Trombone, Piano SKU: HU.F0571510841 For Trombone and Piano. Arranged by Leslie ...(+)
Trombone, Piano
SKU: HU.F0571510841
For Trombone and Piano.
Arranged by Leslie
Pearson and Peter
Goodwin. Brass,
Repertoire, Collections.
Softcover Book. 64 pages.
Faber Music #F0571510841.
Published by Faber Music
(
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Tenor Trombone and Piano - advanced SKU: CY.CC2494 Composed by Alexander ...(+)
Tenor Trombone and Piano
- advanced
SKU:
CY.CC2494
Composed by
Alexander Scriabin.
Arranged by Ralph Sauer.
Romantic Russian. Solo
part and piano score.
Published by Cherry
Classics (CY.CC2494).
Alexander
Scriabin's music has been
described as mystical,
lyrical and
idiosyncratic. He was a
most innovative and
controversial early
modern Russian composer.
His works were ignored
for many years until
recently and are now seen
as sincere expression(s)
of genius.
The Three
Etudes for Trombone and
Piano are early works of
Scriabin, originally
written for solo Piano.
They show lyricism,
passion, moodiness,
chromatic harmonies and
great expression.
Mr.
Sauer has once again
brought three wonderful
new works for advanced
performers who wish to
explore this area,
largely unknown to the
Trombone world. Those who
do will be richly
rewarded with the depth
of musicanship found in
these works.
Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass ...(+)
Edited by Peter Goodwin
and Leslie Pearson. For
Trombone and Piano. Book;
Brass - Trombone and
Baritone Method or
Collection;
Method/Instruction. Faber
Edition. Published by
Faber Music
Trombone & Piano - Intermediate SKU: CY.CC2234 Composed by John Dowland. ...(+)
Trombone & Piano -
Intermediate
SKU:
CY.CC2234
Composed by
John Dowland. Arranged by
Jason Beghtol.
Renaissance solo. Solo
and Piano part. Published
by Cherry Classics
(CY.CC2234).
John Dowland
(1563-1626) was an
English Renaissance
composer, singer and
lutenist. He is well
known for his melancholy
songs and instrumental
music, especially for
lute and guitar. Mr.
Beghtol's lovely
transcription for
intermediate Trombone is
a wonderful short work
that combines lyrical and
Renaissance dance styles.
The Trombone part is in
bass clef.
Trombone & Piano - moderately advanced SKU: CY.CC2476 Composed by S. Prok...(+)
Trombone & Piano -
moderately advanced
SKU: CY.CC2476
Composed by S. Prokofiev.
Arranged by Ralph Sauer.
Russian 20th century.
Solo part and score.
Published by Cherry
Classics (CY.CC2476).
* Also known as
Four Grandmother Songs
and Old Granny Tales,
this work was composed in
New York in 1918 at the
beginning of the
composer's self-imposed
exile from Russia after
its Revolution. * These
short pieces were
immediately successful
and were performed
worldwide. * In the
epigraph to this work
Prokofiev wrote, Some
recollections had become
half erased from her
memory; others will never
be erased. * Mr. Sauer
once again, has produced
a magnificent work for
Trombone & Piano. * This
work with its great
character is a joy to
perform, about 8 - 9
minutes in length for
moderately advanced
performers. .
Trombone & Piano - Moderately Advanced SKU: CY.CC2356 Composed by Charles...(+)
Trombone & Piano -
Moderately Advanced
SKU: CY.CC2356
Composed by Charles Ives.
Arranged by Ralph Sauer.
American 20th Century.
Solo part and Piano.
Published by Cherry
Classics (CY.CC2356).
Charles Ives
was one of the first
American composers to
gain international
recognition, although
most of his music was
unperformed during his
lifetime.
Ives wrote
114 songs including these
four: 1. Memories, 2.
The Side Show, 3. Dreams
and 4. War Song No.
2. The songs include
quotes of American folk
songs, with whistling,
singing and more making
for a lively experience
for performers and
listeners. Mr. Sauer
once again has edited a
brilliant new
transcription, bringing
Ive's music to life for
the Trombone world. For
moderately advanced
performers, all in bass
clef.
Sacred Solos for Trombone and Cello. Composed by Ed Hogan. Lillenas Publi...(+)
Sacred Solos for
Trombone and Cello.
Composed by Ed Hogan.
Lillenas Publishing
Company #9780834172340.
Published by Lillenas
Publishing Company
(LO.9780834172340).
Trombone and piano - Advanced SKU: CY.CC2144 Composed by Nick Francis. Co...(+)
Trombone and piano -
Advanced
SKU:
CY.CC2144
Composed by
Nick Francis.
Contemporary tonal. Full
score & set of parts.
Published by Cherry
Classics (CY.CC2144).
The Skye Boat
Song, among the most
popular of all Scottish
folk tunes, deals with
the flight of Bonnie
Prince Charlie (Charles
Edward Stewart) from
Scotland to the Isle of
Skye in 1746, after
having been defeated on
Culloden Moor by the
English Army of King
George II. The present
setting, for either Tenor
or Bass Trombone and
Piano, is mostly lyrical
and passes through a
series of episodes that
evoke watery images in
various ways. A stormy
episode which
superimposes a more
martial tune (relying
heavily on the familiar
scotch snappy rhythm)
against a variation of
the original folk tune
leads to brief quotations
from Mendelssohn's
Hebrides overture (the
Isle of Skye is part of
the group of islands
known as the Hebrides)
before a short
recapitulation of the
theme.