce
sound. Geoffrey Wieting,
The Boston Musical
Intelligencer.
Quartet Sant Petersburg Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Ed...(+)
String quartet
SKU:
BO.B.3664
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3664).
Cuarteto San
Petersburgo (The Saint
Petersburg Quartet) was
written between January
and March 2011. It owes
its name to the fact that
Saint Petersburg has been
a very significant city
for me. I was invited
there in 1988 to take
part in a big
contemporary music
festival, but my
uninterrupted bond with
the city started on 2002,
thanks to the
negotiations of my friend
and pupil Albert Barbeta.
Since then, I have
constantly travelled
there in order to record
a considerable part of my
repertoire: seventeen
pieces. In addition to
the concerts we went to,
I took the opportunity
during my trips to visit
the well-known
conservatoire where so
many great personalities
from the world of music
composition once taught,
and the place that
launched the most
important violin school
in the whole of Russia:
the school of Leopoldo
Auer. Spending a long
time in Auer's classroom
writing my concert for
violin and orchestra was
an unforgettable
experience for me. His
large portrait motivated
me even
further.
Cuartet
o San Petersburgo evokes
many of the most
cherished and moving
moments that I have had
in this city. It is
structured in four
movements. The first one,
Allegretto-Allegro, opens
with an introduction that
sets forth the two main
themes, amid a soft and
elastic atmosphere. The
Allegro starts vigorously
and in it we find changes
in the tempo and moments
of mystery, as well as
certain seclusion,
returning then to the
emphatic theme where the
counterpoint finds its
place. The movement ends
placidly.
The
Scherzo-marcato that
follows is marked by a
persistent rhythm of
triplets that carries on
from beginning to end.
The tempo does not
change, but brief and
decided themes are
introduced, as well as
passages of counterpoint.
Brief and dissonant
chords are heard
throughout the movement,
which ends
vigorously.
The
third movement, Ut, is a
very special one. For a
while already I had been
playing with the idea of
writing a movement that
was to have the tonality
C as a leitmotiv. This
one is made up by two
slow and static parts. In
the first one, the first
violin plays
pizzicatti-glissandi. In
the second, the first
violin and particularly
the violoncello settle on
C while the other two
instruments produce
descending chromatic
harmonies.
Final
ly, the
Introduccion-Presto (the
Introduction-Presto). It
starts with some bucolic
passages which remind us
of the introduction to
the first movement. A
fast and energetic Presto
suddenly erupts. A kind
of moto perpetuo which
alternates with two
expressive passages and,
towards the end, a viola
and violoncello tremolo,
all of great mystery and
expectation, make way for
a resounding finale
marcato.
String Quartet No.9 Quatuor à cordes: 2 violons, alto, violoncelle Music Sales
String Quartet SKU: HL.14031827 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet
SKU:
HL.14031827
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 48 pages. Music
Sales #KP01084. Published
by Music Sales
(HL.14031827).
ISBN
9788759871089.
Danish-English.
Pre
face The three movements
of the quartet may be
perceived as three
different expressions of
an unstable core: an
inherent unrest leads to
frequent changes of
direction. The first
movement is full of
dramatic contrasts: it is
followed by a second
movement, whose basic
mood of meditative rest
is challenged by
occasional centrifugal
utbursts, while the third
movement takes the
inherent conflicts to a
higher level, contrasting
material of introspective
lyricism with excessively
pathetic moods. The final
way out is a retrograde
one, (back) into the
source: through a
constant
accelerando-diminuendo
the piece disappears into
a vanishing point. The
into the source of the
titlemay be visualized as
a reversed
fountain-action: the
broad fan-like spread of
the first movement, a
more coherent-solid
second movement, and
finally - in the third
movement - a return-run,
ever more vehemently,
like a suction into the
spring itself ... The
musical motifs are
varied: there are
traffic-situations (which
I heard!) with stomping
and machine-like rhythms
in different, but
simultaneous tempi, and
there are more abstract
upwards and downwards
half-tone-scales, with
changing accents,
creating glimpses of
melodies. INTO THE
SOURCE, String Quartet
No. 9, was composed on a
double-commission from
the Orion Quartet and the
Vertavo Quartet. The
premiere performances
took places in Santa Fe
in 2002 and in Oslo in
2003. Per Norgard.
String Quartet SKU: HL.14025352 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet
SKU:
HL.14025352
Composed
by Per Norgard. Music
Sales America. Classical.
Set of Parts. 104 pages.
Music Sales #KP01337.
Published by Music Sales
(HL.14025352).
ISBN
9788759885420.
English-Danish.
Pre
face The three movements
of the quartet may be
perceived as three
different expressions of
an unstable core: an
inherent unrest leads to
frequent changes of
direction. The first
movement is full of
dramatic contrasts: it is
followed by a second
movement, whose basic
mood of meditative rest
is challenged by
occasional centrifugal
utbursts, while the third
movement takes the
inherent conflicts to a
higher level, contrasting
material of introspective
lyricism with excessively
pathetic moods. The final
way out is a retrograde
one, (back) into the
source: through a
constant
accelerando-diminuendo
the piece disappears into
a vanishing point. The
into the source of the
titlemay be visualized as
a reversed
fountain-action: the
broad fan-like spread of
the first movement, a
more coherent-solid
second movement, and
finally - in the third
movement - a return-run,
ever more vehemently,
like a suction into the
spring itself ... The
musical motifs are
varied: there are
traffic-situations (which
I heard!) with stomping
and machine-like rhythms
in different, but
simultaneous tempi, and
there are more abstract
upwards and downwards
half-tone-scales, with
changing accents,
creating glimpses of
melodies. INTO THE
SOURCE, String Quartet
No. 9, was composed on a
double-commission from
the Orion Quartet and the
Vertavo Quartet. The
premiere performances
took places in Santa Fe
in 2002 and in Oslo in
2003. Per Norgard.
String
Quartet - Score.
Composed by Julia
Hodkinson. Music Sales
America. Classical,
Contemporary. Score.
Composed 2014. 20 pages.
Edition Wilhelm Hansen
#WH32129. Published by
Edition Wilhelm Hansen
(HL.14043251).
ISBN
9788759831380.
English.
Juliana
Hodkinson 's Is There
Something You Can Tell Us
for String Quartet. This
ten minute piece was
written for the Anima
Quartet and was
comissioned by SWR
(South-West German Radio)
for first performance at
Theaterhaus Stuttgart on
7th June 2014 during the
festival 'Lost & Found -
Stimme. Text. Szene.'.The
quartet's title and the
titles of the individual
movements are taken from
Cynthia Troup's libretto
'Turbulence'. I Degrees
of freedom II Hidden by
an almost perfect balance
III We are taught that it
is out of reach IV For
the real earth we do not
know yet.
Kongsgaard Variations Quatuor à cordes: 2 violons, alto, violoncelle Faber Music Limited
SKU: AP.12-057153970X Composed by Anders Hillborg. Masterworks; Quartet; ...(+)
SKU:
AP.12-057153970X
Composed by Anders
Hillborg. Masterworks;
Quartet; Solo Small
Ensembles; String
Quartet. Faber Edition.
20th Century; Masterwork.
Score. Faber Music
#12-057153970X. Published
by Faber Music
(AP.12-057153970X).
ISBN 9780571539703.
English.
In his
Kongsgaard Variations
(2006), Swedish composer
Anders Hillborg takes the
Arietta theme from
Beethoven's last
piano-sonata, No. 32 in C
Minor, Op. 111 as the
basis for an evocative
16-minute string quartet.
Beethoven's sublime music
drifts strangely through
the centuries and is
warped, vaporised, and
refashioned as if, in the
words of Hillborg, the
Arietta is dreaming yet
another variation on
itself.
String Quartet (Study Score) SKU: HL.51487272 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487272
Study
Score. Composed by
Alexander Zemlinsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN7272. Published
by G. Henle
(HL.51487272).
UPC:
840126989366.
6.75x9.5x0.245
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Parts) SKU: HL.51481272 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481272
Set of Parts.
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1272. Published by G.
Henle (HL.51481272).
UPC: 840126989250.
9.0x12.0x0.348
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)