Cello and Piano

SKU: BT.F-09001

Composed by Frederic Chopin. Studies & Exercises. Book and Part(s). Composed 2005. Forberg Edition #F 09001. Published by Forberg Edition (BT.F-09001).

German.

For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 2400 pages. Published by Subito Music.

(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. For Cello and Piano. String - Cello Studies or Collection. Companion CD also available (see item 24483). Instrumental Solo Book and Piano Accompaniment Book. 104 pages. Published by Alfred Publishing.

(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited by Christiane Wiesenfeldt. For cello and piano. Standard notation

By Gabriel Faure. Edited by Zimmermann, Weber. For violoncello, piano. Elegy,Op.24; Romance,Op.69; Piece for Violoncello,Op.77; Sicilienne,Op.78; Serenade,Op.98(Urtext). Published by C.F. Peters.

Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano accompaniment. Format: set of performance parts (includes separate pull-out cello part). With solo part, piano accompaniment, performance notes and introductory text. Romantic period. 47 pages. 9x12 inches. Published by C.F. Peters.

By Claude Debussy (1862-1918). Edited by F. Ronchini. For cello and piano. String music. Score and part. Published by Noten Roehr

By Claude Debussy (1862-1918). Edited by A. Roelens; F. Ronchini. For cello and piano. Score and part. Published by Noten Roehr

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 29 16 pages. Published by Editions Combre

By Benedetto Marcello. Edited by Schulz. For violoncello, piano (2 nd violoncello ad lib). (F,e,a,g,C,G). Published by C.F. Peters.

By Johannes Brahms. Edited by Klengel. For violoncello, piano. Op.99(F). Published by C.F. Peters.

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49046442

Cello and Piano. Composed by Richard Strauss. String Solo. Classical. Softcover. 80 pages. Duration 1560 seconds. Schott Music #CB301. Published by Schott Music (HL.49046442).

ISBN 9781540094780. UPC: 842819113003.

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current editionas a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the developmentsection (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance.

By Johannes Brahms (1833-1897). Arranged by Carl Burchard. For violin, cello and piano duet. Facsimile Editions - Strings and Piano. Quartets. Romantic. Published by Rosewood Publications

Violin, Cello and Piano

SKU: BT.EMBZ14659

By András Soós. Educational Tool. Book Only. Composed 2009. 60 pages. Editio Musica Budapest #EMBZ14659. Published by Editio Musica Budapest (BT.EMBZ14659).

Hungarian-English-Germ an-French.

This volume of works by the Viennese classical and romantic composers contains only transcriptions, and only from pieces for the piano. In most cases the right hand part is played on the violin, often alternating with or responding to the cello, thus the piano part is considerably easier than the original, and therefore accessible to children not yet capable of playing the original work. The selection includes the most popular pieces by the greatest composers (Haydn, Beethoven, Mendelssohn, Schumann, Chopin and Grieg), such as, for instance, the second movement of the Mondschein-Sonate, and Träumerei.

Dies er Band beinhaltet ausschließlich von Klavierwerken transkribierte Werke aus der Wiener Klassik und Romantik. Die Melodie der rechten Hand wird meistens von der Geige, oft mit dem Cello abwechselnd, einander antwortend gespielt. Dadurch ist die Klavierstimme im Vergleich zum Original wesentlich leichter, also sie ist auch für Kinder zu meistern, die das Originalstück sonst noch nicht spielen könnten. In der Auswahl kommen die beliebtesten Werke der größten Komponisten (Haydn, Beethoven, Mendelssohn, Schumann, Chopin und Grieg) wie z. B. der zweite Satz der ‚Mondschein-Sonate oder das ‚Träumerei' vor.

(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle

Composed by Felix Mendelssohn (1809-1847), edited by Ernst Cahnbley, Friedrich Wilhelm Gruetzmacher (1832-1903). Instrumental solo book for cello solo and piano accompaniment. With solo part, standard notation, bowings, fingerings and piano accompaniment. 121 pages. Published by C.F. Peters.

Composed by Ludwig van Beethoven (1770-1827), edited by Walter Schulz. Instrumental solo book for cello solo and piano accompaniment. With solo part, standard notation, bowings, fingerings, piano accompaniment and thematic index. 167 pages. Published by C.F. Peters.

Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Composed by Robert Schumann (1810-1856), edited by Friedrich Wilhelm Gruetzmacher (1832-1903). For cello solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation, bowings, fingerings and piano accompaniment. Romantic Period. 66 pages. 9x12 inches. Published by C.F. Peters.