Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Cello and piano SKU: M7.SAE-22-01 Composed by Lucian Moraru. Sheet music....(+)
Cello and piano
SKU:
M7.SAE-22-01
Composed
by Lucian Moraru. Sheet
music. Piano reduction
with solo part. 16 pages.
SonArt Edition #SAE
22-01. Published by
SonArt Edition
(M7.SAE-22-01).
ISBN
9790707651551.
This
is a unique improvisation
for Cello and Piano based
on a theme by Erik Satie
and to which other
original themes have been
added. The work will
certainly be a delight
for the public because
the sound material is
treated in both classical
and jazzy style.
Certainly this is a piece
to be enjoyed by the
players, but audiences
have shown that they too
share the same pleasure,
for sure it is a smart
choice for the players
that want to achieve the
acclaim from the
audience. This piece of
music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.â€.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano Accompaniment; Viola (Viola With Piano Accompaniment) SKU: HL.48025329<...(+)
Piano Accompaniment;
Viola (Viola With Piano
Accompaniment)
SKU:
HL.48025329
Viola
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202536513. Published by
Bote & Bock
(HL.48025329).
UPC:
196288175490.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025315 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025315
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202535912. Published by
Bote & Bock
(HL.48025315).
UPC:
196288175193.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Score and Parts Piano Trio (SCORE+PARTS) SKU: HL.48025316 Piano Trio S...(+)
Score and Parts Piano
Trio (SCORE+PARTS)
SKU: HL.48025316
Piano Trio Score and
Parts. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 20 pages.
Duration 420 seconds.
Bote & Bock #M202535936.
Published by Bote & Bock
(HL.48025316).
ISBN
9783793142904. UPC:
196288175209.
9.0x12.0x0.091
inches.
Note by the
composer:“This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.