Songspin Songbook Chorale 3 parties SSA University Of York Music Press
SSA Choir SKU: BT.MUSM570366033 By James Whittle_Paul Slid. Hymns & Chora...(+)
SSA Choir
SKU:
BT.MUSM570366033
By
James Whittle_Paul Slid.
Hymns & Chorals. Book
Only. 145 pages.
University of York Music
Press #MUSM570366033.
Published by University
of York Music Press
(BT.MUSM570366033).
English.
A
genre-defying collection
of songs for female vocal
trio, Songspin Songbook
is a collaboration
between Juice Vocal
Ensemble and UYMP, funded
by an Arts Council
England grant. Described
as “the 21st
century’s answer to
the Swingles or
King’s
Singers” (The
Times), Juice have
emerged as the face of a
revitalised experimental
scene for vocal music.
Songspin Songbook
publishes songs from
their debut album,
Songspin. The album was
released on Nonclassical
in 2011 to critical
acclaim, winning an
international Independent
Music Award for Best
Contemporary Classical
Album in 2012. Featuring
remixes by the likes of
Camille producer MaJiker
and
Björkcollaborator
Mikhail Karikis, the
album was reviewed by The
Observer as
“eighteen
immaculately achieved
tracks, spanning
Elisabeth Lutyens to
Gabriel Prokofiev via
folk song and avant
garde, enchant and
enthrall”. Songspin
also featured the
premiere recording of
Elisabeth Lutyens' Of The
Snow, which The Telegraph
described of a
performance by Juice as
an amazing sustained
piece of virtuosity.
Songspin Songbook
was edited by James
Whittle and Paul Sild.
Artwork designed by
Christopher Leedham and
Martin Scheuregger.
(Expand Your Playing with a New Style). By Andrew York. Edited by Nathaniel Guno...(+)
(Expand Your Playing with
a New Style). By Andrew
York. Edited by Nathaniel
Gunod. For Guitar. Book;
CD; Guitar Method or
Supplement;
Method/Instruction. Jazz.
192 pages. Published by
Alfred Music Publishing
Performed by Andrew York. For Guitar (Classical). solos. Artist Line. Contempora...(+)
Performed by Andrew York.
For Guitar (Classical).
solos. Artist Line.
Contemporary. Level:
Intermediate-Advanced.
DVD. Size 5.38x7.5. 40
pages. Published by Mel
Bay Publications, Inc.
Jazz Guitar for Classical Cats. (Chord/Melody (The Classical Guitarist's Guide t...(+)
Jazz Guitar for Classical
Cats. (Chord/Melody (The
Classical Guitarist's
Guide to Jazz). By Andrew
York. For Guitar. Guitar
Method or Supplement;
Method/Instruction. Jazz.
Book and CD. 64 pages.
Published by Alfred Music
Publishing
Composed by Kerry Andrew.
Hymns & Chorals. Vocal
Score. 6 pages.
University of York Music
Press #MUSM570366088.
Published by University
of York Music Press
(BT.MUSM570366088).
English.
Kerry
Andrew 's Lullaby For The
Witching Hour for three
voices (SSA). Duration: 4
minutes Composed: 2004
Also published as part of
UYMP's Songspin Songbook,
ISMN M 57036 603 3. This
piece was written as an
introduction to a gig we
did at the York Spring
Festival in 2004. It sets
my own text and is
influenced by 'Our
Prayer', heard on Brian
Wilson's album Smile, as
well as the
Belgian/Central African a
cappella group Zap Mama
and the soundtrack to the
film Belleville
Rendez-Vous. It was first
performed by Juice at
York Spring Festival in
May 2004.
Luna-cy Chorale 3 parties SSA University Of York Music Press
SSA Choir SKU: BT.MUSM570366118 Composed by Kerry Andrew. Classical. Voca...(+)
SSA Choir
SKU:
BT.MUSM570366118
Composed by Kerry Andrew.
Classical. Vocal Score.
11 pages. University of
York Music Press
#MUSM570366118. Published
by University of York
Music Press
(BT.MUSM570366118).
English.
Kerry
Andrew 's Luna-cy for
three voices (SSA).
Duration: 5 minutes
Composed: 2001 Also
published as part of
UYMP's Songspin Songbook,
ISMN M 57036 603 3. A
cuckoo called: I looked
towards the sound, but
only the moon of the dawn
was there. Fujiwara
Sanesada. Translation by
Geoffrey Bownas and
Anthony Thwaite from
‘The Penguin Book of
Japanese Verse’
(Penguin Books 1964,
Revised edition 1998,
2009). Reproduced by
permission of Penguin
Books Ltd. I had an
animalistic expression of
madness in mind for this
piece. The Japanese tanka
above seemed to
encapsulate the idea of
madness associated with
the moon ('lunar'=
'lunacy') and with
cuckoos.
Choral SKU: HL.14042254 ATB Men's Voices. Composed by James Weeks....(+)
Choral
SKU:
HL.14042254
ATB
Men's Voices.
Composed by James Weeks.
Music Sales America.
Classical. Softcover.
University of York Music
Press #M570363575.
Published by University
of York Music Press
(HL.14042254).
8.25x11.75x0.066
inches.
Glossa by
James Weeks was first
performed by the Choir of
St John's College,
Cambridge, directed by
Andrew Nethsingha, 30
June 2010.
Glossa
by James
Weeks was first
performed by the Choir of
St John's College,
Cambridge, directed by
Andrew Nethsingha, 30
June 2010.
Was It Winter? Chorale SATB University Of York Music Press
Choral (SATB) SKU: HL.232746 SATB chorus. Composed by Robert Saxto...(+)
Choral (SATB)
SKU:
HL.232746
SATB
chorus. Composed by
Robert Saxton. Choral.
Classical. Octavo.
University of York Music
Press #M570363261.
Published by University
of York Music Press
(HL.232746).
For SATB choir.
An a cappella Christmas
song, composed in 2005 to
a poem written by the
composer. First performed
and recorded (on VIF
Records) by the Choir of
Worcester College,
Oxford, directed by
Thomas Allery. London
Premiere: Choir of the
Chapel Royal, St James's,
in the chapel of St
James's Palace (the
Chapel Royal), directed
by Dr Andrew Gant.
For
SATB choir.
An a
cappella Christmas song,
composed in 2005 to a
poem written by the
composer.
First
performed and recorded
(on VIF Records) by the
Choir of Worcester
College, Oxford, directed
by
ThomasAllery.
Lo
ndon Premiere: Choir of
the Chapel Royal, St
James's, in the chapel of
St James's Palace (the
Chapel Royal), directed
by Dr Andrew
Gant.
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra
SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes.
Bassoon SKU: BT.MUSM570362271 Bassoon. Composed by Philip Venables...(+)
Bassoon
SKU:
BT.MUSM570362271
Bassoon. Composed
by Philip Venables.
Classical. Book Only. 12
pages. University of York
Music Press
#MUSM570362271. Published
by University of York
Music Press
(BT.MUSM570362271).
English.
Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
Oboe SKU: BT.MUSM570362240 Oboe. Composed by Philip Venables. Clas...(+)
Oboe
SKU:
BT.MUSM570362240
Oboe. Composed by
Philip Venables.
Classical. Book Only. 12
pages. University of York
Music Press
#MUSM570362240. Published
by University of York
Music Press
(BT.MUSM570362240).
English.
Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
Saxophone SKU: BT.MUSM570362288 Saxophone. Composed by Philip Vena...(+)
Saxophone
SKU:
BT.MUSM570362288
Saxophone.
Composed by Philip
Venables. Classical. Book
Only. University of York
Music Press
#MUSM570362288. Published
by University of York
Music Press
(BT.MUSM570362288).
English.
Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
A Song Cycle Voix Baryton, Piano [Conducteur] University Of York Music Press
Baritone Voice and Piano SKU: BT.MUSM570364107 Composed by Robert Saxton....(+)
Baritone Voice and Piano
SKU:
BT.MUSM570364107
Composed by Robert
Saxton. Opera or
Operetta. Score Only. 84
pages. University of York
Music Press
#MUSM570364107. Published
by University of York
Music Press
(BT.MUSM570364107).
English.
Time
And The Seasons: A Song
Cycle was commissioned by
Sholto Kynoch, with
funding from the Britten
Pears Foundation and
Truffle Hunter, for
Roderick Williams and
Andrew West to perform at
the 2013 Oxford Lieder
Festival.
Hortus Musicae Piano seul University Of York Music Press
Piano SKU: BT.MUSM570364459 Composed by Robert Saxton. Classical. Book On...(+)
Piano
SKU:
BT.MUSM570364459
Composed by Robert
Saxton. Classical. Book
Only. 24 pages.
University of York Music
Press #MUSM570364459.
Published by University
of York Music Press
(BT.MUSM570364459).
English.
Robert
Saxton 's Hortus Musicae
, Book 1 was commissioned
by Ian Richie for the
2013 City of London
Festival with funds
provided by the John S.
Cohen Foundation. The
first performance was
given by Clare Hammond on
June 24th 2013 at the
church of St Mary Le Bow.
The title, less 'literal'
in Latin than in the
vernacular, refers to the
idea of an
allegorical/metaphysical
garden (reference to a
'real', or existing,
garden might be implied
by Hortus Musicus) with
various facets. The
titles of the individual
pieces/movements, with
their respective garden
image, are as follows: 1)
Hortus Somniorum: a
fleeting vision of a
'magical' garden 2)
Hortus Temporis: a
reflection of/on the
floralclock described by
Andrew Marvell
(1621-1678) in his
[metaphysical] poem The
Garden: How well the
skilful gardener drew Of
flowers and herbs this
dial new Where from above
the milder sun Does
through a fragrant zodiac
run; And, as it works,
the industrious bee
Computes its time as well
as we. How could such
sweet and wholesome hours
Be reckoned but with
herbs and flowers! 3)
Hortus Cantus: A garden
in which nature 'sings'
(praises), in the manner
of a 'chorale prelude'
and ending with the
cantus firmus transformed
into bells. 4) Hortus
Infinitatis: A
meditative/formal garden
representing Time
suspended, in the form of
a palindromic prolation
canon combined with a
harmonic ground
(chaconne). 5) Saltatio
Hortensis: A (summer)
garden of dancing,
celebratory nature. Its
essence (and that of the
entire cycle, both
metaphorically and
structurally/formally) is
summed up in words spoken
by Miranda in WH Auden's
1944 Tempest
[Shakespeare]-inspired
poem The Sea And The
Mirror; So, to remember
our changing garden, we
Are linked as children in
a circle dancing.
Duration: 15 minutes.
A Classical Guitarist's Technique Handbook. Composed by Scott Tennant. This ...(+)
A Classical Guitarist's
Technique Handbook.
Composed
by Scott Tennant. This
edition: 2nd. Book;
Classical Guitar Method
or
Supplement; DVD; Digital
Download;
Method/Instruction;
Software. Pumping Nylon
Series. 144 pages.
Published
by Alfred Music
Pumping Nylon Guitare Guitare classique Alfred Publishing
(A Classical Guitarist's Technique Handbook). Composed by Scott Tennant. For Gui...(+)
(A Classical Guitarist's
Technique Handbook).
Composed by Scott
Tennant. For Guitar. This
edition: 2nd. Book;
Classical Guitar Method
or Supplement;
Method/Instruction;
Other. Pumping Nylon
Series. 144 pages.
Published by Alfred Music