By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo (2 trumpets, violin 1, violin 2, viola, cello, double bass, organ, theorbo (optional)). Mixed Voices. Classic Choral Works. Standard Choral Works. Vocal score. 40 pages. Duration 20'. Published by Oxford University Press

By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)

(0.0.0.0/2.0.0.0,str,solo violin & viola)

SKU: TM.01279SC

Composed by Carl Stamitz. Score. Lucks Music Library #A7580. Published by Lucks Music Library (TM.01279SC).

Sol/pf. Allegro moderato, Romace, Rondeau.

(0.0.0.0/2.0.0.0,str,solo violin & viola)

SKU: TM.01279SET

Composed by Carl Stamitz. Set Type: D. Set of parts. Lucks Music Library #A7580. Published by Lucks Music Library (TM.01279SET).

Sol/pf. Allegro moderato, Romace, Rondeau.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Level 3

SKU: CA.3106119

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm, Der Heiden Heiland I Rev. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1714. BWV 61. Duration 23 minutes. Carus Verlag #CV 31.061/19. Published by Carus Verlag (CA.3106119).

ISBN 9790007136222. Key: A minor / g major. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

The opening chorus uses the first verse of the old plainsong hymn Veni redemptor gentium, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year. Score and parts available separately - see item CA.3106100.

By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli SSATB, Choir SSATB, 2 Violin, 2 Viola, Cello, Basso Continuo. This edition: Paperbound. German title: Dixit Dominus (Psalm 109). Psalms, Latin. Full score. Language: Latin. Composed 1707. HWV 232. 96 pages. Duration 45 minutes. Published by Carus Verlag

Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf). By Johann Sebastian Bach. Arranged by Uwe Wolf. For Soli SATB, SATB Choir, Trumpet, Oboe d'Amore, Bassoon, 2 Violins (Violin solo), Viola, Cello/Contrabass, Organ. BWV 147a. Cantatas; Stuttgart Urtext editions; Use during church year: Advent. Score. Language: German/English. Composed 1716. 32 pages. Duration 18 min. Published by Carus Verlag (German import).

(Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf)). By Johann Sebastian Bach (1685-1750). Arranged by Uwe Wolf. For Soli SATB, SATB Choir, Trumpet, Oboe d'Amore, Bassoon, 2 Violins (Violin solo), Viola, Cello/Contrabass, Organ. This edition: paperbound. BWV 147a. Full score available separately - see item CA.3114700. Cantatas; Stuttgart Urtext editions; Use during church year: Advent. Level 4. Piano/Vocal score. Language: German/English. Composed 1716. 24 pages. Duration 18 min

SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100409

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.004/31 cornett, 1x 31.004/32 trumpet 1, 1x 31.004/33 trumpet 1, 1x 31.004/34 trombone 1, 1x 31.004/35 trombone 2, 1x 31.004/36 trombone 3. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden 6. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed circa 1707/08 (before 1714). BWV 4. 24 pages. Duration 22 minutes. Carus Verlag #CV 31.004/09. Published by Carus Verlag (CA.3100409).

ISBN 9790007041526. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score and parts available separately - see item CA.3100400.

Orchestra SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100407

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: Paperbound. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed circa 1707/08 (before 1714). BWV 4. Duration 22 minutes. Carus Verlag #CV 31.004/07. Published by Carus Verlag (CA.3100407).

ISBN 9790007041519. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score available separately - see item CA.3100400.

(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Edited by Karen Lehmann. For SBar vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, 2 cellos, contrabass. Stuttgart Urtext Edition. German title: Vom Himmel hoch, da komm ich her. Cantatas, Christmas. Level 3. Complete orchestral parts. Language: German/English. Composed 1831. Duration 16 minutes. Published by Carus Verlag

Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar, SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, 2 Cellos, Contrabass. Full score available separately - see item CA.4018900. Cantatas; Stuttgart Urtext editions; Use during church year: Christmas. Study score. Language: German/English. Composed 1831. 72 pages. Duration 16 min. Published by Carus Verlag (German import).

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Full score available separately - see item CA.2705500. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Piano/Vocal score. Language: German. 45. 96 pages. Duration 70 min

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Score. Language: German. 45. 256 pages. Duration 70 min

(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Paperback. Score. Opus 86. Published by Baerenreiter Verlag

(Kantate zum ersten Ostertag). By Johann Sebastian Bach (1685-1750). Edited by Marker, Michael. For Soli STB, Choir SSATB, Oboe, 3 Trumpet, Timpani, 2 Violin, 2 Viola, Basso Continuo, [2 Oboe, Taille, Bassoon]. This edition: paperbound. BWV 31. Full score available separately - see item CA.3103100. Cantatas; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: German/English. Composed 1715. 32 pages. Duration 24 min