For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

(Cello with Piano Accompaniment). Composed by Various. Edited by Elmar Preusser and Rainer Mohrs. For Cello, Piano Accompaniment (Score and Solo Part). String. Softcover. 158 pages. Schott Music #ED21998. Published by Schott Music

Composed by Antonio Vivaldi (1678-1741). Masterworks; String - Cello and Piano. Kalmus Edition. Baroque; Masterwork. Book. 84 pages. Kalmus Classic Edition #00-K09129. Published by Kalmus Classic Edition

Cello and Piano. (Cello). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 68 pages. Published by Boosey and Hawkes.

Cello & piano

SKU: HH.HH286-FSP

Composed by Anton Eberl. Edited by Christopher Hogwood. Cello & Piano. This is a very interesting sonata as it bridges the gap between the cello/continuo sonatas and the ones by Beethoven. Eberl's part for violin is also included. Full score and parts. Edition HH Music Publishers #HH286-FSP. Published by Edition HH Music Publishers (HH.HH286-FSP).

ISBN 9790708092254.

A true Grand Duo for cello and piano to provide a much needed connection between the first sonatas for this combination -- by Beethoven -- and the later 19th century repertoire. Eberl's heroic style provides a masterly alternative to the over familiar works, with the balance of power between the two players scrupulously maintained throughout, and ingenious formal innovations. The Rhapsodie finale in particular, with sections in varying metres and moods, resolves in an elegant Pastorale, an entirely new format for this combination. The composer thoughtfully provided an adaptation of the cello part for violin containing many differences which will be of interest to players of both instruments; both string parts are included in this publication.

Cello and Piano

SKU: BT.EMBZ14832

Composed by Nicola Porpora. Educational Tool. Book Only. Composed 2012. 48 pages. Editio Musica Budapest #EMBZ14832. Published by Editio Musica Budapest (BT.EMBZ14832).

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo. Score; Set of Parts (paperbound). RV 39-47. Published by Baerenreiter-Ausgaben (German import). ISBN M006520596.

(Violoncello and Piano (Basso ad lib.)). By Giovanni Battista Cirri. Edited by Rainer Mohrs and Wolfgang Birtel. For Cello, Basso Continuo, Piano Accompaniment (Score and Solo Part). Schott. Softcover. 20 pages. Schott Music #CB244. Published by Schott Music

By A. Vivaldi (1678-1741). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello. Artist: Sergey Sudzilovsky - Cello; Vitaly Junitsky - Piano. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International. .

By Louis Vierne (1870-1937). For cello and piano. Classical: 20th Century (Contemporary). Score. 38 11 pages. Published by Editions Henry Lemoine

Violoncello and Piano (Violin An Cello)

SKU: HL.50511974

(No. 4-6). Composed by Benedetto Marcello. Baroque. EMB. Volume 2. Playing score. Op. 2. Editio Musica Budapest #Z13491. Published by Editio Musica Budapest (HL.50511974).

ISBN 9790080134917. Bach (23 x 30,2 cm) inches. Benedetto Marcello; Arpad Pejtsik.

Territoria l restrictions may apply. Please ask before ordering.

Violoncello and Piano (Violin An Cello)

SKU: HL.50511950

Composed by Antonio Caldara. Baroque. EMB. Editio Musica Budapest #Z12043. Published by Editio Musica Budapest (HL.50511950).

ISBN 9790080120439. K/4 (23,5x31) inches. Antonio Caldara; Laszlo Mezo; Gyorgy Orban.

The two manuscripts in oblong size (by the same hand) entitled Sinfonia a Violoncello Solo which served as the basis for the present edition are being kept in the Osterreichische Nationalbibliothek in Vienna under shelf mark E.M.29. Apart from the continuo realization and modifications in the sense of present-day notation carried out tacitly all other changes are listed in the footnotes, editorial additions have been put in square brackets. The bass part was supported in contemporary practice by a melody instrument. If performing with piano accompaniment, the supporting of the bass is not necessary. In case of harpsichord accompaniment, however, it is recommended to play the bass on bassoon instead of violoncello. Territorial restrictions may apply. Please ask before ordering.

Cello and Piano

SKU: BT.EMBZ14110

By Lajos Vigh. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1996. 40 pages. Editio Musica Budapest #EMBZ14110. Published by Editio Musica Budapest (BT.EMBZ14110).

ABRSM Syllabus title, Grade 5 The original source of these sonatas for cello and double bass duo was a collection created by G.A. Perti and his pupils in Bologna around 1695. Among the easy and small-scale movements (at most 28 measures long), the most quintessential dances of the Baroque era are represented.Some of these compositions can be played after a mere 3 years of instrumental study, therefore music students can use them as an opportunity to familiarize themselves with the fundamentals of baroque style. The simple development of the continuo allows for it to be played by a pupil performing alongside their teacher. The pieces also sound great when played on two cellos.

By Louise Farrenc. Edited by Simone Heilgendorff. For violin/clarinet, cello and piano. Winds with Piano (Basso Continuo) - Trio. Chamber Music. Level: advanced. Score and parts. Composed 1856. Published by Furore-Verlag (German import). (fue 3110)

By Louise Farrenc. For violin/flute, cello and piano. Winds with Piano (Basso Continuo) - Trio. Chamber Music. Level: intermediate. Full score. Composed 1862. Published by Furore-Verlag (German import). (fue 3910)

Composed by Leonardo Moja. Edited by Daniele Bogni. For cello with piano or harp. This edition: Paperback. Il violoncello all'Opera. Romantic. Score and set of parts. Published by Musedita Edizioni Musicali

Violoncello and Piano Reduction. By Antonio Vivaldi. Arranged by Enzo Altobelli. String Solo. Size 8.25x11.75 inches. 15 pages. Published by Ricordi.

Violoncello and Piano Reduction. By Antonio Vivaldi. Arranged by Angelo Ephrikian. String Solo. Size 9x12 inches. 16 pages. Published by Ricordi.

By Francesco Geminiani. Edited by Kolneder, Schulz. For violoncello, piano (cembalo) (violoncello 2 ad lib). Op.5. Published by C.F. Peters.

Composed by Benedetto Marcello. Edited by Annette Oppermann. Instrumental. Classical. Softcover. 26 pages. G. Henle #HN1481. Published by G. Henle