First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07895-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 8 pages. Baerenreiter
Verlag #BA07895_74.
Published by Baerenreiter
Verlag (BA.BA07895-74).
ISBN 9790006564255.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07895-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 7 pages. Baerenreiter
Verlag #BA07895_75.
Published by Baerenreiter
Verlag (BA.BA07895-75).
ISBN 9790006564262.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07887-74 Composed by Gabriel Faure. Ed...(+)
First violin (1. Violin)
SKU: BA.BA07887-74
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 7
minutes. Baerenreiter
Verlag #BA07887_74.
Published by Baerenreiter
Verlag (BA.BA07887-74).
ISBN 9790006558506.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07887-75 Composed by Gabriel Faure. E...(+)
Second violin (2. Violin)
SKU: BA.BA07887-75
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 7
minutes. Baerenreiter
Verlag #BA07887_75.
Published by Baerenreiter
Verlag (BA.BA07887-75).
ISBN 9790006558513.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki....(+)
Violin
SKU:
AP.48722
Violin
Part. Composed by Dr.
Shinichi Suzuki. This
edition: International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Book and CD. 48
pages. Alfred Music
#00-48722. Published by
Alfred Music (AP.48722).
ISBN 9781470644130.
UPC: 038081560342.
English.
Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
Suzuki Book and CD is
integral for Suzuki
violin lessons. This
International Edition of
the Suzuki Violin School,
Volume 1 features: *
Engravings in a 9 x 12
format * New editing
of pieces, including
bowings and fingerings
* 16 additional pages
* Additional
exercises, some from
Shinichi Suzuki, plus
additional insight and
suggestions for teachers
* Glossary of terms
in English, French,
German, and Spanish *
Musical notation guide
* Fingerboard
position * CD
features new recordings
by Hilary Hahn in
collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles:
Principles of Study and
Guidance * Twinkle,
Twinkle, Little Star
Variations (Suzuki) *
Lightly Row (Folk Song) *
Song of the Wind (Folk
Song) * Go Tell Aunt
Rhody (Folk Song) * O
Come, Little Children
(Folk Song) * May Song
(Folk Song) * Long, Long
Ago (Bayly) * Allegro
(Suzuki) * Perpetual
Motion (Suzuki) *
Allegretto (Suzuki) *
Andantino (Suzuki) *
Etude (Suzuki) * Minuet
1, Minuett III from Suite
in G Minor for Klavier,
BWV 822 (Bach) * M.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
