Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Ernst Fritz Schmid, Ernst Hess. For violin I, violin II, viola I, viola II and cello. Urtext of the New Mozart Edition. Format: study score. With introductory text. Classical period. 210 pages. 6.5x9 inches. Published by Baerenreiter-Taschenparti turen (German Import).

SKU: HL.50603994

Score and Parts. Composed by Daniel D'Adamo. String. Softcover. 88 pages. Duration 600 seconds. Chant Du Monde #CDMMC5013. Published by Chant Du Monde (HL.50603994).

ISBN 9781705164679. UPC: 196288068310. 9.0x12.0 inches.

Quatuor No 2 was first performed by the Tana string quartet on April 14, 2013, at Radio France, Paris. I conceived a piece whose principal subject was going to consist in the description of a minuscule sonic element. The description of this tiny initial material would be so precise, so detailed that, deployed on a much larger scale than its original one, it would occupy the entire duration of the piece. At that point, I just had to choose a sound model as the starting point of the piece, the sound that would best characterize the string instruments themselves: the noisy sound produced by the bow barely coming in contact with one of the strings, getting ready to acquire speed, weight, acceleration, and producing a full sound of a violin, a viola or a cello... -Daniel D'Adamo.

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First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola, Violoncello, Drums ad libitum) - Level 4

SKU: BA.BA11525

Composed by Pavel Haas. Edited by Ondrej Pivoda. This edition: urtext edition. In a folder. Barenreiter Urtext. With percussion ad libitum. Set of parts. Opus 7. 16/15/13/12/3 pages. Baerenreiter Verlag #BA11525_00. Published by Baerenreiter Verlag (BA.BA11525).

ISBN 9790260108868. 31 x 24.3 cm inches.

Pavel Haas was one of Leoš Janácek’s most gifted students. His String Quartet No. 2 “From the Monkey Mountains” is considered to be one of the first high points of his oeuvre.

In this work, Haas combined elements of Janácek’s compositional technique with jazz, particularly in the fourth movement’s instrumentation for string quartet and percussion ad libitum. This version was premiered in Brno in 1926; later, the work was revised for string quartet only. For this edition Ondrej Pivoda has reconstructed the original version, bringing to light passages that were never published until now.

This is the first critical edition of the work. It is based on all relevant sources, taking sketches of the final version of the score and contemporary performance material into account. It includes an extensive Foreword (Cz/Eng/Ger) as well as a Critical Commentary (Eng).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Air De Concert (Haydn) Canzonetta(op.16) Panofka Der Schmetterling (Schumann) Deutscher Tanz (Haydn) Divertimento In D (Beethoven) Divertissement (Mozart) Idylle, Op.146 (Dancla) L'alouette (Lark) Mendelssohn Menuet Elegante (Mozart) Rondino (Pleyel) Rondo (Son.op.137#1) Schubert Scherzo (Wohlfahrt) Theme(allegretto Grazioso,op.11) Trauermarsch From Antigone Wiegenlied (Cradle Song) Schumann Menuetto (Haydn) Theme (Beethoven) Danse Allemande (Beethoven) 2nd St.qt., Theme From(pleyel) String Quartet #1, Theme From(pleyel) Trio And Quartet Albums - First Quartet Album For Strings (Two Violins, Viola and Cello) (Two violins, viola and cello String Trio and Quartet Collection). Arranged by Herman Hummel and Harvey S. Whistler. String quartet. For violin 1, violin 2, viola, cello. Ensemble Collection. 32 pages. Rubank Publications #RUBL165. Published by Rubank Publications

Composed by Robert Schumann. Edited by Ernst Herttrich. For String Quartet (Parts). Henle Music Folios. G. Henle #HN873. Published by G. Henle

String quartet (Violins (2), Viola, Violoncello) - Level 2 Composed by Antonin Dvorak (1841-1904). Edited by Michael Kube. This edition: urtext edition. In a folder. Set of parts. Opus 96. 13/13/13/13 pages. Baerenreiter Verlag #BA11538_00. Published by Baerenreiter Verlag

String Quartet and Pre-recorded Sound. Composed by Michael Daugherty (1954-). Boosey and Hawkes Chamber Music. Classical. Softcover with CD, Score and Parts. 52 pages. Boosey and Hawkes #M051105922. Published by Boosey and Hawkes

String quartet - Moderately Difficult to Difficult

SKU: OU.9780193412552

Composed by Anthony Powers. String Quartets. Set of parts. 60 pages. Duration 20'. Oxford University Press #9780193412552. Published by Oxford University Press (OU.9780193412552).

ISBN 9780193412552. 12 x 8 inches.

This four-movement work represents the composer's desire 'to write a piece of real chamber music, intimate and conversational in tone, drawing the listener into its worlds'. The result, he writes, 'is a rather inward-looking, reflective work, not without a capricious aspect, but only occasionally raising its voice.'.

String Quartet (2vl,va,vc)

SKU: BR.KM-2502

Composed by Isabel Mundry. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Hannover, November 2004

Music post-1945; New music (post-2000). Performance score. Composed 1999/2004. 20 pages. Duration 12'. Breitkopf and Haertel #KM 2502. Published by Breitkopf and Haertel (BR.KM-2502).

ISBN 9790004502761. 10.5 x 14 inches.

Linien, Zeichnungen ist eine neuere Komposition uber eine altere Komposition von mir, und zwischen beiden liegt ein zeitlicher Abstand von dreizehn Jahren - eine Kluft, die ich nicht uberwinden, sondern fruchtbar machen wollte. Die Ausgangskomposition, 11 Linien fur Streichquartett, widmet sich der Gestaltung linearer Prozesse in ausserster Reduktion. In elf Abschnitten, die jeweils siebenundsiebzig Sekunden dauern, durchziehen annahernd einstimmige, gelegentlich gespaltene, Klanglinien die im Quadrat positionierten Instrumente. Wie Umrisse einer Landschaft am Horizont, bleiben diese linearen Klangzeichnungen in der ersten Version schemenhaft.Ursprunglich wollte ich dieses Stuck nach vielen Jahren lediglich abschreiben, doch dieser Vorgang verselbstandigte sich und entwickelte ein Eigenleben, der schliesslich in eine neue Komposition mundete. So begann es mich zu interessieren, jene abstrakten Landschaften nun aus der Nahe zu betrachten und die ursprunglichen Linien wie mit einem Zoomobjektiv in die Nahe zu holen und aus verschiedenen Perspektiven zu betrachten. Auf dieses Weise haben sich differenzierte Konturen dort entwickelt, wo in der ersten Version nur grobe Umrisse zu erkennen waren, wie zum Beispiel ein linear fallendes Glissando oder eine statische Skala. Die Ferne und Nahe zu den einstigen Klangkonfigurationen und die Entdeckung ihres moglichen Innenlebens ist auf diese Weise zu einem zentralen Thema der zweiten Version geworden. So sind aus den 11 Linien schliesslich sieben neue Kompositionen geworden, gepragt von dem Ineinandergreifen von abstrakten Linien und polyphon aufgefacherten Zeichnungen. Auf artifizielle Weise stehen sie nun in einer Beziehung zueinander wie eine eingefrorene Photographie im Verhaltnis zu einem gelebten Augenblick.(Isabel Mundry, 2010)

World premiere: Hannover, December 4, 2004.